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  1. Taking Care of History: Toward a Politics of Provenance Linked Open Data in Museums

    Rother, L., Koss, M. & Mariani, F., 19.12.2022, Perspectives on Data. Lew Fry, E. & Canning, E. (eds.). Chicago: Art Institute of Chicago, 31 p.

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review

  2. Aspekte der Maschinenästhetik

    Broeckmann, A., 12.12.2022, Technik-Ästhetik : Zur Theorie techno-ästhetischer Realität. Ruf, O. & Grabbe, L. (eds.). Bielefeld: transcript Verlag, p. 125-144 20 p. ( Medien- und Gestaltungsästhetik; vol. 12).

    Research output: Contributions to collected editions/works › Chapter

  3. ›Politik‹ und ›die Künste‹

    Muhle, M. & Gräfe, A., 12.12.2022, Handbuch Kunstphilosophie. Siegmund , J. (ed.). Bielefeld: transcript Verlag, p. 579-596 18 p. (Philosophie).

    Research output: Contributions to collected editions/works › Articles for encyclopedia › Research

  4. Art History Update

    Söntgen, B. (Editor), Graw, I. (Editor), Feldman, J. P. (Editor) & Magalhães, A. (Editor), 12.2022, Berlin: TEXTE ZUR KUNST Verlag. 240 p. (Texte zur Kunst; vol. 32, no. 128)

    Research output: Books and anthologies › Special Journal issue › Research

  5. Auch Klio dichtet... Über Kunstgeschichtsschreibung und das Schweigen der Archive

    Söntgen, B., 12.2022, In: Texte zur Kunst. 32, 128, p. 30-39 10 p.

    Research output: Journal contributions › Journal articles › Transfer › peer-review

  6. From Revolution to Reformation: From the Figurative Constructivism of the Cologne Progressives to Léna Meyer-Bergner’s Isotype in Mexico as Anti-imperialist Strategy, 1920–1946

    Neugärtner, S., 12.2022, From Posada to Isotype, from Kollwitz to Catlett: Exchange of Political Print Culture. Germany–Mexico, 1900–1968. Buchloh, B. & Harewood, M. (eds.). Madrid: Museo Nacional Centro de Arte Reina Sofía, p. 400–417 18 p.

    Research output: Contributions to collected editions/works › Contribution of Exihibition catalogues › Research

  7. Uncanny Provenance: Art History and its Double

    Rother, L., 12.2022, In: Texte zur Kunst. 2022, 128, p. 84-97 14 p.

    Research output: Journal contributions › Journal articles › Research

  8. Arts and Power: Policies in and by the Arts

    Gaupp, L. (Editor), Barber-Kersovan, A. (Editor) & Kirchberg, V. (Editor), 11.2022, Wiesbaden: Springer Fachmedien Wiesbaden. 358 p. (Kunst und Gesellschaft)

    Research output: Books and anthologies › Collected editions and anthologies › Research

  9. "Oh, You are a Scientist!" Elsa Glaser and Art History

    Rother, L. & Koss, M., 11.2022, The Collector Curt Glaser: From Champion of Modernism to Refugee. Haldemann, A. & Rauser, J. (eds.). Berlin: Deutscher Kunstverlag, p. 14-19 6 p.

    Research output: Contributions to collected editions/works › Contribution of Exihibition catalogues › Research

  10. "foto-bauhäusler, werdet arbeiterfotografen!"

    Neugärtner, S., 24.10.2022, Linke Waffe Kunst: Die Kommunistische Studentenfraktion am Bauhaus. Thöner, W., Strob, F. & Schätzke, A. (eds.). Basel: Birkhäuser Verlag, p. 163-180 18 p. (Bauwelt Fundamente; vol. 175)(Edition Bauhaus; vol. 60).

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review

  11. Structure as Infrastructure: The Interrelation of Fiber and Construction

    Neugärtner, S., 24.10.2022, Architect of Letters: Reading Hilberseimer. Strob, F. (ed.). Basel: Birkhäuser Verlag, p. 222–236 15 p. (Bauwelt Fundamente; vol. 174)(Edition Bauhaus; vol. 59).

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review

  12. A Transcultural Approach to Art History through the Lens of its First International Conferences,

    Costa, M. T., 01.09.2022, In: History of Humanities. 7, 2, p. 235-250 16 p.

    Research output: Journal contributions › Journal articles › Research › peer-review

  13. What Is Popular Art?

    Benezra, K., 19.08.2022, The Routledge Companion to Twentieth and Twenty-First Century Latin American Literary and Cultural Forms. De Ferrari, G. & Siskind, M. (eds.). London: Routledge Taylor & Francis Group, p. 69-76 8 p. (Routledge companions to Hispanic and Latin American studies).

    Research output: Contributions to collected editions/works › Chapter

  14. Die documenta – ein Konflikt-Feld: Beuys und die Persuasion

    von Xylander, C. & Wuggenig, U., 31.07.2022, Die Welten der documenta: Wissen und Geltung eines Großereignisses in der Kunst. Buckermann, P. (ed.). 1 ed. Weilerswist: Velbrück Wissenschaft, p. 130-163 33 p.

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research

  15. Mach mal: Oder Produktion ist anderswo

    Hafner, H.-J. & Schneider, T., 28.07.2022, Involvierte Autonomie. : Künstlerische Praxis zwischen Engagement und Eigenlogik. Eusterschulte, B. & Krüger, C. (eds.). Bielefeld: transcript Verlag, p. 127-150 24 p.

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Transfer › peer-review

  16. Ecologies of things and texts: Nature, matter, and material culture in the Middle Ages

    Khanmohamadi, S. A. & Schulz, V. S., 01.06.2022, In: Postmedieval. 13, 1-2, p. 163-166 4 p.

    Research output: Journal contributions › Other (editorial matter etc.) › Research

  17. Cutting Across Lines: Lil Picard and the Reorienting Effects of Collage

    Lochner, O., 06.2022, Compressed Utterances : Collage in a Germanic Context after 1912. Collins, C. (ed.). Oxford, Bern, Berlin ua.: Peter Lang Verlag, p. 221-252 (German Visual Culture; vol. 12).

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Transfer › peer-review

  18. Museums, Transculturality and the Nation-State: Case Studies from a Global Context

    Leeb, S. (Editor) & Samuel, N. (Editor), 27.05.2022, Bielefeld: transcript Verlag. 248 p. (Edition Museum; vol. 52)

    Research output: Books and anthologies › Collected editions and anthologies › Research

  19. Museums, Transculturality, and the Nation-State: Some Remarks on their Entanglement

    Leeb, S., 27.05.2022, Museums, Transculturality and the Nation-State: Case Studies from a Global Context. Leeb, S. & Samuel, N. (eds.). Bielefeld: transcript Verlag, p. 7-16 10 p. (Museum; vol. 52).

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research

  20. Locating the Impolitical in American Theatre: Albee's Who's Afraid of Virginia Woolf? and Schechner's Dionysus in 69

    Pinder, J. Y., 01.05.2022, In: New Theatre Quarterly. 38, 2, p. 172-185 14 p.

    Research output: Journal contributions › Journal articles › Research › peer-review

  21. ARE WE THE BADDIES? Audience development, cultural policy and ideological precarity

    Hadley, S., 06.04.2022, Routledge Companion to Audiences and the Performing Arts. Reason, M., Conner, L., Johanson, K. & Walmsley, B. (eds.). Taylor and Francis Inc., p. 143-158 16 p.

    Research output: Contributions to collected editions/works › Chapter › peer-review

  22. Feminine Desire, Feminist Politics

    Benezra, K., 01.04.2022, In: Critical Times: interventions in global critical theory . 5, 1, p. 227-233 7 p.

    Research output: Journal contributions › Journal articles › Research › peer-review

  23. Queering

    John, R. H., 01.04.2022, Why Art Criticism? : A Reader. Söntgen, B. & Voss, J. (eds.). Berlin: Hatje Cantz Verlag, p. 415-427 13 p. (Zeitgenössische Kunst).

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Transfer › peer-review

  24. Ticio Escobar: Towards a Popular Art

    Benezra, K., 01.04.2022, In: Journal of Latin American and Latinx Visual Culture. 4, 2, p. 86-94 9 p.

    Research output: Journal contributions › Journal articles › Research › peer-review

  25. Undisciplined: Peter Gorsen

    Schneider, T., 01.04.2022, Why Art Criticism? : A Reader. Söntgen, B. & Voss, J. (eds.). Berlin: Hatje Cantz Verlag, p. 165-166 2 p.

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Transfer › peer-review

  26. Gathering Voices, Feeling Relations: Arlene Raven

    Lochner, O., 04.2022, Why Art Criticism? : A Reader. Söntgen, B. & Voss, J. (eds.). Berlin: Hatje Cantz Verlag, p. 249-250 2 p.

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Transfer › peer-review

  27. Why Art Criticism? A Reader

    Söntgen, B. (Editor) & Voss, J. (Editor), 04.2022, Berlin: Hatje Cantz Verlag. 464 p.

    Research output: Books and anthologies › Collected editions and anthologies › Transfer

  28. Achtundsechzig antikolonial: Szenen militanter Kunst- und Filmproduktion und Implikationen für eine (Kunst)Geschichtsschreibung

    Leeb, S., 05.03.2022, Dreizehn Beiträge zu 1968: Von künstlerischen Praktiken und vertrackten Utopien. Lange-Berndt, P. & Lindermann, I. (eds.). Bielefeld: transcript Verlag, p. 27-61 35 p. (Image; vol. 202).

    Research output: Contributions to collected editions/works › Chapter › peer-review

  29. Accumulation and Subjectivity: Rethinking Marx in Latin America

    Benezra, K. (Editor), 03.2022, New York: The State University of New York. 344 p.

    Research output: Books and anthologies › Collected editions and anthologies › Research

  30. Quipping Equipment: Apropos of Robots and Kantian Chatbots

    von Xylander, C., 03.2022, In: Technology and Language. 3, 1, p. 82-103 22 p.

    Research output: Journal contributions › Journal articles › Research

  31. Sobre la transferencia: Lacan y Althusser

    Benezra, K., 09.01.2022, In: Res Publica. 25, 1, p. 65-74 10 p.

    Research output: Journal contributions › Journal articles › Research › peer-review

  32. The Lawless Vitality of Sculpture, c. 1960-80. Formalism’s Monsters, Cybernetic Breakdowns and the Joys of Deviation

    Nachtigall, J., 01.01.2022, Future Bodies from a Recent Past: Sculpture, Technology, and the Body since the 1950s. Dander, P. & Linhardt, F. (eds.). Berlin: Deutscher Kunstverlag, p. 113-123 11 p.

    Research output: Contributions to collected editions/works › Contribution of Exihibition catalogues › Research

  33. Coral Stone Mosques in Coastal East Africa

    Schulz, V.-S., 2022, The Religious Architecture of Islam : Volime II: Africa, Europe, and the Americas. Khan , H.-U. & Blair Moore, K. (eds.). Turnhout: Brepols Publishers, p. 212–227 16 p.

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research

  34. Culture and Capital: Claire Bishop: Place in Plunderland: Claire Bishop on the Shed

    Kipke, A., 2022, Why Art Criticism? : A Reader. Söntgen, B. & Voss, J. (eds.). 1. Auflage ed. Berlin: Hatje Cantz Verlag, p. 428-437 10 p. (Zeitgenössische Kunst).

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research

  35. Dada postkolonial: Die Wi(e)der-Aufführung als kuratorische Praxis

    Felicitas Sabel, L., 2022, The Return of DADA / Die Wiederkehr von DADA / Le Retour de DADA: DADA Exhibitions / DADA-Ausstellungen / Expositions DADA. Mareuge, A. & Sandro, Z. (eds.). Dijon: Les Presses du Réel, Vol. 2. p. 63-78 16 p.

    Research output: Contributions to collected editions/works › Article in conference proceedings › Research › peer-review

  36. Der Mucha - Ein Anfangsverdacht: Kunstsammlung NRW, K20 + K21 03.09.2022 – 22.01.2023

    Schneider, T., 2022, In: Kunstforum international. 2022, 285, p. 253-254 2 p.

    Research output: Journal contributions › Journal articles › Transfer › peer-review

  37. Female Bodybuilding and Patriarchal Civilization. The Intrusion of a Practice in Sport into Artistic Fields and Visual Culture

    Mola, I. F. & Wuggenig, U., 2022, Arts and Power: Policies in and by the Arts. Gaupp, L., Barber-Kersovan, A. & Kirchberg, V. (eds.). 1 ed. Wiesbaden: Springer VS, p. 155-193 39 p. 9. (Kunst und Gesellschaft).

    Research output: Contributions to collected editions/works › Chapter

  38. Freie Rede

    Schneider, T., 2022, In: 21: Inquiries into Art, History, and the Visual. Beiträge zur Kunstgeschichte und visuellen Kultur. 3, 2, p. 511-527 17 p.

    Research output: Journal contributions › Journal articles › Transfer › peer-review

  39. Im Zeichen des Zweifel(n)s. Madame Realism: oder: Die Funktion der Fiktion in der Kunstkritik

    Mehl, I., 2022, München: edition metzel. 360 p.

    Research output: Books and anthologies › Book

  40. Klosterruinenzines

    Weickenmeier, C. (Editor), Wallenhorst, M. (Editor), Szaflarski, A. M., Fattal, S. (Illustrator), Montealegre, J. (Illustrator), Sugito, Y. (Illustrator) & Saad, B., 2022, BOM DIA BOA TARDE BOA NOITE. 76 p.

    Research output: Books and anthologies › Exhibition catalogues › Research

  41. Liquidity - Networks - Deterritorialisation: Allan Sekula's Critique of Flow

    Kuhn, H., 2022, Fluidity : Materials in Motion. Finke, M. & Nakas, K. (eds.). Berlin: Dietrich Reimer Verlag, p. 39-58 20 p.

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review

  42. Looking at the World With You

    Koss, M., 2022, On the Edge of Time. Lyn, A. & Bird, R. (eds.). St. Gallen; Berlin: Vexer Verlag

    Research output: Contributions to collected editions/works › Contribution of Exihibition catalogues › Transfer

  43. Meme Therapy: Auf der Suche nach Heilung in Geisterzeichnungen, Therapie-Notizbüchern und Trauma-Tagebüchern

    Kipke, A., 2022, In: Kunstforum international. 279, p. 104-111 8 p.

    Research output: Journal contributions › Journal articles › Transfer

  44. Passion, Performance and Soberness: Denis Diderot

    Söntgen, B., 2022, Why Art Criticism?: A Reader. Söntgen, B. & Voss, J. (eds.). Berlin: Hatje Cantz Verlag, p. 24-25

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review

  45. Politics-as-a-thing vs politics-as-a-structure

    Davydzik, V., 2022, Every Day: Art. Solidarity. Resistance. Chychasova, N. (ed.). Kiew: Mystetskyi Arsenal, p. 254-255

    Research output: Contributions to collected editions/works › Contribution of Exihibition catalogues › Transfer

  46. Practical Formalist: Roger Fry

    Söntgen, B., 2022, Why Art Criticism? : A Reader. Söntgen, B. & Voss, J. (eds.). Berlin: Hatje Cantz Verlag, p. 62-63

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review

  47. Rechtsgespräche: Recht im Kontext von Innovation | Entrepreneurship | Nachhaltigkeit | Kultur | Europa: Kolloquium anlässlich der Verleihung des Dr. jur. h.c. der Leuphana Law School an Prof. Dr. Dr. h.c. mult. Andreas Voßkuh

    Terhechte, J. (Editor), 2022, Baden-Baden: Nomos Verlagsgesellschaft. 134 p.

    Research output: Books and anthologies › Conference proceedings › Transfer

  48. Schuldiger Realismus

    Volz, J., 2022, Art Germania Miami Beach: Jody Korbach, Nicolai Saur, Nicholas Warburg. Hannover: feinkunst e.V., p. 14-21 8 p.

    Research output: Contributions to collected editions/works › Contribution of Exihibition catalogues › Transfer

  49. Transgenerational Audiovisual Narration in Revolutionary Women: Ella

    Gerhardt, U., 2022, Lene Markusen: Mythbiographies. : I Premiati di Villa Romana 2021. Angelika Stepken, F. (ed.). Florenz: Villa Romana, p. 37-39 3 p.

    Research output: Contributions to collected editions/works › Contribution of Exihibition catalogues › Research

  50. Von echten Geschenken, falschen Verkäufen und realen Verlusten

    Rother, L., 2022, Seismografen und Orientierungsspiegel: Bilder der Welt in kurzen Kunstgeschichten. Crasemann, L., Fellmann, B. & Hadjinicolaou, Y. (eds.). 1 ed. Walter de Gruyter, p. 292-297 6 p.

    Research output: Contributions to collected editions/works › Chapter

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