1. //
  2. Start
  3. //
  4. Researchers
  5. //
  6. Wolf-Georg Zaddach
  7. //
  8. Publications
  9. //

Wolf-Georg Zaddach

Dr.

Wolf-Georg Zaddach

Contact

Dr. Wolf-Georg Zaddach

Links

Advanced search options
Advanced search options

Reset

    to
    1 - 20 out of 25Page size: 20
    1. 2023
    2. Published

      Artistic Research in Popular Music: A Critical Evaluation of Potentials and Challenges

      Zaddach, W. G., 28.07.2023, In: IASPM Journal. 13, 1, p. 214-237 24 p.

      Research output: Journal contributions › Journal articles › Research › peer-review

    3. 2022
    4. Published

      Evaluating an Analysis-by-Synthesis Model for Jazz Improvisation

      Frieler, K. & Zaddach, W-G., 03.02.2022, In: Transactions of the International Society for Music Information Retrieval. 5, 1, p. 20-34 15 p.

      Research output: Journal contributions › Journal articles › Research › peer-review

    5. 2021

    6. Kirkland A. Fulk, ed., Sounds German: Popular Music in Postwar Germany at the Crossroads of the National and Transnational

      Zaddach, W. G., 08.12.2021, In: Popular Music History. 14, 1, p. 88-91 4 p.

      Research output: Journal contributions › Critical reviews › Research

    7. 2019

    8. »Groove is the essence of my music«. Wayne Krantz’ guitar playing from a practice-based perspective

      Zaddach, W-G., 10.05.2019, Jazzforschung heute. : Themen, Methoden, Perspektiven. Pfleiderer, M. & Zaddach, W-G. (eds.). Berlin: Verlag Edition EMVAS, p. 133-146 13 p. (Sounding heritage; vol. 4).

      Research output: Contributions to collected editions/works › Chapter › peer-review

    9. "Heavy Metal hat einen berechtigten Platz in der sozialistischen Musikkultur"? Wie in der DDR der 1980er Jahre eine posttraditionelle Jugendkultur verhandelt wurde

      Zaddach, W-G., 2019, Kulturpolitik in Ostmittel- und Südosteuropa (1945 bis 2015). Höhne, S. (ed.). Wiesbaden: Harrassowitz Verlag, p. 105-140 36 p. (Ostmitteleuropa interdisziplinär; vol. 1).

      Research output: Contributions to collected editions/works › Article in conference proceedings › Research › peer-review

    10. Jazzforschung heute: Themen, Methoden, Perspektiven

      Zaddach, W-G. (ed.) & Pfleiderer, M. (ed.), 2019, Berlin: Verlag Edition EMVAS. 320 p. (sounding heritage; vol. 4)

      Research output: Books and anthologies › Conference proceedings › Research

    11. "Schwer, hart und wild" Heavy Metal in der DDR

      Zaddach, W-G., 2019, In: Gerbergasse 18. 24, 90, p. 41-45 5 p.

      Research output: Journal contributions › Journal articles › Research › peer-review

    12. Sind wir bereit für eine Musikwirtschaft 5.0? Ein Essay zu gegenwärtigen Problemstellungen und zukünftigen Herausforderungen

      Zaddach, W-G., 2019, In: Zeitschrift für Kulturmanagement: Kunst, Politik, Wirtschaft und Gesellschaft. 5, 1, p. 143-158 16 p.

      Research output: Journal contributions › Journal articles › Research › peer-review

    13. 2018

    14. Heavy Metal in der DDR: Szene, Akteure, Praktiken

      Zaddach, W-G., 2018, 1st ed ed. Bielefeld: transcript Verlag. 369 p. (texte zur populären Musik; vol. 10)

      Research output: Books and anthologies › Book

    15. 2017

    16. Inside the Jazzomat: new perspectives for jazz research

      Pfleiderer, M. (ed.), Frieler, K. (ed.), Abeßer, J. (ed.), Zaddach, W-G. (ed.) & Burkhart, B. (ed.), 01.12.2017, Mainz: Schott Music. 352 p.

      Research output: Books and anthologies › Book

    17. Jazz in Czechoslovakia during the 1950s and 1960s

      Zaddach, W-G., 01.01.2017, Jazz and totalitarianism. Johnson, B. (ed.). New York: Routledge Taylor & Francis Group, p. 114-135 22 p. (Transnational studies in jazz).

      Research output: Contributions to collected editions/works › Chapter › peer-review

    18. Score-Informed Analysis of Tuning, Intonation, Pitch Modulation, and Dynamics in Jazz Solos

      Abeber, J., Frieler, K., Cano, E., Pfleiderer, M. & Zaddach, W. G., 01.2017, In: IEEE/ACM Transactions on Audio Speech and Language Processing. 25, 1, p. 168-177 10 p.

      Research output: Journal contributions › Journal articles › Research › peer-review

    19. Following the red line: Chris Potter's solo on "Pop Tune #1"

      Zaddach, W-G., 2017, Inside the Jazzomat : new perspectives for jazz research. Pfleiderer, M., Frieler, K., Abeßer, J., Zaddach, W-G. & Burkhart, B. (eds.). Mainz: Schott Music, p. 291-302 12 p. (Schott Campus).

      Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review

    20. Heayy Metal in Germany

      Zaddach, W-G., 2017, Europe. Prato, P. & Horn, D. (eds.). New York: Bloomsbury Academic, p. 357-361 5 p. ( Bloomsbury encyclopedia of popular music of the world; vol. 11)(Bloomsbury encyclopedia of popular music of the world; vol. Pt. 3, Genres).

      Research output: Contributions to collected editions/works › Articles for encyclopedia › Research

    21. Michael Brecker's "I mean you"

      Zaddach, W-G., 2017, Inside the Jazzomat : new perspectives for jazz research. Pfleiderer, M., Frieler, K., Abeßer, J., Zaddach, W-G. & Burkhart, B. (eds.). Mainz: Schott Music, p. 211-225 15 p. (Schott Campus).

      Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review

    22. Right into the heart. Branford Marsalis and the blues "Housed from Edward"

      Zaddach, W-G., 2017, Inside the Jazzomat: new perspectives for jazz research. Pfleiderer, M., Frieler, K., Abeßer, J., W-G. Z. & Burkhart, B. (eds.). Mainz: Schott Music, p. 227-242 16 p. (Schott Campus).

      Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review

    23. 2016

    24. Metal militia behind the iron curtain: Scene formation in 1980s East Germany

      Zaddach, W. G., 01.09.2016, In: Metal Music Studies. 2, 3, p. 357-376 20 p.

      Research output: Journal contributions › Journal articles › Research › peer-review

    25. Midlevel analysis of monophonic jazz solos: a new approach to the study of improvisation

      Frieler, K., Pfleiderer, M., Zaddach, W-G. & Abeßer, J., 06.2016, In: Musicae Scientiae. 20, 2, p. 143-162 20 p.

      Research output: Journal contributions › Journal articles › Research › peer-review

    26. 2014

    27. »30 Jahre Ride The Lightning: So klingt unsere Tribute-CD«: Zur diskursiven Praxis des Erinnerns in der Kulturwelt Heavy und Extreme Metal

      Zaddach, W. G., 2014, In: Lied und Populare Kultur. 59, p. 227-241 15 p.

      Research output: Journal contributions › Journal articles › Research › peer-review

    28. Chasing the difference: computer-aided comparison of improvisation in postbob, hardbob, and bebop

      Frieler, K., Pfleiderer, M., Abeßer, J. & Zaddach, W-G., 2014, In: Jazzforschung. 46, p. 249-269 21 p.

      Research output: Journal contributions › Journal articles › Research › peer-review

    Previous 1 2 Next

    Recently viewed