Wolf-Georg Zaddach
Dr.
- Music education
Research areas
- 2025
- Published
Songwriting Camps: Kollaborative Songwriting-Praxis zwischen Songwriting-Tradition und musikwirtschaftlicher Transformation
Wernicke, C., Zaddach, W.-G., Ahlers, M. & Herbst, J.-P., 01.03.2025, Musik in der spätmodernen Gesellschaft: Analysen – Positionen – Perspektiven. Pfleiderer, M., Just, S., Wernicke, C. & Jost, C. (eds.). Münster: Waxmann Verlag, p. 197-218 (Populäre Kultur und Musik; vol. 43).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- 2024
- Published
Artificial intelligence in songwriting and composing - perspectives and challenges in creative practices
Tillmann, B. & Zaddach, W.-G., 01.05.2024, Artificial Intelligence - Intelligent Art?: Human-Machine Interaction and Creative Practice. Voigts, E., Auer, R. M., Elflein, D., Kunas, S., Röhnert, J. & Seelinger, C. (eds.). Bielefeld: transcript Verlag, p. 217-231 15 p. (Digitale Gesellschaft; vol. 64).Research output: Contributions to collected editions/works › Chapter › peer-review
- Published
Perspektiven für die Musikforschung im 21. Jahrhundert? Künstlerische Forschung und Musikwissenschaft
Zaddach, W.-G., 2024, In: Musikforschung. 77, 4, p. 364-377 14 p.Research output: Journal contributions › Journal articles › Research › peer-review
- 2023
- Published
Artistic Research in Popular Music: A Critical Evaluation of Potentials and Challenges
Zaddach, W. G., 28.07.2023, In: IASPM Journal. 13, 1, p. 214-237 24 p.Research output: Journal contributions › Journal articles › Research › peer-review
- Published
Don’t Break the Oath, Henrik Marstal (2022)
Zaddach, W.-G., 01.06.2023, In: Metal Music Studies. 9, 2, p. 263-265 3 p.Research output: Journal contributions › Critical reviews › Research
"Dit Is Berlin": Local metal scene building and transformation in Berlin, Germany
Zaddach, W. G., 19.05.2023, Living Metal: Metal Scenes around the World. Bardine, B. & Stueart, J. (eds.). Intellect Ltd, p. 166-188 23 p. (Advances in Metal Music and Culture).Research output: Contributions to collected editions/works › Chapter › peer-review
- 2022
- Published
Evaluating an Analysis-by-Synthesis Model for Jazz Improvisation
Frieler, K. & Zaddach, W.-G., 03.02.2022, In: Transactions of the International Society for Music Information Retrieval. 5, 1, p. 20-34 15 p.Research output: Journal contributions › Journal articles › Research › peer-review
- 2021
Kirkland A. Fulk, ed., Sounds German: Popular Music in Postwar Germany at the Crossroads of the National and Transnational
Zaddach, W. G., 08.12.2021, In: Popular Music History. 14, 1, p. 88-91 4 p.Research output: Journal contributions › Critical reviews › Research
- 2019
»Groove is the essence of my music«. Wayne Krantz’ guitar playing from a practice-based perspective
Zaddach, W.-G., 10.05.2019, Jazzforschung heute. : Themen, Methoden, Perspektiven. Pfleiderer, M. & Zaddach, W.-G. (eds.). Berlin: Verlag Edition EMVAS, p. 133-146 13 p. (Sounding heritage; vol. 4).Research output: Contributions to collected editions/works › Chapter › peer-review
"Heavy Metal hat einen berechtigten Platz in der sozialistischen Musikkultur"? Wie in der DDR der 1980er Jahre eine posttraditionelle Jugendkultur verhandelt wurde
Zaddach, W.-G., 2019, Kulturpolitik in Ostmittel- und Südosteuropa (1945 bis 2015). Höhne, S. (ed.). Wiesbaden: Harrassowitz Verlag, p. 105-140 36 p. (Ostmitteleuropa interdisziplinär; vol. 1).Research output: Contributions to collected editions/works › Article in conference proceedings › Research › peer-review