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Wolf-Georg Zaddach

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Wolf-Georg Zaddach

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Dr. Wolf-Georg Zaddach

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    1 - 10 out of 28Page size: 10
    1. 2024
    2. Published

      Artificial intelligence in songwriting and composing - perspectives and challenges in creative practices

      Tillmann, B. & Zaddach, W.-G., 01.05.2024, Artificial Intelligence - Intelligent Art?: Human-Machine Interaction and Creative Practice. Voigts, E., Auer, R. M., Elflein, D., Kunas, S., Röhnert, J. & Seelinger, C. (eds.). Bielefeld: transcript Verlag, p. 217-231 15 p. (Digitale Gesellschaft; vol. 64).

      Research output: Contributions to collected editions/works › Chapter › peer-review

    3. Published

      Perspectives for Music Research in the 21st century? Artistic Research and Musicology

      Zaddach, W.-G., 2024, In: Musikforschung. 77, 4, p. 364-376 13 p.

      Research output: Journal contributions › Journal articles › Research › peer-review

    4. 2023
    5. Published

      Artistic Research in Popular Music: A Critical Evaluation of Potentials and Challenges

      Zaddach, W. G., 28.07.2023, In: IASPM Journal. 13, 1, p. 214-237 24 p.

      Research output: Journal contributions › Journal articles › Research › peer-review

    6. Published

      Don’t Break the Oath, Henrik Marstal (2022)

      Zaddach, W.-G., 06.2023, In: Metal Music Studies. 9, 2, p. 263-265 3 p.

      Research output: Journal contributions › Critical reviews › Research

    7. 2022
    8. Published

      Evaluating an Analysis-by-Synthesis Model for Jazz Improvisation

      Frieler, K. & Zaddach, W.-G., 03.02.2022, In: Transactions of the International Society for Music Information Retrieval. 5, 1, p. 20-34 15 p.

      Research output: Journal contributions › Journal articles › Research › peer-review

    9. 2021

    10. Kirkland A. Fulk, ed., Sounds German: Popular Music in Postwar Germany at the Crossroads of the National and Transnational

      Zaddach, W. G., 08.12.2021, In: Popular Music History. 14, 1, p. 88-91 4 p.

      Research output: Journal contributions › Critical reviews › Research

    11. 2019

    12. »Groove is the essence of my music«. Wayne Krantz’ guitar playing from a practice-based perspective

      Zaddach, W.-G., 10.05.2019, Jazzforschung heute. : Themen, Methoden, Perspektiven. Pfleiderer, M. & Zaddach, W.-G. (eds.). Berlin: Verlag Edition EMVAS, p. 133-146 13 p. (Sounding heritage; vol. 4).

      Research output: Contributions to collected editions/works › Chapter › peer-review

    13. "Heavy Metal hat einen berechtigten Platz in der sozialistischen Musikkultur"? Wie in der DDR der 1980er Jahre eine posttraditionelle Jugendkultur verhandelt wurde

      Zaddach, W.-G., 2019, Kulturpolitik in Ostmittel- und Südosteuropa (1945 bis 2015). Höhne, S. (ed.). Wiesbaden: Harrassowitz Verlag, p. 105-140 36 p. (Ostmitteleuropa interdisziplinär; vol. 1).

      Research output: Contributions to collected editions/works › Article in conference proceedings › Research › peer-review

    14. Jazzforschung heute: Themen, Methoden, Perspektiven

      Zaddach, W.-G. (Editor) & Pfleiderer, M. (Editor), 2019, Berlin: Verlag Edition EMVAS. 320 p. (sounding heritage; vol. 4)

      Research output: Books and anthologies › Conference proceedings › Research

    15. "Schwer, hart und wild" Heavy Metal in der DDR

      Zaddach, W.-G., 2019, In: Gerbergasse 18. 24, 90, p. 41-45 5 p.

      Research output: Journal contributions › Journal articles › Research › peer-review

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