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Wolf-Georg Zaddach

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Wolf-Georg Zaddach

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Dr. Wolf-Georg Zaddach

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    1 - 20 out of 29Page size: 20
    1. 2025
    2. Published

      Songwriting Camps. Kollaborative Praxis zwischen Songwriting-Tradition und musikwirtschaftlicher Transformation

      Wernicke, C., Zaddach, W.-G., Ahlers, M. & Herbst, J.-P., 01.03.2025, Musik in der spätmodernen Gesellschaft: Analysen – Positionen – Perspektiven. Pfleiderer, M., Just, S., Wernicke, C. & Jost, C. (eds.). 2025: Waxmann Verlag, p. 197-218

      Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review

    3. 2024
    4. Published

      Artificial intelligence in songwriting and composing - perspectives and challenges in creative practices

      Tillmann, B. & Zaddach, W.-G., 01.05.2024, Artificial Intelligence - Intelligent Art?: Human-Machine Interaction and Creative Practice. Voigts, E., Auer, R. M., Elflein, D., Kunas, S., Röhnert, J. & Seelinger, C. (eds.). Bielefeld: transcript Verlag, p. 217-231 15 p. (Digitale Gesellschaft; vol. 64).

      Research output: Contributions to collected editions/works › Chapter › peer-review

    5. Published

      Perspektiven für die Musikforschung im 21. Jahrhundert? Künstlerische Forschung und Musikwissenschaft

      Zaddach, W.-G., 2024, In: Musikforschung. 77, 4, p. 364-377 14 p.

      Research output: Journal contributions › Journal articles › Research › peer-review

    6. 2023
    7. Published

      Artistic Research in Popular Music: A Critical Evaluation of Potentials and Challenges

      Zaddach, W. G., 28.07.2023, In: IASPM Journal. 13, 1, p. 214-237 24 p.

      Research output: Journal contributions › Journal articles › Research › peer-review

    8. Published

      Don’t Break the Oath, Henrik Marstal (2022)

      Zaddach, W.-G., 01.06.2023, In: Metal Music Studies. 9, 2, p. 263-265 3 p.

      Research output: Journal contributions › Critical reviews › Research

    9. 2022
    10. Published

      Evaluating an Analysis-by-Synthesis Model for Jazz Improvisation

      Frieler, K. & Zaddach, W.-G., 03.02.2022, In: Transactions of the International Society for Music Information Retrieval. 5, 1, p. 20-34 15 p.

      Research output: Journal contributions › Journal articles › Research › peer-review

    11. 2021

    12. Kirkland A. Fulk, ed., Sounds German: Popular Music in Postwar Germany at the Crossroads of the National and Transnational

      Zaddach, W. G., 08.12.2021, In: Popular Music History. 14, 1, p. 88-91 4 p.

      Research output: Journal contributions › Critical reviews › Research

    13. 2019

    14. »Groove is the essence of my music«. Wayne Krantz’ guitar playing from a practice-based perspective

      Zaddach, W.-G., 10.05.2019, Jazzforschung heute. : Themen, Methoden, Perspektiven. Pfleiderer, M. & Zaddach, W.-G. (eds.). Berlin: Verlag Edition EMVAS, p. 133-146 13 p. (Sounding heritage; vol. 4).

      Research output: Contributions to collected editions/works › Chapter › peer-review

    15. "Heavy Metal hat einen berechtigten Platz in der sozialistischen Musikkultur"? Wie in der DDR der 1980er Jahre eine posttraditionelle Jugendkultur verhandelt wurde

      Zaddach, W.-G., 2019, Kulturpolitik in Ostmittel- und Südosteuropa (1945 bis 2015). Höhne, S. (ed.). Wiesbaden: Harrassowitz Verlag, p. 105-140 36 p. (Ostmitteleuropa interdisziplinär; vol. 1).

      Research output: Contributions to collected editions/works › Article in conference proceedings › Research › peer-review

    16. Jazzforschung heute: Themen, Methoden, Perspektiven

      Zaddach, W.-G. (Editor) & Pfleiderer, M. (Editor), 2019, Berlin: Verlag Edition EMVAS. 320 p. (sounding heritage; vol. 4)

      Research output: Books and anthologies › Conference proceedings › Research

    17. "Schwer, hart und wild" Heavy Metal in der DDR

      Zaddach, W.-G., 2019, In: Gerbergasse 18. 24, 90, p. 41-45 5 p.

      Research output: Journal contributions › Journal articles › Research › peer-review

    18. Sind wir bereit für eine Musikwirtschaft 5.0? Ein Essay zu gegenwärtigen Problemstellungen und zukünftigen Herausforderungen

      Zaddach, W.-G., 2019, In: Zeitschrift für Kulturmanagement: Kunst, Politik, Wirtschaft und Gesellschaft. 5, 1, p. 143-158 16 p.

      Research output: Journal contributions › Journal articles › Research › peer-review

    19. 2018

    20. Heavy Metal in der DDR: Szene, Akteure, Praktiken

      Zaddach, W.-G., 2018, 1st ed ed. Bielefeld: transcript Verlag. 369 p. (texte zur populären Musik; vol. 10)

      Research output: Books and anthologies › Book

    21. 2017

    22. Inside the Jazzomat: new perspectives for jazz research

      Pfleiderer, M. (Editor), Frieler, K. (Editor), Abeßer, J. (Editor), Zaddach, W.-G. (Editor) & Burkhart, B. (Editor), 01.12.2017, Mainz: Schott Music. 352 p.

      Research output: Books and anthologies › Book

    23. Jazz in Czechoslovakia during the 1950s and 1960s

      Zaddach, W.-G., 01.01.2017, Jazz and totalitarianism. Johnson, B. (ed.). New York: Routledge Taylor & Francis Group, p. 114-135 22 p. (Transnational studies in jazz).

      Research output: Contributions to collected editions/works › Chapter › peer-review

    24. Score-Informed Analysis of Tuning, Intonation, Pitch Modulation, and Dynamics in Jazz Solos

      Abeber, J., Frieler, K., Cano, E., Pfleiderer, M. & Zaddach, W. G., 01.2017, In: IEEE/ACM Transactions on Audio Speech and Language Processing. 25, 1, p. 168-177 10 p.

      Research output: Journal contributions › Journal articles › Research › peer-review

    25. Following the red line: Chris Potter's solo on "Pop Tune #1"

      Zaddach, W.-G., 2017, Inside the Jazzomat : new perspectives for jazz research. Pfleiderer, M., Frieler, K., Abeßer, J., Zaddach, W.-G. & Burkhart, B. (eds.). Mainz: Schott Music, p. 291-302 12 p. (Schott Campus).

      Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review

    26. Heayy Metal in Germany

      Zaddach, W.-G., 2017, Europe. Prato, P. & Horn, D. (eds.). New York: Bloomsbury Academic, p. 357-361 5 p. ( Bloomsbury encyclopedia of popular music of the world; vol. 11)(Bloomsbury encyclopedia of popular music of the world; vol. Pt. 3, Genres).

      Research output: Contributions to collected editions/works › Articles for encyclopedia › Research

    27. Michael Brecker's "I mean you"

      Zaddach, W.-G., 2017, Inside the Jazzomat : new perspectives for jazz research. Pfleiderer, M., Frieler, K., Abeßer, J., Zaddach, W.-G. & Burkhart, B. (eds.). Mainz: Schott Music, p. 211-225 15 p. (Schott Campus).

      Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review

    28. Right into the heart. Branford Marsalis and the blues "Housed from Edward"

      Zaddach, W.-G., 2017, Inside the Jazzomat: new perspectives for jazz research. Pfleiderer, M., Frieler, K., Abeßer, J., W.-G. Z. & Burkhart, B. (eds.). Mainz: Schott Music, p. 227-242 16 p. (Schott Campus).

      Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review

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