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Wolf-Georg Zaddach

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  1. 2025
  2. Published

    Musikkulturen, Nachhaltigkeit und Klimabildung

    Zaddach, W.-G. & Ahlers, M., 22.10.2025, Handbuch Klimabildung. Höttecke, D., Heinicke, S., Martens, H., Nehring, A. & Rabe, T. (eds.). Wiesbaden: Springer Nature, p. 265-283

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Education › peer-review

  3. Published

    Songwriting Camps: Kollaborative Songwriting-Praxis zwischen Songwriting-Tradition und musikwirtschaftlicher Transformation

    Wernicke, C., Zaddach, W.-G., Ahlers, M. & Herbst, J.-P., 01.03.2025, Musik in der spätmodernen Gesellschaft: Analysen – Positionen – Perspektiven. Pfleiderer, M., Just, S., Wernicke, C. & Jost, C. (eds.). Münster: Waxmann Verlag, p. 197-218 (Populäre Kultur und Musik; vol. 43).

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review

  4. 2024
  5. Published

    Artificial intelligence in songwriting and composing - perspectives and challenges in creative practices

    Tillmann, B. & Zaddach, W.-G., 01.05.2024, Artificial Intelligence - Intelligent Art?: Human-Machine Interaction and Creative Practice. Voigts, E., Auer, R. M., Elflein, D., Kunas, S., Röhnert, J. & Seelinger, C. (eds.). Bielefeld: transcript Verlag, p. 217-231 15 p. (Digitale Gesellschaft; vol. 64).

    Research output: Contributions to collected editions/works › Chapter › peer-review

  6. Published

    Perspektiven für die Musikforschung im 21. Jahrhundert? Künstlerische Forschung und Musikwissenschaft

    Zaddach, W.-G., 2024, In: Musikforschung. 77, 4, p. 364-377 14 p.

    Research output: Journal contributions › Journal articles › Research › peer-review

  7. 2023
  8. Published

    Artistic Research in Popular Music: A Critical Evaluation of Potentials and Challenges

    Zaddach, W. G., 28.07.2023, In: IASPM Journal. 13, 1, p. 214-237 24 p.

    Research output: Journal contributions › Journal articles › Research › peer-review

  9. Published

    Don’t Break the Oath, Henrik Marstal (2022)

    Zaddach, W.-G., 01.06.2023, In: Metal Music Studies. 9, 2, p. 263-265 3 p.

    Research output: Journal contributions › Critical reviews › Research

  10. "Dit Is Berlin": Local metal scene building and transformation in Berlin, Germany

    Zaddach, W. G., 19.05.2023, Living Metal: Metal Scenes around the World. Bardine, B. & Stueart, J. (eds.). Intellect Ltd, p. 166-188 23 p. (Advances in Metal Music and Culture).

    Research output: Contributions to collected editions/works › Chapter › peer-review

  11. 2022
  12. Published

    Evaluating an Analysis-by-Synthesis Model for Jazz Improvisation

    Frieler, K. & Zaddach, W.-G., 03.02.2022, In: Transactions of the International Society for Music Information Retrieval. 5, 1, p. 20-34 15 p.

    Research output: Journal contributions › Journal articles › Research › peer-review

  13. 2021

  14. Kirkland A. Fulk, ed., Sounds German: Popular Music in Postwar Germany at the Crossroads of the National and Transnational

    Zaddach, W. G., 08.12.2021, In: Popular Music History. 14, 1, p. 88-91 4 p.

    Research output: Journal contributions › Critical reviews › Research

  15. 2019

  16. »Groove is the essence of my music«. Wayne Krantz’ guitar playing from a practice-based perspective

    Zaddach, W.-G., 10.05.2019, Jazzforschung heute. : Themen, Methoden, Perspektiven. Pfleiderer, M. & Zaddach, W.-G. (eds.). Berlin: Verlag Edition EMVAS, p. 133-146 13 p. (Sounding heritage; vol. 4).

    Research output: Contributions to collected editions/works › Chapter › peer-review

  17. "Heavy Metal hat einen berechtigten Platz in der sozialistischen Musikkultur"? Wie in der DDR der 1980er Jahre eine posttraditionelle Jugendkultur verhandelt wurde

    Zaddach, W.-G., 2019, Kulturpolitik in Ostmittel- und Südosteuropa (1945 bis 2015). Höhne, S. (ed.). Wiesbaden: Harrassowitz Verlag, p. 105-140 36 p. (Ostmitteleuropa interdisziplinär; vol. 1).

    Research output: Contributions to collected editions/works › Article in conference proceedings › Research › peer-review

  18. Jazzforschung heute: Themen, Methoden, Perspektiven

    Zaddach, W.-G. (Editor) & Pfleiderer, M. (Editor), 2019, Berlin: Verlag Edition EMVAS. 320 p. (sounding heritage; vol. 4)

    Research output: Books and anthologies › Conference proceedings › Research

  19. "Schwer, hart und wild" Heavy Metal in der DDR

    Zaddach, W.-G., 2019, In: Gerbergasse 18. 24, 90, p. 41-45 5 p.

    Research output: Journal contributions › Journal articles › Research › peer-review

  20. Sind wir bereit für eine Musikwirtschaft 5.0? Ein Essay zu gegenwärtigen Problemstellungen und zukünftigen Herausforderungen

    Zaddach, W.-G., 2019, In: Zeitschrift für Kulturmanagement: Kunst, Politik, Wirtschaft und Gesellschaft. 5, 1, p. 143-158 16 p.

    Research output: Journal contributions › Journal articles › Research › peer-review

  21. 2018

  22. Heavy Metal in der DDR: Szene, Akteure, Praktiken

    Zaddach, W.-G., 2018, 1st ed ed. Bielefeld: transcript Verlag. 369 p. (texte zur populären Musik; vol. 10)

    Research output: Books and anthologies › Book

  23. 2017

  24. Inside the Jazzomat: new perspectives for jazz research

    Pfleiderer, M. (Editor), Frieler, K. (Editor), Abeßer, J. (Editor), Zaddach, W.-G. (Editor) & Burkhart, B. (Editor), 01.12.2017, Mainz: Schott Music. 352 p.

    Research output: Books and anthologies › Book

  25. Jazz in Czechoslovakia during the 1950s and 1960s

    Zaddach, W.-G., 01.01.2017, Jazz and totalitarianism. Johnson, B. (ed.). New York: Routledge Taylor & Francis Group, p. 114-135 22 p. (Transnational studies in jazz).

    Research output: Contributions to collected editions/works › Chapter › peer-review

  26. Score-Informed Analysis of Tuning, Intonation, Pitch Modulation, and Dynamics in Jazz Solos

    Abeber, J., Frieler, K., Cano, E., Pfleiderer, M. & Zaddach, W. G., 01.2017, In: IEEE/ACM Transactions on Audio Speech and Language Processing. 25, 1, p. 168-177 10 p.

    Research output: Journal contributions › Journal articles › Research › peer-review

  27. Following the red line: Chris Potter's solo on "Pop Tune #1"

    Zaddach, W.-G., 2017, Inside the Jazzomat : new perspectives for jazz research. Pfleiderer, M., Frieler, K., Abeßer, J., Zaddach, W.-G. & Burkhart, B. (eds.). Mainz: Schott Music, p. 291-302 12 p. (Schott Campus).

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review

  28. Heayy Metal in Germany

    Zaddach, W.-G., 2017, Europe. Prato, P. & Horn, D. (eds.). New York: Bloomsbury Academic, p. 357-361 5 p. ( Bloomsbury encyclopedia of popular music of the world; vol. 11)(Bloomsbury encyclopedia of popular music of the world; vol. Pt. 3, Genres).

    Research output: Contributions to collected editions/works › Articles for encyclopedia › Research

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