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Professorship for Art History

Organisational unit: Professoship

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Organisation profile

Research and teaching at the Professorship for Art History focuses on the history and theory of art from the Renaissance through Modernism and Postmodernism to the contemporary period. The art of the 20th and 21st centuries is in the foreground. Beyond the classical objects of art history – painting, graphics, sculpture – diverse forms of visual culture are also the subject of study, such as object art, arts and crafts, design, photography, video, installation, performance and new media.

Topics

Die Professur für Kunstgeschichte beschäftigt sich mit Kunst des 18.-21. Jahrhunderts, vor allem französische und deutsche Malerei des 18. und 19. Jahrhunderts sowie zeitgenössische Kunst, Theorie und Kulturgeschichte des Bildes, Rezeptionsästhetik, Geschichte und Theorie der Wahrnehmung und der Affekte, Kunsttheorie der Moderne sowie Geschichte, Theorie und Praxis der Kunstkrititk.

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  1. 2015
  2. Published

    Image Noise

    Brons, F., 2015, The Technical Image : A History of Styles within Scientific Images. Bredekamp, H., Dünkel, V. & Schneider, B. (eds.). 1 ed. Chicago: Chicago University Press, p. 138 - 141 4 p.

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research

  3. Published

    In the Eye of the Beholder: Emanuel Goldberg's Apparatuses at the International Photographic Exhibition Dresden 1909

    Brons, F., 2015, The Technical Image: a history of styles in scientific imagery. Bredekamp, H., V. D. & Schneider, B. (eds.). Chicago: Chicago University Press, p. 102 - 111 10 p.

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research

  4. Published

    Julius Meier-Graefe -" a laconic art historian"

    Marchal, S., 2015, Silence / Schweigen : Über die stumme Praxis der Kunst. Beyer, A. & Le Bon, L. (eds.). Berlin: Deutscher Kunstverlag, p. 183-194 12 p. (Passagen / Passages; vol. 47).

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research

  5. Published

    Photographic Premises: Notes on the Exposure of Interiors around 1900

    Brons, F., 2015, Interiors and Interiority. Lajer-Burcharth, E. & Söntgen, B. (eds.). 1 ed. Berlin / Boston : Walter de Gruyter GmbH, p. 261-278 18 p.

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review

  6. Published

    Übertragungen: Emotion und Kommunikation bei Chardin

    Söntgen, B., 2015, Von Poussin bis Manet: Die Farben Frankreichs. A-M. B. R. (ed.). München: Hirmer, p. 47 - 57 11 p.

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review

  7. 2014
  8. Published

    Art World's End: Mara Kölmel über Ryan Trecartin im KW Institute for Contemporary Art, Berlin

    Kölmel, M-J., 12.2014, In: Texte zur Kunst. 96, p. 199-200 2 p.

    Research output: Journal contributions › Journal articles › Research › peer-review

  9. Published

    Diane H. Bodart: Pouvoirs du portrait sous les Habsbourg d'Espagne, Paris, CTHS 2011

    Marchal, S., 15.10.2014, In: sehepunkte - Rezensionsjournal für die Geschichtswissenschaften . 14, 10

    Research output: Journal contributions › Critical reviews › Research

  10. Published

    Julius Meier-Graefe: Vom „Kampf um“ zur „Sehnsucht nach“ dem Stil

    Marchal, S., 01.04.2014, In: Kritische Berichte. 42, 1, p. 35-46 11 p.

    Research output: Journal contributions › Journal articles › Research

  11. Published

    Buchbesprechung: Eva Kernbauer, Der Platz des Publikums. Modelle für Kunstöffentlichkeit im 18. Jahrhundert, Köln/Weimar/Wien: Böhlau, 2011, 338 S., ISBN 978-3-412-20555-3

    Söntgen, B., 2014, In: Zeitschrift für Kunstgeschichte. 77, 2, p. 283-286 4 p.

    Research output: Journal contributions › Critical reviews › Research

  12. Published

    Chardin: Inwardness - Emotion - Communication

    Söntgen, B., 2014, Rethinking Emotion: Interiority and Exteriority in Premodern, Modern, and Contemporary Thought. Rüdiger, C. & Julia, W. (eds.). Berlin / Boston: Walter de Gruyter GmbH, p. 101 -133 33 p. 6. (Interdisciplinary German Cultural Studies; vol. 15).

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review

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