Professorship for Art History
Organisational unit: Section
Organisation profile
Research and teaching at the Professorship for Art History focuses on the history and theory of art from the Renaissance through Modernism and Postmodernism to the contemporary period. The art of the 20th and 21st centuries is in the foreground. Beyond the classical objects of art history – painting, graphics, sculpture – diverse forms of visual culture are also the subject of study, such as object art, arts and crafts, design, photography, video, installation, performance and new media.
- 2012
- Published
Mise en scène / Jérôme Bel
Mordhorst, S., 03.2012, displayer. Kuehn, W. (ed.). Berlin: Karlsruhe University of Arts and Design, Vol. 04. p. 7-21 15 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
- Published
Esthetics Column. Loss of History - on contemporary Art History
Kemp, W., 01.2012, In: Merkur. 66, 1, p. 58-62 5 p.Research output: Journal contributions › Journal articles › Research › peer-review
- Published
Abstand nehmen: Bonnards Welt
Söntgen, B., 2012, Pierre Bonnard. B. M. AG. & Küster, U. (eds.). Ostfildern: Hatje Cantz Verlag, p. 150-155 6 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- Published
Bei sich sein: Szenen des Privaten in den Fotografien von Richard Billingham und Nan Goldin
Söntgen, B., 2012, Hold it !: Zur Pose zwischen Bild und Performance. Brandl-Risi, B., Brandstetter, G. & Diekmann, S. (eds.). Berlin: Verlag Theater der Zeit, p. 96-111 16 p. (Theater der Zeit, Recherchen; no. 89).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- Published
Das Interieur als psychische Installation: Zur Einrichtung des Innenraums bei Teresa Hubbard/Alexander Birchler und Eija-Liisa Ahtila
Söntgen, B., 2012, Kinematographische Räume: Installationsästhetik in Film und Kunst. Frohne, U. & Haberer, L. (eds.). München: Wilhelm Fink Verlag, p. 419-446 28 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- Published
Das Theater des Herrn Diderot findet im Innenraum statt: Zum Rahmen wahrer Darstellung im späten 18. Jahrhundert
Söntgen, B., 2012, Theaterfeindlichkeit. Diekmann, S., Wild, C. & Brandstetter, G. (eds.). München: Wilhelm Fink Verlag, p. 127-146 20 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Transfer › peer-review
- Published
Familienbande und Beziehungsmuster: Zum Ornamentalen in Édouard Vuillards Grand Intérieur
Söntgen, B., 2012, Ornament: Motiv - Modus - Bild. Beyer, V. & Spies, C. (eds.). Paderborn: Wilhelm Fink Verlag, p. 91-115 25 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- Published
Gehen: Festschrift für Hannes Böhringer
Vahrson, V. (ed.), Märtens, S. (ed.) & Söntgen, B. (ed.), 2012, Köln: Salon Verlag . 203 p. (Graue Reihe)Research output: Books and anthologies › Collected editions and anthologies › Research
- Published
Gustave Courbet in seinen Selbstdarstellungen: Forschungsbericht
Marchal, S., 2012, In: Fotogeschichte: Beiträge zur Geschichte und Ästhetik der Fotografie. 32, 125, p. 72-73 2 p.Research output: Journal contributions › Journal articles › Research
- Published
"'Jeder braucht mindestens ein Fenster'. Isa Genzkens Fensterskulpturen"
Vietmeier, M., 2012, Fresh Widow. Fensterbilder seit Matisse und Duchamp. K. N-W. (ed.). Ostfildern Ruit: Hatje Cantz Verlag, p. 201 - 210 10 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Transfer › peer-review