Professorship for Art History

Organisational unit: Professoship

Organisation profile

Research and teaching at the Professorship for Art History focuses on the history and theory of art from the Renaissance through Modernism and Postmodernism to the contemporary period. The art of the 20th and 21st centuries is in the foreground. Beyond the classical objects of art history – painting, graphics, sculpture – diverse forms of visual culture are also the subject of study, such as object art, arts and crafts, design, photography, video, installation, performance and new media.

Main research areas

In addition to the historical classification and the art-scientifically based interpretation of these various arts, media and creative spaces of action, there is a special focus on the contexts of use of artistic design. This includes in particular thinking about the social interconnections of artistic practices, institutions and actors under specific political and economic conditions. Central to this is the connection between historical research and current issues. In this way, the Professorship for Art History opens up participation in contemporary social debates in which art and visual cultures develop their meaning and function.

The connection to concrete projects, such as the university's Kunstraum, and the direct work in front of originals in the context of excursions are an important part of the studies. Through the exchange with artists and curators and the transfer of the place of study into institutional spaces of action of the arts, professional fields of practice are to be tested and developed.

  1. 2014
  2. Published

    Resonanzräume: ‚Neue‘ Kunstkritik und ‚neues‘ Sammeln um 1900

    Marchal, S., 2014, Kunst ohne Geschichte. Ästhetisch motiviertes Sammeln in Europa und Amerika: Symposium in der Sammlung Oskar Reinhart "Am Römerholz", Winterthur 2012, Akten des internationalen Symposiums in der Sammlung Oskar Reinhart »Am Römerholz« am 7. und 8. September 2012.. Reinhard-Felice, M. (ed.). Hirmer, p. 51-58 8 p. (Scripta manent. Schriften zur Sammlung Oskar Reinhart «Am Römerholz»; vol. 1).

    Research output: Contributions to collected editions/worksArticle in conference proceedingsResearch

  3. Published

    Wilhelm Worringer: Schriften - Band 1

    Söntgen, B. (Editor), Grebing, H. (Editor) & Böhringer, H. (Editor), 2014, 1 ed. München: Wilhelm Fink Verlag. 1504 p.

    Research output: Books and anthologiesCollected editions and anthologiesResearch

  4. 2013
  5. Published

    Komplizen des Kapitals: Kunst, Stiere, Abstraktionen

    Kuhn, H. & Loichinger, H. C., 10.2013, Das Beste vom Besten: Vom riskanten Geschäft der Kunst. Hafner, H.-J. (ed.). Düsseldorf: Kunstverein für die Rheinlande und Westfalen, p. 65-71 80 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  6. Published

    Aesthetics Column With Blindman on the Documenta 13

    Kemp, W., 01.2013, In: Merkur. 67, 1, p. 45-50 6 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  7. Published

    Ästhetikkolumne: Mit Blindman auf der Documenta 13

    Kemp, W., 01.2013, In: Merkur. 67, 764, p. 45-50 6 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  8. Published

    Auswendigkeit (oder: Toast Master´s Backen ohne Mehl)

    Söntgen, B., 2013, Denkfiguren: für Anselm Haverkamp. Horn, E. & Lowrie, M. (eds.). Berlin: August Verlag, p. 43-44 2 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesTransferpeer-review

  9. Published

    Die Explosion als Bildgegenstand im und in Reaktion auf den Ersten Weltkrieg

    Marchal, S., 2013, L’Explosion en point de mire / Die Explosion vor Augen. Felten, G., Golgotiu, C. & Plas, G. (eds.). Königshausen & Neumann, p. 175-198 15 p. (Forum: Studien zur Moderneforschung; no. 7).

    Research output: Contributions to collected editions/worksArticle in conference proceedingsResearch

  10. Published

    Mise-en-scène

    Söntgen, B., 2013, Kunst - Begriffe der Gegenwart: Von Allegorie bis Zip. Schafaff, J., Schallenberg, N. & Vogt, T. (eds.). Köln: Verlag der Buchhandlung Walther König, p. 173-178 6 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  11. Published

    Prendre la bordure comme thème: Henri de Toulouse-Lautrec und Bewegung im Bild.

    Mordhorst, S., 2013, Peripherie: 81. Kunsthistorischer Studierendenkongress Siegen. Andert, L. & Röhl, A. (eds.). Edition Imorde, p. 47-60 14 p.

    Research output: Contributions to collected editions/worksArticle in conference proceedingsResearch

  12. Published

    Touching Things

    Söntgen, B., 2013, The challenge of the object . Die Herausforderung des Objekts: 33rd congress of the International Committee of the History of Art, Nuremberg, 15th - 20th July 2012. Großmann, G. U. & Krutisch, P. (eds.). Verlag des Germanischen Nationalmuseums, Vol. 4. p. 1188-1191 4 p. (Wissenschaftliche Beibände zum Anzeiger des Germanischen Nationalmuseums).

    Research output: Contributions to collected editions/worksArticle in conference proceedingsResearchpeer-review