Professorship for Art History

Organisational unit: Professoship

Organisation profile

Research and teaching at the Professorship for Art History focuses on the history and theory of art from the Renaissance through Modernism and Postmodernism to the contemporary period. The art of the 20th and 21st centuries is in the foreground. Beyond the classical objects of art history – painting, graphics, sculpture – diverse forms of visual culture are also the subject of study, such as object art, arts and crafts, design, photography, video, installation, performance and new media.

Main research areas

In addition to the historical classification and the art-scientifically based interpretation of these various arts, media and creative spaces of action, there is a special focus on the contexts of use of artistic design. This includes in particular thinking about the social interconnections of artistic practices, institutions and actors under specific political and economic conditions. Central to this is the connection between historical research and current issues. In this way, the Professorship for Art History opens up participation in contemporary social debates in which art and visual cultures develop their meaning and function.

The connection to concrete projects, such as the university's Kunstraum, and the direct work in front of originals in the context of excursions are an important part of the studies. Through the exchange with artists and curators and the transfer of the place of study into institutional spaces of action of the arts, professional fields of practice are to be tested and developed.

  1. 2015
  2. Jahresthema 2015|16 (Event)

    Woisnitza, M. (Editor), Grötschel, M. (Editor), Knobloch, E. (Editor), Schiffers, J. (Editor) & Ziegler, G. M. (Editor)

    01.07.201514.11.2016

    Activity: Publication peer-review and editorial workEditor of unfinished anthology/collectionResearch

  3. 2014
  4. Experimental culture in a soap bubble: The case of Jean Siméon Chardin’s painting of 1733/34

    Hosseini, A. (Speaker)

    10.12.201413.12.2014

    Activity: Talk or presentationGuest lecturesResearch

  5. Iconic Turn

    Kuhn, H. (Speaker) & Brons, F. (Speaker)

    06.11.2014

    Activity: Talk or presentationGuest lecturesEducation

  6. „A ‘Brotherhood of Nations’: Weimar Cosmopolitanism and Max Reinhardt’s Post-Dramatic Concept of the Festive Play”

    Woisnitza, M. (Speaker)

    18.09.201421.09.2014

    Activity: Talk or presentationConference PresentationsResearch

  7. Buster Keaton. Iconic Turn im Stummfilm

    Kuhn, H. (Speaker) & Brons, F. (Speaker)

    09.01.2014

    Activity: Talk or presentationGuest lecturesEducation

  8. Iconic Turn: Wissen und Eigensinn der Bilder

    Brons, F. (Lecturer)

    09.01.2014

    Activity: Talk or presentationGuest lecturesEducation

  9. Federal Ministry of Education and Research (External organisation)

    Söntgen, B. (Member)

    20142019

    Activity: MembershipBodies of public institutionsTransfer

  10. German Research Foundation (External organisation)

    Söntgen, B. (Member)

    20142017

    Activity: MembershipBodies of public institutionsResearch

  11. 2013
  12. Bilder im Prozess: Sachverständige Systeme um 1900

    Brons, F. (Lecturer)

    29.11.2013

    Activity: Talk or presentationGuest lecturesEducation

  13. Der technische Grund der Bilder: Eindrücke von der Internationalen Photographischen Ausstellung Dresden 1909

    Brons, F. (Lecturer)

    01.11.2013

    Activity: Talk or presentationGuest lecturesEducation

  14. „‚Die Leiter aber ist das Mitleid’ - The Theatrical Media Logic of Lessing’s Concept of Mitleid”

    Woisnitza, M. (Speaker)

    02.04.201307.04.2013

    Activity: Talk or presentationConference PresentationsResearch

  15. „‚Zur Sache Jetzt!’ Theatrical Techniques of Political Mobilisation in Heinrich von Kleist’s Der Zerbrochene Krug (1806)”.

    Woisnitza, M. (Speaker)

    29.03.201330.03.2013

    Activity: Talk or presentationConference PresentationsResearch

  16. Workshop Gold, Weihrauch und Malerei. Notion and Representation of Value in Art - 2013

    Kuhn, H. (Organiser)

    25.01.201326.01.2013

    Activity: Participating in or organising an academic or articstic eventExternal workshops, courses, seminarsResearch

  17. Workshop Gold, Weihrauch und Malerei. Notion and Representation of Value in Art - 2013

    Kuhn, H. (presenter)

    25.01.201326.01.2013

    Activity: Participating in or organising an academic or articstic eventConferencesResearch

  18. Homo ludens und homo bulla. Spieltheoretische Überlegungen zum Werk von Chardin

    Hosseini, A. (Speaker)

    23.01.201325.01.2013

    Activity: Talk or presentationGuest lecturesTransfer

  19. 2012
  20. Interiors and Interiority

    Kuhn, H. (Speaker)

    06.12.201208.12.2012

    Activity: Participating in or organising an academic or articstic eventConferencesResearch

  21. (Film-)kunst als Affe der Natur in Buster Keatons 'Cameraman'

    Kuhn, H. (Speaker)

    18.10.2012

    Activity: Talk or presentationGuest lecturesResearch

  22. Goldbergs Apparate: Optische Experimente und die Erfahrung des Sehens um 1900

    Brons, F. (Lecturer)

    13.10.2012

    Activity: Talk or presentationGuest lecturesEducation

  23. Universität Potsdam

    Hosseini, A. (Visiting researcher)

    07.201206.2015

    Activity: Visiting an external institutionVisiting an external academic institutionResearch