Professorship of Digital Cultures
Organisational unit: Professoship
Organisation profile
The term “Digital Cultures” refers to the fact that our current situation is significantly structured by digital, computer-based and networked technologies that have emerged under historically contingent conditions and have been shaped through cultural practices and human knowledge. On the one hand, digital media that process, store, and transmit data act as transformative or shaping factors on and in cultures. They are transforming human knowledge production as well as practices of connection, relationship, exchange, competition, and communication. Digital media reconfigure social inclusion and exclusion and play a major role in the material transformation of our living environments. On the other hand, human practices and forms of knowledge production facilitate the constant reconfiguration of digital media. Therefore, new spaces of possibility and fields of experimentation are constantly emerging for us to shape digital technologies and practices of being together, acting, and perceiving. Accordingly, the term “Digital Cultures” implies both the challenges of critically reflecting on and re-characterizing the shaping of cultures by digital media as well as the potential of cultivating and shaping them with the goal of greater participation, ecological responsibility, and social cohesion.
- 2019
- Published
Widerstand der Tiere
Müggenburg, J. K., 2019, Das verdatete Tier.: Zum Animal Turn in den Kultur- und Medienwissenschaften. Bolinski, I. & Rieger, S. (eds.). Stuttgart: J.B. Metzler, p. 123–136 14 p. (Cultural Animal Studies).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
- 2018
- Published
Treffen der Generationen: ELIZA meets Siri
Sander, P., 03.12.2018, Hello, I'm Eliza: Fünfzig Jahre Gespräche mit Computern. Höltgen, S. & Höltgen, S. (eds.). Bochum/Freiburg: Projekt Verlag, p. 258-259 2 p. (Computerarchäologie; vol. 4).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
- Published
Die Quadratur des Bermudadreiecks
Müggenburg, J. K. & Vehlken, S., 12.2018, In: Berichte zur Wissenschaftsgeschichte. 41, 4, p. 403-408 6 p.Research output: Journal contributions › Journal articles › Research › peer-review
- Published
Perverse Bienen: Artificial Life und der Apfel der Erkenntnis
Schmickl, T., Müggenburg, J. K. & Warnke, M., 01.03.2018, In: Zeitschrift für Medienwissenschaft. 10, 18-1, p. 98-110 13 p.Research output: Journal contributions › Journal articles › Research › peer-review
- Published
Delfinesisch für Anfänger. John C. Lilly und das JANUS-Projekt
Müggenburg, J., 2018, Zwitschern, Bellen, Röhren.: Tierlaute in der Wissens-, Medientechnik- und Musikgeschichte. Sommer, M. & Reimann, D. (eds.). Berlin: Neofelis Verlag, p. 145-165 20 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- Published
Lebhafte Artefakte: Heinz von Foerster und die Maschinen des Biological Computer Laboratory
Müggenburg, J., 2018, Göttingen: Konstanz University Press. 379 p. (Konstanz University Press)Research output: Books and anthologies › Monographs › Research › peer-review
- 2016
- Published
Trick 17 zur Einführung
Vehlken, S., Müggenburg, J. K., Sprenger, F. & Müller-Helle, K., 2016, Trick 17: Mediengeschichten zwischen Zauberkunst und Wissenschaft. Vehlken, S., Müller-Helle, K., Müggenburg, J. & Sprenger, F. (eds.). Lüneburg: meson press, p. 7-14 8 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research