Institute of Philosophy and Art History
Organisational unit: Institute
Organisation profile
The institute consists of two departments: philosophy and art history.
Main research areas
Since the winter semester 2016/17, the Faculty of Humanities and Social Sciences has established a DFG Research Training Group, "Cultures of Critique. Forms, Media, Effects", in which the IPK is significantly involved (speaker: Prof. Dr. Beate Söntgen).
The Institute is also represented at the Leuphana Institute of Advanced Studies for Culture and Society (co-director: Prof. Dr. Susanne Leeb) and is significantly involved in the Center for Critical Studies (speaker: Dr. Ben Trott).
With the Lichtenberg Professorship (Prof. Dr. Lynn Rother), funded by the Volkswagen Foundation, Leuphana University has the first permanent full professorship dedicated entirely to questions of provenance research, looted art, and restitution.
The Kunstraum, which is connected to the Institute of Philosophy and Art History, offers a close practical connection to contemporary art and its actors.
- 2023
- Published
Critique. Enlightenment. Parrhesia. Michel Foucault’s Questioning of The Concepts of Person and Humanity in Kant’s Works
Rainsborough, M., 23.10.2023, The Kantian Subject: New Interpretative Essays. Silva, F. M. F. & Caranti, L. (eds.). Taylor and Francis Inc., p. 132-142 11 p.Research output: Contributions to collected editions/works › Chapter › peer-review
- Published
Feministische Ökonomien und Zeitlichkeit
Kuhn, E. (Editor), 04.10.2023, Berlin : AvivA Verlag. 200 p. (Frauen und Film; no. 71)Research output: Books and anthologies › Special Journal issue › Research
- Published
Editorial
Kuhn, E., 01.10.2023, In: Frauen und Film. 71, p. 5-6 2 p.Research output: Journal contributions › Other (editorial matter etc.) › Research
- Published
Mit Film- und Hausarbeit gegen die Kapitalisierung von Zeit (Jeanne Dielman und Fannie Drayton)
Kuhn, E., 01.10.2023, In: Frauen und Film. 71, p. 7-24 18 p.Research output: Journal contributions › Journal articles › Research › peer-review
- Published
Haunted Memories. Landscapes of the Mind: Parallele Bildverfahren im Werk von Erna Rosenstein und Aubrey Williams
Kipke, A., 09.2023, In: Kunstforum international. 291, p. 78-85 8 p.Research output: Journal contributions › Journal articles › Transfer
- Published
The Archival Research on Les Immatériaux
Broeckmann, A. & Vicet, M., 08.2023, Beyond Matter, Within Space: Curatorial and Art Mediation Techniques on the Verge of Virtual Reality. Nolasco-Rózsás, L. & Schädler, M. (eds.). Berlin: Hatje Cantz Verlag, p. 215-222 8 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
- Published
Intersubjectivity and alterity in the works of Kant
Rainsborough, M., 19.06.2023, In: Estudos Kantianos [EK]. 11, 1, p. 73-84 12 p.Research output: Journal contributions › Journal articles › Research › peer-review
- Published
Im Gespräch bleiben: Notizen zur Kunstkritik
Söntgen, B., 31.05.2023, Ins Bild kommen: Spielräume der Kunstkritik. Hosseini, A., Kipke, A., Kuhn, H. & Woisnitza, M. (eds.). Paderborn: Brill | Fink, p. 3-14 12 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
- Published
Taktilität des Blickens in Portrait de la jeune fille en feu (Céline Sciamma, 2019)
Kuhn, E., 31.05.2023, Ins Bild kommen : Spielräume der Kunstkritik. Hosseini, A., Kipke, A., Kuhn, H. & Woisnitza, M. (eds.). Paderborn: Wilhelm Fink Verlag, p. 204-209 6 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- Published
Hidden Value: Provenance as a Source for Economic and Social History
Rother, L., Mariani, F. & Koss, M., 25.05.2023, In: Jahrbuch fur Wirtschaftsgeschichte. 64, 1, p. 111-142 32 p.Research output: Journal contributions › Journal articles › Research › peer-review