Institute of Philosophy and Art History
Organisational unit: Institute
Organisation profile
The institute consists of two departments: philosophy and art history.
Main research areas
Since the winter semester 2016/17, the Faculty of Humanities and Social Sciences has established a DFG Research Training Group, "Cultures of Critique. Forms, Media, Effects", in which the IPK is significantly involved (speaker: Prof. Dr. Beate Söntgen).
The Institute is also represented at the Leuphana Institute of Advanced Studies for Culture and Society (co-director: Prof. Dr. Susanne Leeb) and is significantly involved in the Center for Critical Studies (speaker: Dr. Ben Trott).
With the Lichtenberg Professorship (Prof. Dr. Lynn Rother), funded by the Volkswagen Foundation, Leuphana University has the first permanent full professorship dedicated entirely to questions of provenance research, looted art, and restitution.
The Kunstraum, which is connected to the Institute of Philosophy and Art History, offers a close practical connection to contemporary art and its actors.
- 2015
- Published
Exposition eines Mediums: Internationale Photographische Ausstellung Dresden 1909
Brons, F., 2015, München: Wilhelm Fink Verlag. 496 p.Research output: Books and anthologies › Monographs › Research
- Published
Formen des Kontakts: Auguste Renoirs Nach dem Mittagessen
Söntgen, B. E., 2015, Monet und die Geburt des Impressionsmus. Krämer, F. (ed.). München: Prestel Verlag, p. 183-193 11 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
- Published
From Letter to Line: Artistic Experiments with Pseudo-Script in Late Medieval Italian Painting
Schulz, V.-S., 2015, The Power of Line. Faietti, M. & Wolf, G. (eds.). Munich: Deutscher Kunstverlag, p. 144–161Research output: Contributions to collected editions/works › Article in conference proceedings › Research
- Published
From the Household of the Soul to the Economy of Money: What Are Sixteenth-Century Merchants Doing in the Virgin Mary's Interior?
Kuhn, H., 2015, Interiors and Interiority. Lajer-Burcharth, E. & Söntgen, B. (eds.). Berlin: Walter de Gruyter, p. 229-246 18 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
- Published
From the Precariat to the Multitude
Trott, B., 2015, Precariat: Labour, Work and Politics. Johnson, M. (ed.). London: Routledge Taylor & Francis Group, p. 22-45 24 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- Published
Für eine „Farbenlehre der Worte“. Julius Meier-Graefe und die ‚neue‘ Kunstkritik
Marchal, S., 2015, Wie Texte und Bilder zusammenfinden : Vom Mittelalter bis zur Gegenwart. Kroll, R., Gramatzki, S. & Karnatz, S. (eds.). Dietrich Reimer Verlag, p. 125-136 12 p.Research output: Contributions to collected editions/works › Article in conference proceedings › Research
- Published
Grounds different from, though equally solid with: Wirtschaftliche und gesellschaftliche Freiheit in On Liberty
Schefczyk, M., 2015, John Stuart Mill. Über die Freiheit. Schefczyk, M. & Schramme, T. (eds.). Berlin : Walter de Gruyter, Vol. 47. p. 115-135 21 p. (Klassikr auslegen; vol. 47).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
- Published
Hannah Arendt
Schües, C., 2015, Die deutschen Philosophie im 20. Jahrhundert: Ein Autorenhandbuch. Bedorf, T. & Gelhard , A. (eds.). 2. überarbeitete und korrigierte Auflage ed. Darmstadt : Wissenschaftliche Buchgesellschaft - WBG, p. 31-37 7 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
- Published
Image Noise
Brons, F., 2015, The Technical Image : A History of Styles within Scientific Images. Bredekamp, H., Dünkel, V. & Schneider, B. (eds.). 1 ed. Chicago: Chicago University Press, p. 138 - 141 4 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
- Published
In the Eye of the Beholder: Emanuel Goldberg's Apparatuses at the International Photographic Exhibition Dresden 1909
Brons, F., 2015, The Technical Image: a history of styles in scientific imagery. Bredekamp, H., V. D. & Schneider, B. (eds.). Chicago: Chicago University Press, p. 102 - 111 10 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research