Institute of Philosophy and Art History
Organisational unit: Institute
Organisation profile
The institute consists of two departments: philosophy and art history.
Main research areas
Since the winter semester 2016/17, the Faculty of Humanities and Social Sciences has established a DFG Research Training Group, "Cultures of Critique. Forms, Media, Effects", in which the IPK is significantly involved (speaker: Prof. Dr. Beate Söntgen).
The Institute is also represented at the Leuphana Institute of Advanced Studies for Culture and Society (co-director: Prof. Dr. Susanne Leeb) and is significantly involved in the Center for Critical Studies (speaker: Dr. Ben Trott).
With the Lichtenberg Professorship (Prof. Dr. Lynn Rother), funded by the Volkswagen Foundation, Leuphana University has the first permanent full professorship dedicated entirely to questions of provenance research, looted art, and restitution.
The Kunstraum, which is connected to the Institute of Philosophy and Art History, offers a close practical connection to contemporary art and its actors.
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What's legit? Critiques of Law and Strategies of Rights
Mattutat, L. (Editor), Nigro, R. (Editor), Schiel, N. (Editor) & Stubenrauch, H. (Editor), 28.07.2020, Zürich: Diaphanes Verlag. 304 p. (Critical Stances)Research output: Books and anthologies › Collected editions and anthologies › Research
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La Esencia Barroca de la Razón de Estado: Excepción y Regla en el Golpe de Estado Clasico y Moderno
Nigro, R., 2020, Filosofías del Barroco. González García , M. & Castignani , H. (eds.). Madrid: Tecnos Edicion, p. 551-567 17 p. 17Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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“Making Sense”: Aesthetic Counterpowers in Activist Media Practices
Brunner, C., 01.07.2020, In: Conjunctions. Transdisciplinary Journal of Cultural Participation. 7, 1, p. 1-16 16 p.Research output: Journal contributions › Journal articles › Research › peer-review
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Die Steine von Venedig: Neu komponiert von Catharina Berents und Wolfgang Kemp
Berents-Kemp, C. (Editor) & Kemp, W. K. (Editor), 2016, Wiesbaden: Corso Verlag. 296 p. (Corso; vol. 52)Research output: Books and anthologies › Book
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Ein Buch über Steine: Einführung
Berents-Kemp, C. & Kemp, W. K., 2016, Die Steine von Venedig : Neu komponiert von Catharina Berents und Wolfgang Kemp. Berents, C. & Kemp, W. (eds.). Wiesbaden: Corso Verlag, p. 9-14 6 p.Research output: Contributions to collected editions/works › Other › Transfer
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Critical Stances: An Introduction to The Stakes of Form.
Khatib, S., Kuhn, H., Lochner, O., Mehl, I. & Söntgen, B., 23.06.2020, Critique: The Stakes of Form. Khatib, S., Kuhn, H., Lochner, O., Mehl, I. & Söntgen, B. (eds.). Zürich/Berlin: Diaphanes Verlag, p. 7-36 30 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Critique: The Stakes of Form
Kuhn, H. (Editor), Mehl, I. (Editor), Khatib, S. (Editor), Söntgen, B. (Editor) & Lochner, O. (Editor), 28.07.2020, Zürich/Berlin: Diaphanes Verlag. 352 p.Research output: Books and anthologies › Collected editions and anthologies › Research
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Romana Weiershausen. Zeitenwandel als Familiendrama: Genre und Politik im deutschsprachigen Theater des 18. Jahrhunderts
Woisnitza, M., 01.04.2020, In: Seminar, A Journal of Germanic Studies. 56, 2, p. 179-181 3 p.Research output: Journal contributions › Critical reviews › Research
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„1940er-1950er. Grund und Körper“
Mascarinec, M. & Woisnitza, M. (Translator), 2016, Sculpture on the Move : 1946-2016. Mendes Bürgi, B. (ed.). 1. ed. Ostfildern : Hatje Cantz Verlag, p. 12-22 10 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Transfer › peer-review
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Ge-/Beschriebenes Gesicht: Zwischen Poetisierung, Physiognomik und Ausdruck
Wälchli, T. & Woisnitza, M., 2017, Das Gesicht: Bilder, Medien, Formate. Weigel, S. (ed.). 1 ed. Göttingen : Wallstein Verlag, p. 40-46 6 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review