Institute of Philosophy and Art History
Organisational unit: Institute
Organisation profile
The institute consists of two departments: philosophy and art history.
Main research areas
Since the winter semester 2016/17, the Faculty of Humanities and Social Sciences has established a DFG Research Training Group, "Cultures of Critique. Forms, Media, Effects", in which the IPK is significantly involved (speaker: Prof. Dr. Beate Söntgen).
The Institute is also represented at the Leuphana Institute of Advanced Studies for Culture and Society (co-director: Prof. Dr. Susanne Leeb) and is significantly involved in the Center for Critical Studies (speaker: Dr. Ben Trott).
With the Lichtenberg Professorship (Prof. Dr. Lynn Rother), funded by the Volkswagen Foundation, Leuphana University has the first permanent full professorship dedicated entirely to questions of provenance research, looted art, and restitution.
The Kunstraum, which is connected to the Institute of Philosophy and Art History, offers a close practical connection to contemporary art and its actors.
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J.R. Searle
Schües, C., 1999, Grosses Werkslexikon der Philosophie. Volpi, F. (ed.). Stuttgart : Kröner Verlag, p. 1374-1375Research output: Contributions to collected editions/works › Articles for encyclopedia › Research
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Judgement Practices in the Artistic Field
Heymer, E. (Editor), Locher, H. (Editor), Marchal, S. (Editor), Sachs-Resch, M. (Editor) & Söntgen, B. (Editor), 2023, München: edition metzel. 504 p. (Praktiken der Kritik; vol. 3)Research output: Books and anthologies › Collected editions and anthologies › Research
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Julius Meier-Graefe -" a laconic art historian"
Marchal, S., 2015, Silence / Schweigen : Über die stumme Praxis der Kunst. Beyer, A. & Le Bon, L. (eds.). Berlin: Deutscher Kunstverlag, p. 183-194 12 p. (Passagen / Passages; vol. 47).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Julius Meier-Graefe und die plurale Logik der Bilder
Marchal, S., 2016, In: Zeitschrift für Ästhetik und Allgemeine Kunstwissenschaft. 61, 1, p. 97-118 22 p.Research output: Journal contributions › Journal articles › Research
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Julius Meier-Graefe: Vom „Kampf um“ zur „Sehnsucht nach“ dem Stil
Marchal, S., 01.04.2014, In: Kritische Berichte. 42, 1, p. 35-46 11 p.Research output: Journal contributions › Journal articles › Research
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Jungfräuliche Membranen: Vom Pergament zum iPad
Kuhn, H., 2021, Hautlichkeit : Oberflächen in Wissenschaft und Design. Schnödl, G. & Windgätter, C. (eds.). Berlin: Kulturverlag Kadmos , p. 161-180 20 p. (DesignWissen; vol. 3).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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"Kandinskys frühe Holzschnitte - Polyphonie von Farben und Formen"
Vietmeier, M., 2008, Kandinsky: das druckgrafische Werk ; [anlässlich der Ausstellung Kandinsky - Das Druckgrafische Werk, Lenbachhaus München, 25.10.2008 - 22.2.2009 ; Kunstmuseum Bonn, 2.4.2009 - 12.7.2009]. Friedel, H. & Hoberg, A. (eds.). Köln: Wienand Verlag, p. 11 - 31 21 p.Research output: Contributions to collected editions/works › Contribution of Exihibition catalogues › Transfer
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Kant meets Minkowski
Förster-Beuthan, Y., 2013, In: Deutsche Zeitschrift für Philosophie. 61, 1, p. 162-166 5 p.Research output: Journal contributions › Journal articles › Research › peer-review
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Kants Kritik der Tischgesellschaft und sein Konzept der Hospitalität
Därmann, I., 2007, Denkwege des Friedens: Aporien und Perspektiven. Hirsch, A. & Delhom, P. (eds.). Freiburg, Breisgau: Verlag Karl Alber, p. 364-386 23 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Karl Jaspers:Die Schuldfrage
Schefczyk, M., 2015, Lexikon der "Vergangenheitsbewältigung“ in Deutschland.: Debatten‐ und Diskursgeschichte des Nationalsozialismus nach 1945. Fischer, T. & Lorenz, M. (eds.). 3 ed. Bielefeld: transcript Verlag, p. 49-51 3 p.Research output: Contributions to collected editions/works › Articles for encyclopedia › Research