Institute of Philosophy and Art History
Organisational unit: Institute
Organisation profile
The institute consists of two departments: philosophy and art history.
Main research areas
Since the winter semester 2016/17, the Faculty of Humanities and Social Sciences has established a DFG Research Training Group, "Cultures of Critique. Forms, Media, Effects", in which the IPK is significantly involved (speaker: Prof. Dr. Beate Söntgen).
The Institute is also represented at the Leuphana Institute of Advanced Studies for Culture and Society (co-director: Prof. Dr. Susanne Leeb) and is significantly involved in the Center for Critical Studies (speaker: Dr. Ben Trott).
With the Lichtenberg Professorship (Prof. Dr. Lynn Rother), funded by the Volkswagen Foundation, Leuphana University has the first permanent full professorship dedicated entirely to questions of provenance research, looted art, and restitution.
The Kunstraum, which is connected to the Institute of Philosophy and Art History, offers a close practical connection to contemporary art and its actors.
- 2020
- Published
Amy Lyford, Isamu Noguchi's Modernism: Negotiating Race, Labor and the Nation, 1930-1950: Berkeley, CA, University of California Press, 2018
Koss, M., 05.2020, In: Sculpture Journal. 29, 1, p. 115-117 3 p.Research output: Journal contributions › Critical reviews › Research
- Published
Redemption Restored: The Star in the Context of Modernity
Goodman-Thau, E., 05.06.2020, In: NAHARAIM. 14, 1, p. 133-147 15 p.Research output: Journal contributions › Journal articles › Research › peer-review
- Published
Aesthetic Practices of the New Right: Fake and Post-truth as a Challenge for Transgressive Art and Cultural Practices
Bempeza, S., 21.06.2020, In: Medienimpulse. 58, 2, 34 p.Research output: Journal contributions › Journal articles › Research › peer-review
- Published
Critical Stances: An Introduction to The Stakes of Form.
Khatib, S., Kuhn, H., Lochner, O., Mehl, I. & Söntgen, B., 23.06.2020, Critique: The Stakes of Form. Khatib, S., Kuhn, H., Lochner, O., Mehl, I. & Söntgen, B. (eds.). Zürich/Berlin: Diaphanes Verlag, p. 7-36 30 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- Published
“Making Sense”: Aesthetic Counterpowers in Activist Media Practices
Brunner, C., 01.07.2020, In: Conjunctions. Transdisciplinary Journal of Cultural Participation. 7, 1, p. 1-16 16 p.Research output: Journal contributions › Journal articles › Research › peer-review
- Published
Social and Epistemic Control in Collaborative Research — Reconfiguring the Interplay of Politics and Methodology
Herberg, J. & Vilsmaier, U., 03.07.2020, In: Social Epistemology. 34, 4, p. 309-318 10 p.Research output: Journal contributions › Journal articles › Research › peer-review
- Published
Aesthetics of the past and the future: Human life within changing environments
Förster, Y., 06.07.2020, Aesthetics in Dialogue: Applying Philosophy of Art in a Global World. Somhegyi, Z. & Ryynänen, M. (eds.). Peter Lang Verlag, p. 237-250 14 p.Research output: Contributions to collected editions/works › Chapter › peer-review
- Published
Thilo H. G. Westermann, Die Rezeption der Pan-Mythen in der bildenden Kunst zwischen Klassizismus und Moderne
Koss, M., 24.07.2020, In: Jahrbuch der Raabe-Gesellschaft. 60, 1, p. 233-238 6 p.Research output: Journal contributions › Critical reviews › Research
- Published
Chemical Philosophy: Kant, Schelling, and DeLanda
Woodard, B., 25.07.2020, In: Stasis. 9, 1, p. 184-208 25 p.Research output: Journal contributions › Scientific review articles › Research
- Published
Critique: The Stakes of Form
Kuhn, H. (Editor), Mehl, I. (Editor), Khatib, S. (Editor), Söntgen, B. (Editor) & Lochner, O. (Editor), 28.07.2020, Zürich/Berlin: Diaphanes Verlag. 352 p.Research output: Books and anthologies › Collected editions and anthologies › Research