Institute of Philosophy and Art History
Organisational unit: Institute
Organisation profile
The institute consists of two departments: philosophy and art history.
Main research areas
Since the winter semester 2016/17, the Faculty of Humanities and Social Sciences has established a DFG Research Training Group, "Cultures of Critique. Forms, Media, Effects", in which the IPK is significantly involved (speaker: Prof. Dr. Beate Söntgen).
The Institute is also represented at the Leuphana Institute of Advanced Studies for Culture and Society (co-director: Prof. Dr. Susanne Leeb) and is significantly involved in the Center for Critical Studies (speaker: Dr. Ben Trott).
With the Lichtenberg Professorship (Prof. Dr. Lynn Rother), funded by the Volkswagen Foundation, Leuphana University has the first permanent full professorship dedicated entirely to questions of provenance research, looted art, and restitution.
The Kunstraum, which is connected to the Institute of Philosophy and Art History, offers a close practical connection to contemporary art and its actors.
- 2018
- Published
Activist Sense: Affective Media Practices during the G20 Summit in Hamburg
Brunner, C., 03.2018, In: transversal / EIPCP multilingual webjournal. 2018, 3, 8 p.Research output: Journal contributions › Journal articles › Transfer › peer-review
- Published
„Wie kämpft man gegen Väter?“ Briefe zwischen Peter Hacks, Alfred Kurella und Bernt von Kügelgen 1961/62
Klinkenbusch, I. L., 03.2018, Auslaufmodell »DDR-Literatur«.: Essays und Dokumente. Berbig, R. (ed.). Berlin: Ch. Links Verlag, p. 246–257 12 p. (Forschung zur DDR-Gesellschaft).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
- Published
Barbaric Salvage: Benjamin and the Dialectics of Destruction
Khatib, S., 03.04.2018, In: Parallax. 24, 2, p. 135-158 24 p.Research output: Journal contributions › Journal articles › Research › peer-review
- Published
Die Rolle der Universität in Wissenschaft und Gesellschaft im Wandel
Henkel, A. (Editor), Hobuß, S. (Editor), Jamme, C. (Editor) & Wuggenig, U. (Editor), 03.04.2018, Berlin: Pro BUSINESS Verlag. 259 p.Research output: Books and anthologies › Collected editions and anthologies › Research
- Published
Mode zwischen Kultur und Kunst: Ein Grenzgang
Förster-Beuthan, Y., 31.05.2018, Kultur - Interdisziplinäre Zugänge. Busche, H., Heinze, T., Hillebrandt, F. & Schäfer, F. (eds.). Wiesbaden: VS Verlag für Sozialwissenschaften, p. 511-524 14 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- Published
Science and Technology Studies: Die Materialität des wissenschaftlichen Vortrags
Weinert, A., 06.2018, 10 Minuten Soziologie: Materialität. Henkel, A. (ed.). Bielefeld: transcript Verlag, p. 93-106 14 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
- Published
»daß ich an all diese Flußgötter denke«. Zur politischen Dimension anachronistischen Imaginierens in Durs Grünbeins 'Grauzone morgens'
Jürgens, A., 30.06.2018, Formen des Sprechens, Modi des Schweigens.: Sprache und Diktatur. Dhouib, S. (ed.). Weilerswist: Velbrück Wissenschaft, p. 266-274 9 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- Published
The “Fragment on Machines” as Science Fiction; Or, Reading the Grundrisse Politically
Trott, B., 14.07.2018, In: Cambridge Journal of Economics. 42, 4, p. 1107-1122 16 p.Research output: Journal contributions › Journal articles › Research › peer-review
- Published
Technökologien
Brunner, C. (Editor), Minichbauer, R. (Editor), Mulvaney, K. (Editor) & Raunig, G. (Editor), 08.2018, Wien: Transversal Texts. 157 p.Research output: Books and anthologies › Collected editions and anthologies › Transfer
- Published
Palaces, Stars and Abeceda. The Body as Indexical Reader in Post-Socialist Art by CORO Collective, Cooltūristės and Paulina Olowska
Gerhardt, U., 01.08.2018, Moving Images, Mobile Bodies : The Poetics and Practice of Corporeality in Visual and Performing Arts. Avram, H. (ed.). Newcastle: Cambridge Scholars Publishing, p. 161-180 20 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review