Institute of Philosophy and Art History

Organisational unit: Institute

Organisation profile

The institute consists of two departments: philosophy and art history.

Main research areas

Since the winter semester 2016/17, the Faculty of Humanities and Social Sciences has established a DFG Research Training Group, "Cultures of Critique. Forms, Media, Effects", in which the IPK is significantly involved (speaker: Prof. Dr. Beate Söntgen).

The Institute is also represented at the Leuphana Institute of Advanced Studies for Culture and Society (co-director: Prof. Dr. Susanne Leeb) and is significantly involved in the Center for Critical Studies (speaker: Dr. Ben Trott).

With the Lichtenberg Professorship (Prof. Dr. Lynn Rother), funded by the Volkswagen Foundation, Leuphana University has the first permanent full professorship dedicated entirely to questions of provenance research, looted art, and restitution.

The Kunstraum, which is connected to the Institute of Philosophy and Art History, offers a close practical connection to contemporary art and its actors.

  1. 2018
  2. Published

    Science and Technology Studies: Die Materialität des wissenschaftlichen Vortrags

    Weinert, A., 06.2018, 10 Minuten Soziologie: Materialität. Henkel, A. (ed.). Bielefeld: transcript Verlag, p. 93-106 14 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  3. Published

    »daß ich an all diese Flußgötter denke«. Zur politischen Dimension anachronistischen Imaginierens in Durs Grünbeins 'Grauzone morgens'

    Jürgens, A., 30.06.2018, Formen des Sprechens, Modi des Schweigens.: Sprache und Diktatur. Dhouib, S. (ed.). Weilerswist: Velbrück Wissenschaft, p. 266-274 9 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  4. Published

    The “Fragment on Machines” as Science Fiction; Or, Reading the Grundrisse Politically

    Trott, B., 14.07.2018, In: Cambridge Journal of Economics. 42, 4, p. 1107-1122 16 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  5. Published

    Technökologien

    Brunner, C. (Editor), Minichbauer, R. (Editor), Mulvaney, K. (Editor) & Raunig, G. (Editor), 08.2018, Wien: Transversal Texts. 157 p.

    Research output: Books and anthologiesCollected editions and anthologiesTransfer

  6. Published

    Palaces, Stars and Abeceda. The Body as Indexical Reader in Post-Socialist Art by CORO Collective, Cooltūristės and Paulina Olowska

    Gerhardt, U., 01.08.2018, Moving Images, Mobile Bodies : The Poetics and Practice of Corporeality in Visual and Performing Arts. Avram, H. (ed.). Newcastle: Cambridge Scholars Publishing, p. 161-180 20 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  7. Published

    Between re-production and re-presentation: The implementation of photographic art reproduction in the documentation of museum collections online

    Kreiseler, S., 10.09.2018, In: Open Library of Humanities. 4, 2, p. 1-35 35 p., 10.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  8. Published

    Phenomenology and the political: injustice and prejudges

    Schües, C., 10.2018, Rethinking Feminist Phenomenology: Theoretical and applied Perspectives. Cohen Shabot, S. & Landry, C. (eds.). London, New York: Rowman & Littlefield Publishers, p. 103-120 18 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  9. Published

    Foucault heute : neue Perspektiven in Philosophie und Kulturwissenschaft, Edition Moderne Postmoderne

    Rainsborough, M., 07.11.2018, Bielefeld: transcript Verlag. 246 p. (Edition Moderne Postmoderne)

    Research output: Books and anthologiesBook

  10. 2019
  11. Published

    Aesthetics of the Earth. Reframing Relational Aesthetics Considering Critical Ecologies

    Brunner, C. & Kleesattel, I., 2019, In: Proceedings of the European Society for Aesthetics. 11, p. 106-125 20 p.

    Research output: Journal contributionsConference article in journalResearchpeer-review

  12. Published

    Books on World Art from the 1920s: On the Ambivalence of a Discursive Awakening

    Leeb, S., 2019, Bauhaus Imaginista: Die globale Rezeption bis heute. von Osten, M. & Watson, G. (eds.). Zürich: Scheidegger & Spiess, p. 106-111 6 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review