Institute of Philosophy and Art History
Organisational unit: Institute
Organisation profile
The institute consists of two departments: philosophy and art history.
Main research areas
Since the winter semester 2016/17, the Faculty of Humanities and Social Sciences has established a DFG Research Training Group, "Cultures of Critique. Forms, Media, Effects", in which the IPK is significantly involved (speaker: Prof. Dr. Beate Söntgen).
The Institute is also represented at the Leuphana Institute of Advanced Studies for Culture and Society (co-director: Prof. Dr. Susanne Leeb) and is significantly involved in the Center for Critical Studies (speaker: Dr. Ben Trott).
With the Lichtenberg Professorship (Prof. Dr. Lynn Rother), funded by the Volkswagen Foundation, Leuphana University has the first permanent full professorship dedicated entirely to questions of provenance research, looted art, and restitution.
The Kunstraum, which is connected to the Institute of Philosophy and Art History, offers a close practical connection to contemporary art and its actors.
- 2013
- Published
Komplizen des Kapitals: Kunst, Stiere, Abstraktionen
Kuhn, H. & Loichinger, H. C., 10.2013, Das Beste vom Besten: Vom riskanten Geschäft der Kunst. Hafner, H.-J. (ed.). Düsseldorf: Kunstverein für die Rheinlande und Westfalen, p. 65-71 80 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
- Published
The well- and unwell-being of a child
Schües, C. & Rehmann-Sutter , C., 10.2013, In: Topoi. An International Review of Philosophy. 32, 2, p. 197-205 9 p.Research output: Journal contributions › Journal articles › Research › peer-review
- Published
Feministisches Maschinendenken. Subjektphilosophische und wissenschaftskritische Perspektiven
Stammberger, B., 11.2013, In: Freiburger Zeitschrift für Geschlechterstudien. 19, 2, p. 89-108 20 p.Research output: Journal contributions › Journal articles › Research › peer-review
- Published
From the precariat to the multitude
Trott, B., 12.2013, In: Global Discourse: An Interdisciplinary Journal of Current Affairs and Applied Contemporary Thought. 3, 3-4, p. 406-425 20 p.Research output: Journal contributions › Journal articles › Research › peer-review
- Published
Monströse Körper: Kulturwissenschaftliche Perspektiven auf historische Deutungsmuster
Stammberger, B., 23.12.2013, In: Aus Politik und Zeitgeschichte. 63, 52, p. 18-25 8 p.Research output: Journal contributions › Journal articles › Transfer › peer-review
- 2014
- Published
Aktivität und Passivität der visuellen Wahrnehmung bei Platon und Aristoteles
Hobuß, S., 2014, Lassen und Tun: Kulturphilosophische Debatten zum Verhältnis von Gabe und kulturellen Praktiken. Hobuß, S. & Tams, N. (eds.). Bielefeld: transcript Verlag, p. 57-78 22 p. (Edition Moderne Postmoderne).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
- Published
"Als Deutscher unter Deutschen": Karl Jaspers' Die Schuldfrage
Schefczyk, M., 2014, Moralisierung des Rechts: Kontinuitäten und Diskontinuitäten nationalsozialistischer Normativität. Konitzer, W. (ed.). Frankfurt am Main: Campus Verlag, p. 189-214 26 p. (Jahrbuch 2014 zur Geschichte und Wirkung des Holocaust).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- Published
Buchbesprechung: Eva Kernbauer, Der Platz des Publikums. Modelle für Kunstöffentlichkeit im 18. Jahrhundert, Köln/Weimar/Wien: Böhlau, 2011, 338 S., ISBN 978-3-412-20555-3
Söntgen, B., 2014, In: Zeitschrift für Kunstgeschichte. 77, 2, p. 283-286 4 p.Research output: Journal contributions › Critical reviews › Research
- Published
Chardin: Inwardness - Emotion - Communication
Söntgen, B., 2014, Rethinking Emotion: Interiority and Exteriority in Premodern, Modern, and Contemporary Thought. Rüdiger, C. & Julia, W. (eds.). Berlin / Boston: Walter de Gruyter, p. 101 -133 33 p. 6. (Interdisciplinary German Cultural Studies; vol. 15).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- Published
Das Bild, die Bilder und das Hyperimage: Schluss mit der Beliebigkeit der Bilderflut
Kemp, W. K., 2014, In: Kunstchronik. 67, 11, p. 558-563 5 p.Research output: Journal contributions › Journal articles › Transfer › peer-review