Institute of Culture and Aesthetics of Digital Media
Organisational unit: Institute
Organisation profile
The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.
Researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.
Main research areas
The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.
In the different core areas researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.
The ICAM maintains close institutional contact and cooperates with the Leuphana, e.g., the Moving Image Lab of the Innovation Incubator, the Leuphana College, the Leuphana Arts Program and the Leuphana Graduate School. Furthermore, the ICAM is responsible for the Audio and Video Labs of the Computer and Media Center of Leuphana.
- 2007
- Published
Normalisierung und Ausschluss: Darstellungen nicht-heterosexuellen Verhaltens in Fahndungssendungen
Pinseler, J., 2007, Heteronormativität: empirische Studien zu Geschlecht, Sexualität und Macht. Hartmann, J., Klesse, C., Wagenknecht, P., Fritzsche, B. & Hackmann, K. (eds.). Wiesbaden: VS Verlag für Sozialwissenschaften, p. 219-235 17 p. (Studien interdisziplinäre Geschlechterforschung; vol. 10).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
- Published
PeTAL-DTD
Warnke, M., Terstegge, C. & Wedemeyer, C., 2007Research output: Non-textual form types › Data set › Research
- Published
Schwärme. Zootechnologien
Vehlken, S., 2007, Politische Zoologie. von der Heiden, A. & Vogl, J. (eds.). Zürich, Berlin: Diaphanes Verlag, p. 235-257 23 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
- Published
Schwarz-weiß in Farbe: Gut und Böse in den Massenmedien
Pinseler, J., 2007, In: Kursiv. 1, p. 40-45 6 p.Research output: Journal contributions › Journal articles › Research
- Published
Showtime für das "unternehmerische Selbst" - Reflexionen über Reality-TV als Vergesellschaftungsmodus
Thomas, T., 2007, Mediennutzung, Identität und Identifikationen: die Sozialisationsrelevanz der Medien im Selbstfindungsprozess von Jugendlichen. Mikos, L. (ed.). Weinheim: Juventa Verlag, p. 51-65 15 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
- Published
Stille Wasser sind kalt: Winde, Wellen und suprafluide Gewässer nahe Null
Vehlken, S., 2007, Stehende Gewässer: Medien der Stagnation. Butis, B. (ed.). Zürich, Berlin: Diaphanes Verlag, p. 225-237 13 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
- Published
Television memories and cultures of viewing: Domestizierungsprozesse in Großbritannien 1950 - 1965
O'Sullivan, T. & Peil, C. (Translator), 2007, MedienAlltag: Domestizierungsprozesse alter und neuer Medien. Röser, J. (ed.). Wiesbaden: VS Verlag für Sozialwissenschaften, p. 71-88 18 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
- Published
Vollendete Veralltäglichung: Die Re-Domestizierung des Fernsehens im dualen Rundfunksystem Deutschlands
Peil, C. & Röser, J., 2007, MedienAlltag: Domestizierungsprozesse alter und neuer Medien. Röser, J. (ed.). Wiesbaden: VS Verlag für Sozialwissenschaften, p. 89-101 13 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
- Published
Wenn das Internet das Zuhause erobert: Dimensionen der Veränderung aus ethnographischer Perspektive
Röser, J., 2007, MedienAlltag: Domestizierungsprozesse alter und neuer Medien. Röser, J. (ed.). Wiesbaden: VS Verlag für Sozialwissenschaften, p. 157-171 15 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
- Published
Xelibri: das Fashion Phone
Peil, C., 2007, MedienAlltag: Domestizierungsprozesse alter und neuer Medien. Röser, J. (ed.). Wiesbaden: VS Verlag für Sozialwissenschaften, p. 222 1 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research