Institute of Culture and Aesthetics of Digital Media
Organisational unit: Institute
Organisation profile
The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.
Researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.
Main research areas
The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.
In the different core areas researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.
The ICAM maintains close institutional contact and cooperates with the Leuphana, e.g., the Moving Image Lab of the Innovation Incubator, the Leuphana College, the Leuphana Arts Program and the Leuphana Graduate School. Furthermore, the ICAM is responsible for the Audio and Video Labs of the Computer and Media Center of Leuphana.
- 2018
- Published
Vom Wahn- und Wahrsprechen des technologisch Unbewussten
Apprich, C., 01.01.2018, In: Le Foucaldien. 4, 1, 20 p., 7.Research output: Journal contributions › Journal articles › Research › peer-review
- Published
Wider die Botanik! Biologie und Ästhetik der Zwischenwesen um 1900
Schnödl, G., 01.01.2018, Annals of the History and Philosophy of Biology. Kittelmann, J. (ed.). Göttingen: Universitätsverlag Göttingen, Vol. 22. p. 289-304 15 p. (Annals of the history and philosophy of biology; vol. 22).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- Published
Aisthesis und Operativität der Schrift. Über ‚Schriftbildlichkeit'
Krämer, S., 2018, Schreiben als Ereignis: Künste und Kulturen der Schrift. Müller-Tamm, J., Schubert, C. & Werner, K. U. (eds.). Paderborn: Wilhelm Fink Verlag, p. 17-34 18 p. (Zur Genealogie des Schreibens; vol. 23).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Das Bild in der Schrift: Über ‚operative Bildlichkeit‘ und die Kreativität des Graphismus
Krämer, S., 2018, Schrift im Bild: Rezeptionsästhetische Perspektiven auf Text-Bild-Relationen in den Künsten. Gibhardt, B. R. & Grave, J. (eds.). Hannover: Wehrhahn Verlag, p. 209-222 14 p. (Ästhetische Eigenzeiten; vol. 10).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Das Interface der Selbstverborgenheit: Szenarien des Intuitiven in Mensch-Roboter Kollaborationen
Kasprowicz, D., 2018, Unterwachen und Schlafen: Anthropophile Medien nach dem Interface. Andreas, M., Kasprowicz, D. & Rieger, S. (eds.). Lüneburg: meson press, p. 159-186 26 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Delfinesisch für Anfänger. John C. Lilly und das JANUS-Projekt
Müggenburg, J., 2018, Zwitschern, Bellen, Röhren.: Tierlaute in der Wissens-, Medientechnik- und Musikgeschichte. Sommer, M. & Reimann, D. (eds.). Berlin: Neofelis Verlag, p. 145-165 20 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Digitale Kulturen
Bernard, A., Beyes, T. & Pias, C., 2018, Die Rolle der Universität in Wissenschaft und Gesellschaft im Wandel. Henkel, A., Hobuß, S., Jamme, C. & Wuggenig, U. (eds.). 1 ed. Berlin: Pro BUSINESS Verlag, p. 167-170 4 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Dynamicland: Ein Ethnographie der Arbeit am Medium
Bachmann, G., 2018, In: Österreichische Zeitschrift für Volkskunde. 114, 1, p. 29-50 22 p.Research output: Journal contributions › Journal articles › Research › peer-review
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Faktizitäten: Zeitschrift für Medienwissenschaft 19 (10/2, 2018)
Vehlken, S. (Editor) & Schauerte, E. (Editor), 2018, Bielefeld: transcript Verlag. 100 p. (Zeitschrift für Medienwissenschaft; vol. 10, no. 2)Research output: Books and anthologies › Special Journal issue › Research
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Film, oberflächlich simuliert
Warnke, M., 2018, Oberflächen und Interfaces: Ästhetik und Politik filmischer Bilder . Holl, U., Kaldrack, I., Miksch, C., Stutz, E. & Welinder, E. (eds.). 1 ed. Paderborn : Wilhelm Fink Verlag, p. 55-59 5 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Finding the Boomers: Der Anti-U-Boot-Krieg und die Operationalisierung der Ozeane im Kalten Krieg
Vehlken, S., 2018, Medien – Krieg – Raum. Nowak, L. (ed.). 1 ed. Paderborn: Wilhelm Fink Verlag, p. 357-376 20 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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From Pity to Control: Regulated Humanitarianism in German Media Coverage of Refugees and Asylum
Grittmann, E., 2018, The Routledge Companion to Media and Humanitarian Action. Andersen, R. & de Silva, P. L. (eds.). New York: Routledge Taylor & Francis Group, p. 90-101 12 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Funkologicalienatimepistomachinistics: Sensorisches Engineering und maschinische Heterochronizität bei Shuggie Otis
Pelleter, M., 2018, Musikformulare und Presets: Musikkulturalisierung und Technik/Technologie. Ismaiel-Wendt, J. & Fabian, A. (eds.). Hildesheim: Georg Olms Verlag AG, p. 149-166 17 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Geistesgeschichte der Technik: »Phantastisches von morgen« und die Höhenflüge des Tech-Kapitalismus — ein Erklärungsversuch
Görlich, C., 2018, 10 Minuten Soziologie: Fakten. Gianna, B. & Anna, H. (eds.). Bielefeld: transcript Verlag, p. 133-146 14 p. (10 Minuten Soziologie; vol. 2).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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General Ecology
Hörl, E. H., 2018, Posthuman Glossary. Braidotti, R. & Hlavajova, M. (eds.). London: Bloomsbury Academic, p. 172-175 4 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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›Kartographischer Impuls‹ und ›operative Bildlichkeit‹: Eine Reflexion über Karten und die Bedeutung räumlicher Orientierung beim Erkennen
Krämer, S., 2018, Mapping: Zeitschrift für Kulturwissenschaften, Heft 1/2018. Schmidt-Lauber, B. & Zechner , I. (eds.). 1 ed. Bielefeld: transcript Verlag, p. 19-31 13 p. (Zeitschrift für Kulturwissenschaft; vol. 2018, no. 1).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Lebhafte Artefakte: Heinz von Foerster und die Maschinen des Biological Computer Laboratory
Müggenburg, J., 2018, Göttingen: Konstanz University Press. 379 p. (Konstanz University Press)Research output: Books and anthologies › Monographs › Research › peer-review
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Mailen
Siegert, P. F., 2018, Historisches Wörterbuch des Mediengebrauchs. Christians, H., Birkenbach, M. & Wegmann, N. (eds.). 1 ed. Köln, Weimar, Wien: Böhlau Verlag, Vol. 2. p. 257-272 16 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Meta-Image und die Prinzipien des Digitalen im Mnemosyne-Atlas Aby Warburgs
Dieckmann, L. & Warnke, M., 2018, Computing Art Reader: Einführung in die digitale Kunstgeschichte. Kuroczyński, P., Bell, P. & Dieckmann, L. (eds.). Heidelberg: arthistoricum.net, p. 78-93 16 p. (Computing in Art and Architecture; vol. 1).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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On Knowing Too Much: Technologists´Discourses Around Online Anonymity
Bialski, P., 2018, Non-Knowledge and Digital Cultures . Bernard, A., Koch, M. & Leeker, M. (eds.). Lüneburg: meson press, p. 143-157 15 p. (Digital Culture Series ).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
