Institute of Culture and Aesthetics of Digital Media

Organisational unit: Institute

Topics

The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.

Researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.

  1. 1997
  2. Published

    Computer als Medium (Hyperkult VI)

    Großmann, R., 1997, In: Zeitschrift für Semiotik. 19, 4, p. 499-500 2 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  3. Published

    Das Medium in Turings Maschine

    Warnke, M., 1997, HyperKult: Geschichte, Theorie und Kontext digitaler Medien. Warnke, M., Coy, W. & Tholen, G. C. (eds.). Basel: Stroemfeld, p. 69-82 14 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  4. Published

    Digitale Schreibzeuge

    Warnke, M., 1997, Kunstgeschichte digital. : Eine Einführung für Praktiker und Studierende.. Kohle, H. (ed.). Berlin: Dietrich Reimer Verlag, p. 171-191 21 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  5. Published

    HyperKult: Geschichte, Theorie und Kontext digitaler Medien

    Warnke, M. (ed.), Coy, W. (ed.) & Tholen, G. C. (ed.), 1997, Basel: Stroemfeld. 520 p. (Nexus; no. 41)

    Research output: Books and anthologiesCollected editions and anthologiesResearch

  6. Published

    Online-Verstrickungen: Immanenzen und Ambivalenzen

    Spreen, D. (ed.), 1997, 1 ed. Berlin: Ästhetik & Kommunikation e.V. 125 p. (Ästhetik & Kommunikation; vol. 26, no. 96)

    Research output: Books and anthologiesSpecial Journal issueResearch

  7. Published

    Report of workshop 'Computer als Medium (Hyperkult VI)', University-of-Luneburg, Germany, July 16, 1997

    Grossmann, R., 1997, In: Zeitschrift für Semiotik. 19, 4, p. 499-500 2 p.

    Research output: Journal contributionsOther (editorial matter etc.)Research

  8. 1998
  9. Published

    Eine digitale Ordnung der Dinge

    Warnke, M., 1998, Umarmungen.../Embraces – Anna Oppermanns Ensemble "Umarmungen, Unerklärliches und eine Gedichtzeile von R.M.R.": Ein hypermediales Bild-Text-Archiv zu Ensemble und Werk. Warnke, M. & Hossmann, H. (eds.). Frankfurt/Main: Stroemfeld, p. 14-21 8 p. (Roter Stern).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  10. Published

    "Et mundus hoc est homo" : Von einer sehr alten, nun wieder virtuellen Weltkarte

    Warnke, M., 1998, In: Zeitschrift für Semiotik. 20, 1-2, p. 119-132 14 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  11. Published

    Tausch, Technik, Krieg: Die Geburt der Gesellschaft im technisch-medialen Apriori

    Spreen, D., 1998, Berlin: Argument Verlag. 199 p. (Argument-Sonderband; vol. N.F. 261)

    Research output: Books and anthologiesMonographsResearchpeer-review

  12. Published

    Umarmungen.../Embraces – Anna Oppermanns Ensemble "Umarmungen, Unerklärliches und eine Gedichtzeile von R.M.R.": Ein hypermediales Bild-Text-Archiv zu Ensemble und Werk

    Wedemeyer, C. (ed.), Warnke, M. (ed.) & Hossmann, H. (ed.), 1998, Frankfurt/Main: Stroemfeld.

    Research output: Books and anthologiesCollected editions and anthologiesResearch

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