Institute of Culture and Aesthetics of Digital Media

Organisational unit: Institute

Organisation profile

The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.

Researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.

Main research areas

The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.

In the different core areas researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation. 

The ICAM maintains close institutional contact and cooperates with the Leuphana, e.g., the Moving Image Lab of the Innovation Incubator, the Leuphana College, the Leuphana Arts Program and the Leuphana Graduate School. Furthermore, the ICAM is responsible for the Audio and Video Labs of the Computer and Media Center of Leuphana. 

  1. Published

    Faktizitäten: Zeitschrift für Medienwissenschaft 19 (10/2, 2018)

    Vehlken, S. (Editor) & Schauerte, E. (Editor), 2018, Bielefeld: transcript Verlag. 100 p. (Zeitschrift für Medienwissenschaft; vol. 10, no. 2)

    Research output: Books and anthologiesSpecial Journal issueResearch

  2. Published

    Geschichtsphilosophie nach der Geschichtsphilosophie? Perspektiven der Kulturgeschichte im Ausgang von Heinz Dieter Kittsteiner

    Blänkner, R. (Editor), Schmieder, F. (Editor), Voller, C. (Editor) & Wagner, J. (Editor), 27.07.2021, Bielefeld: transcript Verlag. 346 p.

    Research output: Books and anthologiesCollected editions and anthologiesResearch

  3. Published

    Die unheimliche Verkehrung. Anmerkungen zu einem Topos der Moderne

    Voller, C., 01.2020, Autonomie und Unheimlichkeit. Friedrich, A., Gehring, P., Hubig, C., Kaminski, A. & Nordmann, A. (eds.). Baden-Baden: Nomos Verlagsgesellschaft, p. 53-82 30 p. (Jahrbuch für Technikphilosophie; vol. 6).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  4. Published

    Environmentalitäre Zeit

    Hörl, E., 2021, Konfigurationen der Zeitlichkeit. Friedrich, A., Gehring, P., Hubig, C., Kaminski, A. & Nordmann, A. (eds.). Baden-Baden: Nomos Verlagsgesellschaft, p. 137 - 162 26 p. (Jahrbuch Technikphilosophie; vol. 7. 2021).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  5. Published

    La pensée du suspens. Mélancolie et politique dans le sans-époque

    Hörl, E., 2021, Amitiés de Bernard Stiegler: Douze Contributions réunis par Jean-Luc Nancy. Nancy, J.-L. (ed.). Paris: Galilée Editions, p. 45 - 68 24 p. (La philosophie en effet).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  6. Published

    Introduction

    Hörl, E., Pinkrah, N. Y. & Warnsholdt, L., 2021, Critique and the Digital . Hörl, E., Pinkrah, N. Y. & Warnsholdt, L. (eds.). Zürich: Diaphanes Verlag, p. 7 - 24 18 p. (Critical Stances).

    Research output: Contributions to collected editions/worksOtherResearch

  7. Published

    Ruins of Excess: Computer Game Images and the Rendering of Technological Obsolescence

    Luersen, E. H. & Fuchs, M., 01.12.2021, In: Games and Culture . 16, 8, p. 1087-1110 24 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  8. Published

    ›Futurhythmaschinen‹: Drum-Machines und die Zukünfte auditiver Kulturen

    Pelleter, M., 2020, Hildesheim: Georg Olms Verlag AG. 623 p. (MusikmachDinge. ((audio)) Ästhetische Strategien und Sound-Kulturen; vol. 3)

    Research output: Books and anthologiesMonographsResearch

  9. Published

    Relationen der Auflösung sind Relationen der Konstituierung – zur Individuation und zum Verhältnis von Transindividuellem und Interindividuellem nach Gilbert Simondon

    Leistert, O., 2019, Zersetzung: Automatismen und Strukturauflösung. Eke, N. O. & Hohlweck, P. (eds.). Paderborn: Wilhelm Fink Verlag, p. 155-169 15 p. (Schriftenreihe des Graduiertenkollegs "Automatismen").

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  10. Published

    The Mushroom at the End of the World: On the Possibilities of Life in Capitalist Ruins

    Conrad, L., 04.2021, In: Management Learning. 52, 2, p. 255-259 5 p.

    Research output: Journal contributionsCritical reviewsResearch

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