Institute of Culture and Aesthetics of Digital Media

Organisational unit: Institute

Organisation profile

The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.

Researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.

Main research areas

The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.

In the different core areas researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation. 

The ICAM maintains close institutional contact and cooperates with the Leuphana, e.g., the Moving Image Lab of the Innovation Incubator, the Leuphana College, the Leuphana Arts Program and the Leuphana Graduate School. Furthermore, the ICAM is responsible for the Audio and Video Labs of the Computer and Media Center of Leuphana. 

  1. Published

    Rezension zu Fahlenbrach, Kathrin/Brück, Ingrid/Bartsch, Anne

    Peil, C., 2010, In: TV-Diskurs. 14, Nr. 2, p. 95 1 p.

    Research output: Journal contributionsCritical reviewsResearch

  2. Published

    Diffusion und Teilhabe durch Domestizierung. Zugänge zum Internet im Wandel 1997-2007

    Röser, J. & Peil, C., 01.01.2010, In: Medien & Kommunikationswissenschaft. 58, 4, p. 481-502 22 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  3. Published

    Rechnende Tiere: Zootechnologien aus dem Ozean

    Müggenburg, J. & Vehlken, S., 2011, In: Zeitschrift für Medienwissenschaft. 3, 4, p. 58-70 13 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  4. Published

    Errechnet, gesteuert, vernetzt: Musik am computer

    Warnke, M., 01.2011, In: Neue Zeitschrift für Musik : das Magazin für neue Töne. 172, 1, p. 34-39 6 p.

    Research output: Journal contributionsScientific review articlesResearch

  5. Published

    Quantencomputer. Taktlos

    Warnke, M., 2013, Kulturtechniken der Synchronisation. Kassung, C. & Macho, T. (eds.). Paderborn: Wilhelm Fink Verlag, p. 269-287 18 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  6. Published

    "God Is in the Details", or The Filing Box Answers

    Warnke, M., 2011, Imagery in the 21st Century. Grau, O. & Veigl, T. (eds.). Cambridge, USA: The MIT Press, p. 339-348 10 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  7. Published

    Systemic aspects of auditory interactive art in the public sphere.

    Großmann, R. & Otto, A., 2010, In: V!rus. V!3, 3 p.

    Research output: Journal contributionsJournal articlesResearch

  8. Published

    Digitale Schreibzeuge

    Warnke, M., 1997, Kunstgeschichte digital. : Eine Einführung für Praktiker und Studierende.. Kohle, H. (ed.). Berlin: Dietrich Reimer Verlag, p. 171-191 21 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  9. Published

    Theorien des Internet zur Einführung

    Warnke, M., 2011, Hamburg: Junius Verlag . 192 p.

    Research output: Books and anthologiesMonographsResearch

  10. Published

    Umarmungen.../Embraces – Anna Oppermanns Ensemble "Umarmungen, Unerklärliches und eine Gedichtzeile von R.M.R.": Ein hypermediales Bild-Text-Archiv zu Ensemble und Werk

    Wedemeyer, C. (Editor), Warnke, M. (Editor) & Hossmann, H. (Editor), 1998, Frankfurt/Main: Stroemfeld.

    Research output: Books and anthologiesCollected editions and anthologiesResearch