Institute of Culture and Aesthetics of Digital Media

Organisational unit: Institute

Organisation profile

The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.

Researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.

Main research areas

The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.

In the different core areas researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation. 

The ICAM maintains close institutional contact and cooperates with the Leuphana, e.g., the Moving Image Lab of the Innovation Incubator, the Leuphana College, the Leuphana Arts Program and the Leuphana Graduate School. Furthermore, the ICAM is responsible for the Audio and Video Labs of the Computer and Media Center of Leuphana. 

  1. Published

    Das Diktat des Hashtags: Über ein Prinzip der aktuellen Debattenbildung

    Bernard, A., 24.10.2018, Frankfurt am Main: Fischer Taschenbuch-Verlag. 96 p.

    Research output: Books and anthologiesMonographsResearch

  2. Published

    Profil

    Bernard, A., 2017, Nach der Revolution: Ein Brevier digitaler Kulturen. Beyes, T., Metelmann, J. & Pias, C. (eds.). Berlin: Tempus Corporate GmbH, p. 38-48 11 p. (Duisburger Dialoge).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  3. Published

    Pervasive Intelligence: The Tempo-Spatiality of Drone Swarms

    Vehlken, S., 22.08.2018, In: Digital Culture & Society. 4, 1, p. 107-132 26 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  4. Published

    Visions of Process—Swarm Intelligence and Swarm Robotics in Architectural Design and Construction

    Vehlken, S., 30.08.2018, Robotic Building. Bier, H. (ed.). Springer Verlag, p. 1-23 24 p. (Adaptive Environments; vol. 1, no. 1).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  5. Published

    The Corrupt State of Artificial Intelligence: Clemens Apprich on Machine Learning and Bias

    Apprich, C., 03.2018, In: Texte zur Kunst. 109, p. 136-141 6 p.

    Research output: Journal contributionsJournal articlesTransfer

  6. Published

    Beating Time: Futuristische Geschichten und vergangene Zukünfte der Drum-Machine

    Pelleter, M., 2017, Good Vibrations: Eine Geschichte der elektronischen Musikinstrumente. Restle, C., Brillmaier, B. & Hardjowirogo, S.-I. (eds.). Berlin: Deutscher Kunstverlag, p. 41-45 5 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  7. Published

    On the Soul of Technical Objects: Commentary on Simondon’s ‘Technics and Eschatology’ (1972)

    Hui, Y., 01.11.2018, In: Theory, Culture & Society. 35, 6, p. 97-111 15 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  8. Published

    Zur Aktualität der Rhythmusbewegung im 21. Jahrhundert: Eine Respondenz

    Großmann, R., 02.2016, In: Die Musikforschung. 69, 2, p. 157-160 4 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  9. Published

    Proceedings SMC 2016: 31.8.2016, Hamburg, Germany

    Großmann, R. (Editor) & Hajdu, G. (Editor), 31.08.2016, Hamburg: Zentrum für Mikrotonale Musik und Multimediale Komposition (ZM4). 513 p.

    Research output: Books and anthologiesConference proceedingsResearch

  10. Published

    Lebhafte Artefakte: Heinz von Foerster und die Maschinen des Biological Computer Laboratory

    Müggenburg, J., 2018, Göttingen: Konstanz University Press. 379 p. (Konstanz University Press)

    Research output: Books and anthologiesMonographsResearchpeer-review