Institute of Culture and Aesthetics of Digital Media

Organisational unit: Institute

Organisation profile

The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.

Researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.

Main research areas

The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.

In the different core areas researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation. 

The ICAM maintains close institutional contact and cooperates with the Leuphana, e.g., the Moving Image Lab of the Innovation Incubator, the Leuphana College, the Leuphana Arts Program and the Leuphana Graduate School. Furthermore, the ICAM is responsible for the Audio and Video Labs of the Computer and Media Center of Leuphana. 

  1. Published

    The Great Pacific Garbage Catch: Müll als Medium einer ›Plastic Oceanography

    Vehlken, S., 10.2020, In: Zeitschrift für Medienwissenschaft. 23, 2, p. 84-98 15 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  2. Published

    Atomic Animals: Tiere als Medien nuklearer Forschung

    Vehlken, S., 26.10.2020, In: Tierstudien. 18, p. 45-56 12 p.

    Research output: Journal contributionsJournal articlesResearch

  3. Published

    Thinking the Problematic: Genealogies and Explorations between Philosophy and the Sciences

    Leistert, O. (Editor) & Schrickel, I. (Editor), 26.10.2020, Bielefeld: transcript Verlag. 197 p. (Philosophy)

    Research output: Books and anthologiesCollected editions and anthologiesResearch

  4. Published

    The Late Masterwork of Gilles Deleuze: Linking Style to Method in What Is Philosophy?

    Schönher, M., 01.06.2020, In: Qui Parle: Critical Humanities and Social Sciences. 29, 1, p. 25–63 39 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  5. E-pub ahead of print

    Governing Objects from a Distance: Blockchains as Organizers of Environmentality

    Leistert, O., 2020, (E-pub ahead of print) Explorations in Digital Cultures. Burkhardt, M., Shnayien, M. & Grashöfer, K. (eds.). Lüneburg: meson press, p. 5-20 16 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  6. Published

    Heinz von Foerster and Early Research in the Field of Pattern Recognition at the Biological Computer Laboratory

    Müggenburg, J., 15.04.2020, Computer Aided Systems Theory – EUROCAST 2019 - 17th International Conference, Revised Selected Papers: 17th International Conference, Las Palmas de Gran Canaria, Spain, February 17–22, 2019, Revised Selected Papers, Part I. Moreno-Díaz, R., Pichler, F. & Quesada-Arencibia, A. (eds.). Cham: Springer International Publishing AG, Vol. 1. p. 116–122 7 p. (Lecture Notes in Computer Science (including subseries Lecture Notes in Artificial Intelligence and Lecture Notes in Bioinformatics); vol. 12013 LNCS).

    Research output: Contributions to collected editions/worksArticle in conference proceedingsResearchpeer-review

  7. Published

    T. Haigh (Hrsg.): Exploring the Early Digital

    Müggenburg, J. K., 20.03.2020, 3 p. Berlin : Humboldt-Universität zu Berlin.

    Research output: other publicationsArticles in scientific forums or blogsResearch

  8. Published

    Assistenz

    Müggenburg, J. K., 2020, Technikanthropologie: Handbuch für Wissenschaft und Studium. Heßler, M. & Liggieri, K. (eds.). Baden-Baden: Nomos Verlagsgesellschaft mbH & Co. KG, p. 411-415 5 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  9. Published

    Computer

    Pias, C., 09.10.2018, The Creativity Complex: A Companion to Contemporary Culture. Beyes, T. & Mentelmann, J. (eds.). Bielefeld: transcript Verlag, p. 76-81 6 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  10. Published

    The Triple Transformation: The Emergence of Philosophy in Deleuze and Guattari

    Schönher, M., 2019, In: Journal of Speculative Philosophy. 33, 4, p. 610-627 18 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

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