Institute of Culture and Aesthetics of Digital Media

Organisational unit: Institute

Organisation profile

The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.

Researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.

Main research areas

The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.

In the different core areas researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation. 

The ICAM maintains close institutional contact and cooperates with the Leuphana, e.g., the Moving Image Lab of the Innovation Incubator, the Leuphana College, the Leuphana Arts Program and the Leuphana Graduate School. Furthermore, the ICAM is responsible for the Audio and Video Labs of the Computer and Media Center of Leuphana. 

  1. Published

    Distanzierte Verhältnisse? Zur Musikinstrumentalisierung der Reproduktionsmedien

    Großmann, R., 2010, Klang (ohne) Körper: Spuren und Potenziale des Körpers in der elektronischen Musik. Harenberg, M. & Weissberg, D. (eds.). Bielefeld: transcript Verlag, p. 183-200 18 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  2. Published

    Disrupting Business: Art and Activism in times of financial crisis

    Cox, G. (Editor) & Bazzichelli, T. (Editor), 2013, New York City: Autonomedia. 256 p. (DATA browser)

    Research output: Books and anthologiesCollected editions and anthologiesResearch

  3. Published

    Diskordanz der Zeiten

    Schneider, N. (Translator) & Schürmann, R., 2024, Diaphanes Verlag. 210 p.

    Research output: Books and anthologiesBook

  4. Published

    Dis/Ability and Digital Cultures. A Media-Archaeological Perspective on Inclusion as a Cipher

    Müggenburg, J., 2021, Inklusion als Chiffre?: Bildungshistorische Analysen und Reflexionen. Vogt, M., Boger, M.-A. & Bühler, P. (eds.). Bad Heilbrunn: Verlag Julius Klinkhardt, p. 93-105 13 p. (Historische Bildungsforschung).

    Research output: Contributions to collected editions/worksArticle in conference proceedingsResearch

  5. Published

    DIN

    Berz, P., 2004, von a bis z : 26 Essays zu Grundbegriffen der Architektur. Hohmann, M. & Rettich, S. (eds.). Köln: Verlag der Buchhandlung Walther König, p. 30-37 8 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  6. Published

    Digital Natives - eine Generation des Übergangs: Zur Gestaltungsmacht digitaler Kultur

    Großmann, R., 01.08.2018, In: Positionen. 116, p. 4-8 5 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  7. Published

    „Digitale Währungen, insbesondere Libra“: Öffentliche Anhörung des Ausschusses Digitale Agenda

    Leistert, O., 2019, 6 p.. No. 19(23)0692, Sept 25, 2019.

    Research output: Contribution to memorandum/expositionContribution to QA/hearing

  8. Published

    Digitale Verteilungskämpfe, digitale Zäune und digitale Schlupflöcher

    Leistert, O., 2007, Herrschaftsverhältnisse und Herrschaftsdiskurse: Essays zur dekonstruktivistischen Herausforderung kritischer Gesellschaftstheorie. Weiss, V. & Speck, S. (eds.). Berlin: LIT Verlag, p. 144-157 14 p. (Villigst Profile; vol. 9).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  9. Published

    Digitale Schreibzeuge

    Warnke, M., 1997, Kunstgeschichte digital. : Eine Einführung für Praktiker und Studierende.. Kohle, H. (ed.). Berlin: Dietrich Reimer Verlag, p. 171-191 21 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  10. Published

    Digitale Musikproduktion

    Großmann, R., 2002, Metzler Lexikon Medientheorie, Medienwissenschaft: Ansätze – Personen – Grundbegriffe. Schanze, H. (ed.). Stuttgart [u.a.]: J.B. Metzler, p. 271-273 3 p.

    Research output: Contributions to collected editions/worksArticles for encyclopediaResearch