Institute of Culture and Aesthetics of Digital Media
Organisational unit: Institute
Organisation profile
The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.
Researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.
Main research areas
The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.
In the different core areas researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.
The ICAM maintains close institutional contact and cooperates with the Leuphana, e.g., the Moving Image Lab of the Innovation Incubator, the Leuphana College, the Leuphana Arts Program and the Leuphana Graduate School. Furthermore, the ICAM is responsible for the Audio and Video Labs of the Computer and Media Center of Leuphana.
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Distanzierte Verhältnisse? Zur Musikinstrumentalisierung der Reproduktionsmedien
Großmann, R., 2010, Klang (ohne) Körper: Spuren und Potenziale des Körpers in der elektronischen Musik. Harenberg, M. & Weissberg, D. (eds.). Bielefeld: transcript Verlag, p. 183-200 18 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Disrupting Business: Art and Activism in times of financial crisis
Cox, G. (Editor) & Bazzichelli, T. (Editor), 2013, New York City: Autonomedia. 256 p. (DATA browser)Research output: Books and anthologies › Collected editions and anthologies › Research
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Diskordanz der Zeiten
Schneider, N. (Translator) & Schürmann, R., 2024, Diaphanes Verlag. 210 p.Research output: Books and anthologies › Book
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Dis/Ability and Digital Cultures. A Media-Archaeological Perspective on Inclusion as a Cipher
Müggenburg, J., 2021, Inklusion als Chiffre?: Bildungshistorische Analysen und Reflexionen. Vogt, M., Boger, M.-A. & Bühler, P. (eds.). Bad Heilbrunn: Verlag Julius Klinkhardt, p. 93-105 13 p. (Historische Bildungsforschung).Research output: Contributions to collected editions/works › Article in conference proceedings › Research
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DIN
Berz, P., 2004, von a bis z : 26 Essays zu Grundbegriffen der Architektur. Hohmann, M. & Rettich, S. (eds.). Köln: Verlag der Buchhandlung Walther König, p. 30-37 8 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Digital Natives - eine Generation des Übergangs: Zur Gestaltungsmacht digitaler Kultur
Großmann, R., 01.08.2018, In: Positionen. 116, p. 4-8 5 p.Research output: Journal contributions › Journal articles › Research › peer-review
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„Digitale Währungen, insbesondere Libra“: Öffentliche Anhörung des Ausschusses Digitale Agenda
Leistert, O., 2019, 6 p.. No. 19(23)0692, Sept 25, 2019.Research output: Contribution to memorandum/exposition › Contribution to QA/hearing
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Digitale Verteilungskämpfe, digitale Zäune und digitale Schlupflöcher
Leistert, O., 2007, Herrschaftsverhältnisse und Herrschaftsdiskurse: Essays zur dekonstruktivistischen Herausforderung kritischer Gesellschaftstheorie. Weiss, V. & Speck, S. (eds.). Berlin: LIT Verlag, p. 144-157 14 p. (Villigst Profile; vol. 9).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Digitale Schreibzeuge
Warnke, M., 1997, Kunstgeschichte digital. : Eine Einführung für Praktiker und Studierende.. Kohle, H. (ed.). Berlin: Dietrich Reimer Verlag, p. 171-191 21 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Digitale Musikproduktion
Großmann, R., 2002, Metzler Lexikon Medientheorie, Medienwissenschaft: Ansätze – Personen – Grundbegriffe. Schanze, H. (ed.). Stuttgart [u.a.]: J.B. Metzler, p. 271-273 3 p.Research output: Contributions to collected editions/works › Articles for encyclopedia › Research