Institute of Culture and Aesthetics of Digital Media
Organisational unit: Institute
Organisation profile
The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.
Researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.
Main research areas
The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.
In the different core areas researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.
The ICAM maintains close institutional contact and cooperates with the Leuphana, e.g., the Moving Image Lab of the Innovation Incubator, the Leuphana College, the Leuphana Arts Program and the Leuphana Graduate School. Furthermore, the ICAM is responsible for the Audio and Video Labs of the Computer and Media Center of Leuphana.
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Materialexplosion und Avantgardeanspruch
Großmann, R., 05.2019, In: Positionen. 119 , p. 50-53 4 p.Research output: Journal contributions › Journal articles › Research › peer-review
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Massenmedien
Röser, J., 01.01.2002, Metzler-Lexikon Gender Studies Geschlechterforschung: Ansätze, Personen, Grundbegriffe. Kroll, R. (ed.). Stuttgart: J.B. Metzler, p. 257-258 2 p.Research output: Contributions to collected editions/works › Articles for encyclopedia › Research
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Maschinen – Sprachen
Pias, C., 2011, Nicht Fisch - nicht Fleisch: Ordnungssysteme und ihre Störfälle. Bäumler, T., Bühler , B. & Rieger, S. (eds.). 1 ed. Zürich: Diaphanes Verlag, p. 187-207 21 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Marktlogiken in Lifestyle-TV und Lebensführung: Herausforderungen einer gesellschaftskritischen Medienanalyse
Thomas, T., 2008, Neoliberalismus: Analysen und Alternativen. Butterwegge, C. (ed.). Wiesbaden: VS Verlag für Sozialwissenschaften, p. 147-163 17 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Marcel Baumann: Zwischenwelten: Weder Krieg noch Frieden. Über den konstruktiven Umgang mit Gewaltphänomenen im Prozess der Konflikttransformation. Wiesbaden 2008: VS Verlag
Spreen, D., 2009, In: Sociologia Internationalis. 47, 2, p. 291-295 5 p.Research output: Journal contributions › Critical reviews › Research
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Männerzeitschriften - Frauenzeitschriften: Systematisierung eines gemeinsamen Forschungsfeldes
Röser, J., 01.01.2005, In: Medien-Journal. 29, 1, p. 23-34 12 p.Research output: Journal contributions › Journal articles › Research
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Mailen
Siegert, P. F., 2018, Historisches Wörterbuch des Mediengebrauchs. Christians, H., Birkenbach, M. & Wegmann, N. (eds.). 1 ed. Köln, Weimar, Wien: Böhlau Verlag GmbH, Vol. 2. p. 257-272 16 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Macht und Ohnmacht in Medienkulturen: Aktuelle Verschiebungen und Herausforderungen
Thomas, T. & Grittmann, E., 2014, In: Medien + Erziehung. 58, 1, p. 20-27 8 p.Research output: Journal contributions › Journal articles › Research › peer-review
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Macht der Medienbilder oder Medienbilder der Macht?
Röser, J., 2002, In: Wissenschaft und Frieden. 20, 2, p. 34-43 10 p.Research output: Journal contributions › Journal articles › Research
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Lutz Hieber / Dominik Schrage (Hg.): Technische Reproduzierbarkeit. Zur Kultursoziologie massenmedialer Vervielfältigung, Bielefeld 2007: transcript
Spreen, D., 2008, In: Sociologia Internationalis. 46, 1, p. 124-127 4 p.Research output: Journal contributions › Critical reviews › Research