Institute of Culture and Aesthetics of Digital Media
Organisational unit: Institute
Organisation profile
The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.
Researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.
Main research areas
The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.
In the different core areas researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.
The ICAM maintains close institutional contact and cooperates with the Leuphana, e.g., the Moving Image Lab of the Innovation Incubator, the Leuphana College, the Leuphana Arts Program and the Leuphana Graduate School. Furthermore, the ICAM is responsible for the Audio and Video Labs of the Computer and Media Center of Leuphana.
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Spuren, Graphé, Wissenskünste. Zur Episteme der Spur
Krämer, S., 10.03.2016, Der Spur auf der Spur : Sur les traces de la trace. Attia, S., Streble, I., Le Bouëdec, N. & Volkwein, A. (eds.). Heidelberg: Winter Universitätsverlag, p. 19-30 12 p. (Germanisch-romanische Monatsschrift/Beiheft; vol. 71).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Sprechen, Schreiben, Programmieren. Digitalisierung alter Kulturtechniken oder digitale Kultur?
Krämer, S., 2017, In: Der Blaue Reiter - Journal für Philosophie. 41, p. 16-20 5 p.Research output: Journal contributions › Journal articles › Research › peer-review
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Sprechen im freien Radio: eine Fallanalyse zu Möglichkeiten alternativen Hörfunks
Pinseler, J., 01.01.2001, In: Medien & Kommunikationswissenschaft. 49, 3, p. 369-383 15 p.Research output: Journal contributions › Journal articles › Research
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Sprachgebräuche jenseits des Sprechens: oder: über die ‚stumme Epistemologie‘ der inskribierten Fläche
Krämer, S., 2019, Linguistische Kulturanalyse. Schröder, J., Tienken, S., Ilg, Y., Scharloth, J. & Bubenhofer, N. (eds.). Berlin: Walter de Gruyter GmbH, p. 51-68 18 p. (Reihe Germanistische Linguistik; vol. 314).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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“Sposi, Amici, al ballo, al gioco!”: Brevi cenni di ludicizzazione … del diciottesimo secolo
Fuchs, M., 02.04.2016, Oltre il gioco: Critica della ludicizzazione urbana. Bittanti, M. & Zilio, E. (eds.). 1 ed. Milano: Unicopli, p. 23-34 12 p. 1. (Ludologica: Videogames d'autore; vol. 28).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Spielregeln. 25 Aufstellungen. Eine Festschrift für Wolfgang Pircher
Berz, P. (Editor), Pias, C. (Editor), Kubaczek, M. (Editor), Unterholzner, D. (Editor) & Laquièze-Waniek, E. (Editor), 2012, Berlin und Zürich: Diaphanes Verlag. 368 p.Research output: Books and anthologies › Collected editions and anthologies › Research
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Spiegelbild, sprechender Spiegel, leerer Spiegel: zur Mediensituation der Clicks & Cuts
Großmann, R., 2003, Soundcultures: Über elektronische und digitale Musik. Kleiner, M. S. (ed.). Frankfurt am Main: Suhrkamp Verlag, p. 52-68 17 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Spannung, Spiel und Schwarzgerät. Zur Kulturtechnik des Unboxing
Müggenburg, J., 2012, In: Off topic. 5, 4, p. 30-34 5 p.Research output: Journal contributions › Journal articles › Research › peer-review
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Spaghetti Code
Berz, P., 2013, Katalog der Unordnung: 20 Jahre IFK. Lethen, H. (ed.). Wien: Internationales Forschungszentrum Kulturwissenschaften, p. 43-47 5 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Spaces with a temper: On atmospheres of teaching
Michels, C. & Beyes, T., 2016, The Routledge Companion to Reinventing Management Education. Beyes, T., Steyaert, C. & Parker, M. (eds.). London : Routledge Taylor & Francis Group, p. 312-329 18 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review