Institute of Culture and Aesthetics of Digital Media

Organisational unit: Institute

Organisation profile

The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.

Researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.

Main research areas

The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.

In the different core areas researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation. 

The ICAM maintains close institutional contact and cooperates with the Leuphana, e.g., the Moving Image Lab of the Innovation Incubator, the Leuphana College, the Leuphana Arts Program and the Leuphana Graduate School. Furthermore, the ICAM is responsible for the Audio and Video Labs of the Computer and Media Center of Leuphana. 

  1. Published

    Tausch, Technik, Krieg: Zur Diskursanalyse der Medien und des Sozialen

    Spreen, D., 2004, Landschaft, Geschlecht, Artefakte: Zur Soziologie naturaler und artifizieller Alteritäten.. Eßbach, W., Kaufmann, S., Verdicchio, D., Lutterer, W., Bellanger, S. & Uerz, G. (eds.). Würzburg: Ergon-Verlag, p. 49-59 10 p. (Identitäten und Alteritäten; vol. 15).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  2. Published

    Szintetikus történelem

    Pias, C., 16.11.2015, In: Tiszataj. 4, p. 83-92 10 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  3. Published

    Systemic aspects of auditory interactive art in the public sphere.

    Großmann, R. & Otto, A., 2010, In: V!rus. V!3, 3 p.

    Research output: Journal contributionsJournal articlesResearch

  4. Published

    Synthese, Mimesis, Emergenz: entlang des Zeitpfeils zwischen Berechenbarkeit und Kontingenz

    Warnke, M., 2005, Einbildungen. Huber, J. (ed.). Zürich: Edition Voldemeer, p. 75-92 18 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  5. Published

    Synchronschwimmen: Von Schlafmaschinen zu Swarm Intelligence

    Vehlken, S., 2013, Kulturtechniken der Synchronisation. Kassung, C. & Macho, T. (eds.). Paderborn: Wilhelm Fink Verlag, p. 131-160 29 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  6. Published

    Symbolischer Wert und Warenwert

    Rudolph, S. & Wuggenig, U., 2012, Das Kunstfeld: Eine Studie über Akteure und Institutionen der zeitgenössischen Kunst am Beispiel von Zürich, Wien, Hamburg und Paris. Munder, H. & Wuggenig, U. (eds.). Zürich: JRP Ringier Verlag, p. 315-341 27 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  7. Published

    'Svjedok – Der Zeuge' (2012) oder: Kann ein Film ein Zeugnis sein?

    Krämer, S., 2016, Zeugen in der Kunst. Krämer, S. & Schmidt, S. (eds.). Paderborn: Wilhelm Fink Verlag, p. 141-162 12 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  8. Published
  9. Published

    Supercomputing

    Vehlken, S. & Engemann, C., 15.12.2011, Takt und Frequenz. Balke, F., Siegert, B. & Vogl, J. (eds.). Paderborn: Wilhelm Fink Verlag, p. 143-161 17 p. (Archiv für Mediengeschichte; vol. 2011, no. 11).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  10. Published

    'Summoning art to save the city': A Note: 'Saving' the city: Collective low-budget organizing and urban practice

    Beyes, T., 2015, In: Journal of Management Inquiry. 15, 1, p. 207-220 13 p., 15.

    Research output: Journal contributionsJournal articlesResearchpeer-review