Institute of Culture and Aesthetics of Digital Media
Organisational unit: Institute
Organisation profile
The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.
Researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.
Main research areas
The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.
In the different core areas researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.
The ICAM maintains close institutional contact and cooperates with the Leuphana, e.g., the Moving Image Lab of the Innovation Incubator, the Leuphana College, the Leuphana Arts Program and the Leuphana Graduate School. Furthermore, the ICAM is responsible for the Audio and Video Labs of the Computer and Media Center of Leuphana.
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Übung im Denken: Der Moment des »Dazwischen« in Manon de Boers An Experiment in Leisure
Gräfe, A., 05.2024, Denken des Medialen: Zur Bedeutung des »Dazwischen«. Schürmann, E. & Sternagel, J. (eds.). Bielefeld: transcript Verlag, p. 137-152 16 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Übermittlung, Passage, Kanal, Medium
Warnke, M., 2010, Sujet Supposé Savoir: Zum Moment der Übertragung in Kunst Pädagogik Psychoanalyse. Crommelin, A., Meyer, T. & Zahn, M. (eds.). Berlin: Kulturverlag Kadmos , p. 83-85 3 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Überleben rechnen. Biologically Inspired Computing zwischen Panik und Crowd Control.
Vehlken, S., 2009, Informatik 2009 im Focus das Leben: Beiträge der 39. Jahrestagung der Gesellschaft für Informatik e.V.. Fischer, S., Maehle, E. & Reischuk, R. (eds.). Lübeck: Gesellschaft für Informatik e.V., p. 63, 847-859 13 p. (Lecture Notes in Informatics - Proceedings; no. P-154).Research output: Contributions to collected editions/works › Article in conference proceedings › Research › peer-review
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Über Konstruktion und Dekonstruktion von Gehörlosigkeit bei Kindern
Bosteels, S., Blume, S. & Bösenberg, E. S. (Translator), 2012, Verbesserte Körper - gutes Leben?: Bioethik, Enhancement und die Disability Studies. Eilers, M., Grüber, K. & Rehmann-Sutter, C. (eds.). Frankfurt am Main: Peter Lang Verlag, p. 123-144 22 p. 6. ( Praktische Philosophie Kontrovers / Practical Philosophy controversial / Philosophie pratique en controverse; vol. 5).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Über Klangerzeuger, Metallkisten und Breakbeat-Labore: Konstellationen aus Sound, Technik, Wissen und Praxis
Hardjowirogo, S.-I. & Pelleter, M., 01.2015, In: Navigationen. 15, 2, p. 99-111 13 p.Research output: Journal contributions › Journal articles › Research › peer-review
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Über Britta Schinzels intellektuelle Reisen, den Epistemischen Vorteil und ihre Kunst der Doppelstütze
Warnke, M., 2008, Kaleidoskop – Festschrift für Prof. Dr. Britta Schinzel. Freiburg: Institut für Informatik und Gesellschaft der Universität Freiburg, p. 86-87 2 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Transfer
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Turing-Medien
Warnke, M., 2002, Die Politik der Maschine: Computer Odyssee 2001. Böhme, H. & Dencker, K. P. (eds.). Hamburg: Hans-Bredow-Institut für Medienforschung an der Universität Hamburg, p. 372-382 11 p. (Interface; vol. 5).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Truth in testimony: Or can a documentary film ‘bear witness’? Some reflections on the difference between discursive and existential truth
Krämer, S., 07.12.2016, In the Beginning was the Image: The Omnipresence of Pictures: Time, Truth, Tradition. Benedek, A. & Veszelszki, Á. (eds.). Frankfurt: Peter Lang Verlag, p. 29-39 11 p. (Visual learning; vol. 6).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Tristan Garcia, Form and Object: A Treaty of Things
Hui, Y., 08.2016, In: Journal for Visual Culture. 15, 2, p. 288-292 5 p.Research output: Journal contributions › Critical reviews › Research
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Trickkisten: Heinz von Foerster und der Zauber der Kybernetik
Müggenburg, J. K., 2016, Trick 17 : Mediengeschichten zwischen Zauberkunst und Wissenschaft. Vehlken, S., Müller-Helle, K., Müggenburg, J. & Sprenger, F. (eds.). Norderstedt: meson press, p. 59-84 26 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review