Institute of Culture and Aesthetics of Digital Media

Organisational unit: Institute

Organisation profile

The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.

Researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.

Main research areas

The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.

In the different core areas researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation. 

The ICAM maintains close institutional contact and cooperates with the Leuphana, e.g., the Moving Image Lab of the Innovation Incubator, the Leuphana College, the Leuphana Arts Program and the Leuphana Graduate School. Furthermore, the ICAM is responsible for the Audio and Video Labs of the Computer and Media Center of Leuphana. 

  1. 2017
  2. Published

    Introduction

    Borrelli, A., 2017, The Optics of Giambattista Della Porta (ca. 1535–1615): A Reassessment. Borrelli, A., Hon, G. & Zik, Y. (eds.). Springer Nature AG, p. 1-10 10 p. (Archimedes; vol. 44).

    Research output: Contributions to collected editions/worksChapterpeer-review

  3. Published

    Introduction: Converging the Yet-Separate Theoretical Discourses of Testimony Studies

    Krämer, S. & Weigel, S., 2017, Testimony/Bearing Witness: Epistemology, Ethics, History, and Culture. Krämer, S. & Weigel, S. (eds.). London: Rowman & Littlefield International, p. IX-XII 4 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  4. Published

    Krassheiten: Das Ende der Massen und ihrer Medien

    Warnke, M., 2017, In: Treffpunkte. 2017, 3, p. 13 – 16 4 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  5. Published

    Kritische Übergänge. Relationsmodelle der Kritik um 1900

    Schnödl, G., 2017, Julius Meier-Graefe: Grenzgänger der Künste. Becker, I. & Marchal, S. (eds.). Berlin: Deutscher Kunstverlag, p. 44-58 15 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  6. Published

    Media and Migration: Editorial

    Apprich, C., Beverungen, A., Freudenschuß, M., Hille, L., Simons, S., Wiedemann, C., Heinrichs, R. & Yoosuf, H., 2017, In: spheres - Journal for Digital Cultures. 4, 2, 4 p.

    Research output: Journal contributionsOther (editorial matter etc.)Research

  7. Published

    Mediengenealogie: Zurück in die Gegenwart digitaler Kulturen

    Apprich, C. & Bachmann, G., 2017, Digitalisierung: Theorien und Konzepte für die empirische Kulturforschung. Koch, G. (ed.). Konstanz, München: UVK Verlagsgesellschaft mbH, p. 405-426 22 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  8. Published

    Musical Instruments in the 21st Century: Identities, Configurations, Practices

    Bovermann, T. (Editor), de Campo, A. (Editor), Egermann, H. (Editor), Hardjowirogo, S.-I. (Editor) & Weinzierl, S. (Editor), 2017, Singapore: Springer Science+Business Media. 412 p.

    Research output: Books and anthologiesCollected editions and anthologiesResearch

  9. Published

    On cosmotechnics: For a renewed relaton between technology and nature in the anthropocene

    Hui, Y., 2017, In: Techne: Research in Philosophy and Technology. 21, 2-3, p. 319-341 23 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  10. Published

    Optical Diagrams as “Paper Tools”: Della Porta’s Analysis of Biconvex Lenses from De refractione to De telescopio

    Borrelli, A., 2017, The Optics of Giambattista Della Porta (ca. 1535–1615). Borrelli, A., Hon, G. & Zik, Y. (eds.). Cham: Springer Nature AG, p. 57-96 40 p. (Archimedes; vol. 44).

    Research output: Contributions to collected editions/worksChapterpeer-review

  11. Published

    Profil

    Bernard, A., 2017, Nach der Revolution: Ein Brevier digitaler Kulturen. Beyes, T., Metelmann, J. & Pias, C. (eds.). Berlin: Tempus Corporate GmbH, p. 38-48 11 p. (Duisburger Dialoge).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch