Institute of Culture and Aesthetics of Digital Media

Organisational unit: Institute

Organisation profile

The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.

Researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.

Main research areas

The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.

In the different core areas researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation. 

The ICAM maintains close institutional contact and cooperates with the Leuphana, e.g., the Moving Image Lab of the Innovation Incubator, the Leuphana College, the Leuphana Arts Program and the Leuphana Graduate School. Furthermore, the ICAM is responsible for the Audio and Video Labs of the Computer and Media Center of Leuphana. 

  1. 2019
  2. Published

    Kann Malen (überhaupt) eine Kulturtechnik sein?

    Krämer, S., 2019, Kulturtechnik Malen: Die Welt aus Farbe erschaffen. Kupczyk, M., Schwarte, L. & Warsen, C. (eds.). Paderborn: Wilhelm Fink Verlag, p. 9-19 11 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  3. Published

    Kybernetik

    Müggenburg, J. K., 2019, Mensch-Maschine-Interaktion: Handbuch Geschichte – Kultur – Ethik. Liggieri, K. & Müller, O. (eds.). Stuttgart: J.B. Metzler, p. 280–282 3 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  4. Published

    Pattern Discrimination

    Apprich, C., Kyong Chun, W. H., Cramer, F. & Steyerl, H., 2019, Lüneburg: meson press. 124 p. (In Search of Media Book Series)

    Research output: Books and anthologiesCollected editions and anthologiesResearch

  5. Published

    Phantasmal Spaces: Archetypical Venues in Computer Games

    Fuchs, M., 2019, New York: Bloomsbury Academic. 136 p.

    Research output: Books and anthologiesMonographsResearchpeer-review

  6. Published

    Relationen der Auflösung sind Relationen der Konstituierung – zur Individuation und zum Verhältnis von Transindividuellem und Interindividuellem nach Gilbert Simondon

    Leistert, O., 2019, Zersetzung: Automatismen und Strukturauflösung. Eke, N. O. & Hohlweck, P. (eds.). Paderborn: Wilhelm Fink Verlag, p. 155-169 15 p. (Schriftenreihe des Graduiertenkollegs "Automatismen").

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  7. Published

    Sprachgebräuche jenseits des Sprechens: oder: über die ‚stumme Epistemologie‘ der inskribierten Fläche

    Krämer, S., 2019, Linguistische Kulturanalyse. Schröder, J., Tienken, S., Ilg, Y., Scharloth, J. & Bubenhofer, N. (eds.). Berlin: Walter de Gruyter GmbH, p. 51-68 18 p. (Reihe Germanistische Linguistik; vol. 314).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  8. Published

    The Triple Transformation: The Emergence of Philosophy in Deleuze and Guattari

    Schönher, M., 2019, In: Journal of Speculative Philosophy. 33, 4, p. 610-627 18 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  9. Published

    Umweltlich-Werden. Zur Kritik der environmentalitären Macht-, Welt- und Kapitalform

    Hörl, E., 2019, Hybride Ökologien. S. W., Kesting, M., Muhle, M. & Nachtigall, J. (eds.). Zürich: Diaphanes Verlag, p. 213-226 14 p. (Schriftenreihe des cx centrum für Interdisziplinäre Studien der Akademie der Bildenden Künste München).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  10. Published

    Widerstand der Tiere

    Müggenburg, J. K., 2019, Das verdatete Tier.: Zum Animal Turn in den Kultur- und Medienwissenschaften. Bolinski, I. & Rieger, S. (eds.). Stuttgart: J.B. Metzler, p. 123–136 14 p. (Cultural Animal Studies).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  11. 2018
  12. Published

    Stille, Geräusch, Rauschen: Ästhetische und medientechnische Anmerkungen

    Großmann, R., 06.12.2018, In: Texte zur Kunst. 28. Jg., 112, p. 30-45 16 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review