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Institute of Culture and Aesthetics of Digital Media

Organisational unit: Institute

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Organisation profile

The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.

Researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.

Main research areas

The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.

In the different core areas researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation. 

The ICAM maintains close institutional contact and cooperates with the Leuphana, e.g., the Moving Image Lab of the Innovation Incubator, the Leuphana College, the Leuphana Arts Program and the Leuphana Graduate School. Furthermore, the ICAM is responsible for the Audio and Video Labs of the Computer and Media Center of Leuphana. 

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  1. Published

    Je možná metafyzika mediality?

    Krämer, S., 2016, Medienwissenschaft: východiska a aktuální pozice německé filozofie a teorie médií. Krtilová, K. & Svatoňová, K. (eds.). Prag: Academia Verlag, p. 69-88 20 p. (Vizuální studia; vol. 5).

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review

  2. Published

    Spuren, Graphé, Wissenskünste. Zur Episteme der Spur

    Krämer, S., 10.03.2016, Der Spur auf der Spur : Sur les traces de la trace. Attia, S., Streble, I., Le Bouëdec, N. & Volkwein, A. (eds.). Heidelberg: Winter Universitätsverlag, p. 19-30 12 p. (Germanisch-romanische Monatsschrift/Beiheft; vol. 71).

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review

  3. Published

    The messenger as a model in Media Theory. Reflections on the philosophical di-mensions of theorizing Media

    Krämer, S., 01.01.2016, Media Transatlantic: Developments in Media and Communication Studies Between North American and German-Speaking Europe. N. F. (ed.). Cham: Springer, p. 197-213 17 p.

    Research output: Contributions to collected editions/works › Chapter › peer-review

  4. Published

    Point, line, surface as plane. From notational iconicity to diagrammatology

    Krämer, S., 01.04.2016, Theorizing Images. Paic, Z. & Purgar, K. (eds.). Cambridge: Cambridge Scholars Publishing, p. 202-227 26 p.

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review

  5. Published

    Leibniz on symbolism as a cognitive instrument

    Krämer, S., 2016, The Philosophy of Emerging Media: Understanding, Appreciation and Application. Floyd, J. & Katz, J. E. (eds.). Oxford: Oxford University Press, p. 307-318 12 p.

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review

  6. Published

    Graphism and Flatness. The Line as Mediator between Time and Space, Intuition and Concept

    Krämer, S., 2008, The Power Of Line. Faietti, M. & Wolf, G. (eds.). München: Hirmer, p. 10-19 10 p.

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review

  7. Published

    Wieso gilt Ada Lovelace als die ‚erste Programmiererin‘ und was bedeutet überhaupt ‚programmieren‘?

    Krämer, S., 2015, Ada Lovelace. : Die Pionierin der Computertechnik und ihre Nachfolgerinnen. Krämer, S. (ed.). München: Wilhelm Fink Verlag, p. 75-90 16 p.

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review

  8. Published

    Im Mittelpunkt steht Ada. Zur Einleitung in diesen Band

    Krämer, S., 2015, Ada Lovelace.: Die Pionierin der Computertechnik und ihre Nachfolgerinnen. Krämer, S. (ed.). München: Wilhelm Fink Verlag, p. 7-16 10 p.

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review

  9. Published

    Graphismus als Potenzial: Reflexionen über die epistemische Verschränkung von Räumlichkeit und Anschauung

    Krämer, S., 2015, Notationen in kreativen Prozessen. Czolbe, F. & Magnus, D. (eds.). Würzburg: Königshausen & Neumann, p. 17-36 20 p.

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review

  10. Published

    Testimony/Bearing Witness: Epistemology, Ethics, History and Culture

    Krämer, S. (Editor) & Weigel, S. (Editor), 08.2017, London: Rowman & Littlefield International. 294 p.

    Research output: Books and anthologies › Collected editions and anthologies › Research

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