Institute of Culture and Aesthetics of Digital Media
Organisational unit: Institute
Organisation profile
The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.
Researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.
Main research areas
The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.
In the different core areas researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.
The ICAM maintains close institutional contact and cooperates with the Leuphana, e.g., the Moving Image Lab of the Innovation Incubator, the Leuphana College, the Leuphana Arts Program and the Leuphana Graduate School. Furthermore, the ICAM is responsible for the Audio and Video Labs of the Computer and Media Center of Leuphana.
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Anna Oppermann in der Hamburger Kunsthalle: "Öl auf Leinwand", "MKÜVO (Mach kleine , überschaubare, verkäufliche Objekte!)", "MKÜVO-Fensterecke"
Pias, C., Warnke, M. (Editor) & Schneede, U. M. (Editor), 2004, Hamburg: Hamburger Kunsthalle . 47 p.Research output: Books and anthologies › Collected editions and anthologies › Research
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Monitor: Intermedium zwischen Ton, Bild und Programm
Großmann, R., 2005, HyperKult II. Warnke, M. & Coy, W. (eds.). Bielefeld: transcript Verlag, p. 187-210 24 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Gender management, popular culture, and the military
Thomas, T., 2009, War isn't hell, it's entertainment: Essays on Visual Media and the Representation of Conflict. Schubart, R., Thomas, T., Virchow, F. & White-Stanley, D. (eds.). Jefferson, N.C [u.a.]: McFarland & Company Publishers, p. 97-114 18 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Webtechnologie und kommunikative Situation: zur universitären Praxis im Audiobereich
Großmann, R., 2006, Digital & multimedia music publishing: KlangArt-Kongress 2001. Enders, B. & Gieseking, M. (eds.). Osnabrück: Universität Osnabrück, p. 23-35 13 p. (Osnabrücker Beiträge zur systematischen Musikwissenschaft ; vol. 11).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Schwarz-weiß in Farbe: Gut und Böse in den Massenmedien
Pinseler, J., 2007, In: Kursiv. 1, p. 40-45 6 p.Research output: Journal contributions › Journal articles › Research
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Normalisierung und Ausschluss: Darstellungen nicht-heterosexuellen Verhaltens in Fahndungssendungen
Pinseler, J., 2007, Heteronormativität: empirische Studien zu Geschlecht, Sexualität und Macht. Hartmann, J., Klesse, C., Wagenknecht, P., Fritzsche, B. & Hackmann, K. (eds.). Wiesbaden: VS Verlag für Sozialwissenschaften, p. 219-235 17 p. (Studien interdisziplinäre Geschlechterforschung; vol. 10).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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PopMusicology: Perspektiven der Popmusikwissenschaft
Bielefeldt, C. (Editor), Dahmen, U. (Editor) & Großmann, R. (Editor), 2008, Bielefeld: transcript Verlag. 281 p. (Kultur- und Medientheorie)Research output: Books and anthologies › Book
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Medien - Diversität - Ungleichheit: Ausgangspunkte
Wischermann, U. & Thomas, T., 2008, Medien - Diversität - Ungleichheit: Zur medialen Konstruktion sozialer Differenz. Wischermann, U. & Thomas, T. (eds.). 1 ed. Wiesbaden: VS Verlag für Sozialwissenschaften, p. 7-20 14 p. ( Medien - Kultur - Kommunikation).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Das Märchen von der Gewalt durch Medien
Röser, J., 2001, In: COVER. 1, 1, p. 97-98 2 p.Research output: Journal contributions › Journal articles › Research
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Den Alltag auffällig machen: Impulse für die Medienkommunikationsforschung
Röser, J., Thomas, T. & Peil, C., 2010, Alltag in den Medien - Medien im Alltag. Röser, J., Thomas, T. & Peil, C. (eds.). Wiesbaden: VS Verlag für Sozialwissenschaften, p. 7-21 15 p. (Medien - Kultur - Kommunikation).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research