Institute of Culture and Aesthetics of Digital Media

Organisational unit: Institute

Organisation profile

The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.

Researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.

Main research areas

The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.

In the different core areas researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation. 

The ICAM maintains close institutional contact and cooperates with the Leuphana, e.g., the Moving Image Lab of the Innovation Incubator, the Leuphana College, the Leuphana Arts Program and the Leuphana Graduate School. Furthermore, the ICAM is responsible for the Audio and Video Labs of the Computer and Media Center of Leuphana. 

  1. Published

    Die Macht der Gefühle: Emotionen in Management, Organisation und Kultur

    Metelmann, J. (Editor) & Beyes, T. (Editor), 2012, Berlin: Berlin University Press. 211 p.

    Research output: Books and anthologiesCollected editions and anthologiesResearch

  2. Published

    Anstand

    Metelmann, J. (Editor) & Beyes, T. (Editor), 2011, Berlin: Berlin University Press. 177 p.

    Research output: Books and anthologiesCollected editions and anthologiesResearch

  3. Published

    "Dis wo ich herkomm" - Ver(un)sicherungen nationaler Identität in Texten aktueller deutschsprachiger Popmusik

    Kruse, M.-M., 2010, In: Samples. 9, 26 p.

    Research output: Journal contributionsJournal articlesResearch

  4. Published

    Pop Macht Nation - Konstruktionen nationaler Identität in Texten deutschsprachiger Popmusik

    Kruse, M.-M., 2011, Dekonstruktion und Evidenz: Ver(un)sicherungen in Medienkulturen. Thomas, T., Hobuß, S., Kruse, M.-M. & Hennig, I. (eds.). Sulzbach/Taunus: Ulrike Helmer Verlag, p. 216-238 23 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  5. Published

    Musik und Medien: Kommentar zu K. Blaukopf (1996), Die Mediamorphose der Musik als globales Phänomen; K. Blaukopf (1996), Mutation durch technische Medien

    Großmann, R., 2011, Systematische Musikwissenschaft. Auhagen, W., Busch, V. & Hemming, J. (eds.). Laaber: Laaber Verlag, p. 131-140 (Kompendien Musik; vol. 9).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  6. Published
  7. Published

    Das Zuhause als mediatisierte Welt im Wandel: Fallstudien und Befunde zur Domestizierung des Internets als Mediatisierungsprozess

    Röser, J. & Peil, C., 15.02.2012, Mediatisierte Welten: Forschungsfelder und Beschreibungsansätze. Krotz, F. & Hepp, A. (eds.). 1 ed. VS Verlag für Sozialwissenschaften, p. 137-163 26 p. (Medien - Kultur - Kommunikation).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  8. Published

    Schräge Vögel: Vom ›technological morass‹ in der Ornithologie

    Vehlken, S., 2012, Selbstläufer/Leerläufer: Regelungen und ihr Imaginäres im 20. Jahrhundert. Schneider, M. & Rieger, S. (eds.). Zürich, Berlin: Diaphanes Verlag, p. 133-156 24 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  9. Published

    What´s in a net? or: The end of the average

    Warnke, M., 2011, In: Kunstgeschichte. Open Peer Reviewed Journal. 11 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  10. Published

    Virtueller Raum

    Warnke, M., 2012, Lexikon der Raumphilosophie. Günzel, S. (ed.). Darmstadt: Wissenschaftliche Buchgesellschaft - WBG, p. 441 -442 2 p.

    Research output: Contributions to collected editions/worksArticles for encyclopediaResearch