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Institute of Culture and Aesthetics of Digital Media

Organisational unit: Institute

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Organisation profile

The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.

Researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.

Main research areas

The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.

In the different core areas researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation. 

The ICAM maintains close institutional contact and cooperates with the Leuphana, e.g., the Moving Image Lab of the Innovation Incubator, the Leuphana College, the Leuphana Arts Program and the Leuphana Graduate School. Furthermore, the ICAM is responsible for the Audio and Video Labs of the Computer and Media Center of Leuphana. 

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  1. Published

    Motive vernetzen: Meta-Image als Bild-Zettelkasten: Bilddiskurse in Zeiten des Internets

    Warnke, M., 2011, In: KUNST Magazin. 10, p. 10-15 6 p.

    Research output: Journal contributions › Journal articles › Research

  2. Published

    Reproduktionsmusik und Remix-Culture

    Großmann, R., 2011, Mind the Gap!: Medienkonstellationen zwischen zeitgenössischer Musik und Klangkunst. Saxer, M. (ed.). Saarbrücken: Pfau Verlag, p. 116-127 12 p.

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research

  3. Published

    "Germany's Next Topmodel": Dilemmata und Ambivalenzen aus Sicht von Zuschauerinnen

    Thomas, T. & Stehling, M., 2012, Auf Augenhöhe ?: Rezeption von Castingshows und Coachingsendungen. Hajok, D., Selg, O. & Hackenberg, A. (eds.). 1 ed. Konstanz: UVK Verlagsgesellschaft mbH, p. 161-177 17 p. (Alltag, Medien und Kultur; no. 10).

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review

  4. Published

    Ästhetik des Digitalen

    Warnke, M., 2011, Kultur digital: Begriffe, Hintergründe, Beispiele. Graber, H., Landwehr, D. & Sellier, V. (eds.). Basel: Christoph Merian Verlag, p. 145-160 16 p.

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review

  5. Published

    Axel Volmar (Hg.): Zeitkritische Medien

    Vehlken, S., 2010, In: Medienwissenschaft. 27, 1, p. 70-72 3 p.

    Research output: Journal contributions › Critical reviews › Research

  6. Published

    Ana Ofak/Philipp v. Hilgers (Hg.): Rekursionen. Von Faltungen des Wissens

    Vehlken, S., 11.2010, In: Zeitschrift für Medienwissenschaft. online, 5 p.

    Research output: Journal contributions › Critical reviews › Research

  7. Published

    Operational Images: Agent-Based Computer Simulation and the Epistemic Impact of Dynamic Vizualisation

    Vehlken, S., 07.2011, Proceedings IACAP 2011: The Computational Turn: Past, Presents, Futures ?. Ess, C. & Hagengruber, R. (eds.). MV Wissenschaft, p. 320-323 4 p.

    Research output: Contributions to collected editions/works › Published abstract in conference proceedings › Research › peer-review

  8. Published

    Fernsehen und Molekulare Medizin: Ein Forschungsprojekt

    Ruhrmann, G., Milde, J. & Hölig, S., 06.2004, In: GenomXPress. 2, p. 18-19 2 p.

    Research output: Journal contributions › Journal articles › Research

  9. Published

    „Das Bild ist stärker als das Wort“: Selektions- und Darstellungskriterien von TV-Wissenschaftsjournalisten beim Thema „Molekulare Medizin“

    Milde, J. & Hölig, S., 2011, Molekulare Medizin und Medien: Zur Darstellung und Wirkung eines kontroversen Wissenschaftsthemas. Ruhrmann, G., Milde, J. & Zillich, A. F. (eds.). 1. ed. Wiesbaden: VS Verlag für Sozialwissenschaften, p. 67-93 27 p.

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research

  10. Published

    Souveräne Bindungen: Zeitliche Bezüge in Medienrepertoires und Kommunikationsmodi

    Hölig, S., Domeyer, H. & Hasebrink, U., 2011, Rezeption und Wirkung in zeitlicher Perspektive. Suckfüll, M., Schramm, H. & Wünsch, C. (eds.). 2011 ed. Baden-Baden: Nomos Verlagsgesellschaft mbH & Co. KG, Vol. 22. p. 71-88 18 p. (Rezeptionsforschung; vol. 22).

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research

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