Institute of Culture and Aesthetics of Digital Media
Organisational unit: Institute
Organisation profile
The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.
Researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.
Main research areas
The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.
In the different core areas researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.
The ICAM maintains close institutional contact and cooperates with the Leuphana, e.g., the Moving Image Lab of the Innovation Incubator, the Leuphana College, the Leuphana Arts Program and the Leuphana Graduate School. Furthermore, the ICAM is responsible for the Audio and Video Labs of the Computer and Media Center of Leuphana.
- Contributions to collected editions/anthologies › Research › Peer-reviewed
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'Svjedok – Der Zeuge' (2012) oder: Kann ein Film ein Zeugnis sein?
Krämer, S., 2016, Zeugen in der Kunst. Krämer, S. & Schmidt, S. (eds.). Paderborn: Wilhelm Fink Verlag, p. 141-162 12 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Synchronschwimmen: Von Schlafmaschinen zu Swarm Intelligence
Vehlken, S., 2013, Kulturtechniken der Synchronisation. Kassung, C. & Macho, T. (eds.). Paderborn: Wilhelm Fink Verlag, p. 131-160 29 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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"Technisches Leben": Simondons Denken des Lebendigen und die allgemeine Ökologie
Hörl, E. H., 08.2017, Black Box Leben. Muhle, M. & Voss, C. (eds.). Berlin: August Verlag, p. 239-266 27 p. (Schriften des Internationalen Kollegs für Kulturtechnikforschung und Medienphilosophie; vol. 28).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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The Anthropocenic Illusion: Sustainability an the Fascination of Control.
Hörl, E., 2015, Art in the Periphery of the Center. Wuggenig, U., Behnke, C., Knoll, V. & Kastelan, C. (eds.). Berlin: Sternberg Press, p. 352-368 17 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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The Instrument
Großmann, R., 2021, The Bloomsbury Handbook of the Anthropology of Sound. Schulze, H. (ed.). 1 ed. New York: Bloomsbury Academic, p. 59-76 18 p. 3Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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The Instrument as Medium: Phonographic Work
Großmann, R., 2020, The Bloomsbury Handbook of Sound Art. Krogh Groth, S. & Schulze, H. (eds.). 1 ed. London: Bloomsbury Academic, p. 436-445 10 p. 23. (Bloomsbury handbooks).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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The Power of Information: A Journey Back in Time to the Faultlines of Globalization, Art, and Media in the Early 1990s
Bunz, M., 2013, The whole earth: California and the disappearance of the outside. Diederichsen, D. & Franke, A. (eds.). Berlin: Sternberg Press, p. 172-176 5 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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The Sharing Turn: Why We are Generally Nice and Have a Good Chance to Cooperate our Way Out of the Mess We Have Gotten Ourselves Into
Graßmuck, V., 2012, Media, Knowledge and Education: Cultures and Ethics of Sharing: Medien - Wissen - Bildung: Kulturen und Ethiken des Teilens. Sützl, W., Stalder, F., Maier, R. & Hug, T. (eds.). Innsbruck: innsbruck university press, p. 17-34 18 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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The state of the internets: Notes for a new historiography of technosociality
Shah, N., 01.01.2017, The Routledge Companion to Global Internet Histories. Goggin, G. & McLelland, M. (eds.). New York: Routledge Taylor & Francis Group, p. 49-60 12 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Thinking and Diagrams - An Introduction
Krämer, S. & Ljungberg, C., 11.07.2016, Thinking with Diagrams : The Semiotic Basis of Human Cognition. Krämer, S. & Ljungberg, C. (eds.). Boston: Walter de Gruyter, p. 1-19 19 p. (Semiotics, communication and cognition; vol. 17).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Total Gamification: Introduction
Fuchs, M., 01.06.2015, Diversity of Play. Fuchs, M. (ed.). 1 ed. Lüneburg: meson press, p. 7-19 13 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Trickkisten: Heinz von Foerster und der Zauber der Kybernetik
Müggenburg, J. K., 2016, Trick 17 : Mediengeschichten zwischen Zauberkunst und Wissenschaft. Vehlken, S., Müller-Helle, K., Müggenburg, J. & Sprenger, F. (eds.). Norderstedt: meson press, p. 59-84 26 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Truth in testimony: Or can a documentary film ‘bear witness’? Some reflections on the difference between discursive and existential truth
Krämer, S., 07.12.2016, In the Beginning was the Image: The Omnipresence of Pictures: Time, Truth, Tradition. Benedek, A. & Veszelszki, Á. (eds.). Frankfurt: Peter Lang Verlag, p. 29-39 11 p. (Visual learning; vol. 6).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Über Konstruktion und Dekonstruktion von Gehörlosigkeit bei Kindern
Bosteels, S., Blume, S. & Bösenberg, E. S. (Translator), 2012, Verbesserte Körper - gutes Leben?: Bioethik, Enhancement und die Disability Studies. Eilers, M., Grüber, K. & Rehmann-Sutter, C. (eds.). Frankfurt am Main: Peter Lang Verlag, p. 123-144 22 p. 6. ( Praktische Philosophie Kontrovers / Practical Philosophy controversial / Philosophie pratique en controverse; vol. 5).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Übung im Denken: Der Moment des »Dazwischen« in Manon de Boers An Experiment in Leisure
Gräfe, A., 05.2024, Denken des Medialen: Zur Bedeutung des »Dazwischen«. Schürmann, E. & Sternagel, J. (eds.). Bielefeld: transcript Verlag, p. 137-152 16 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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(Un-)Möglichkeiten kritischer Geschlechtertheorie und -politik: Öffentliche Kontroversen
Thomas, T., 2012, Medien, Öffentlichkeit und Geschlecht in Bewegung: Forschungsperspektiven der kommunikations- und medienwissenschaftlichen Geschlechterforschung. Maier, T., Thiele, M. & Linke, C. (eds.). Bielefeld: transcript Verlag, p. 27-49 22 p. (Critical media studies; no. 8).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Unterwachen und Schlafen: Einleitung
Andreas, M., Kasprowicz, D. & Rieger, S., 2018, Unterwachen und Schlafen: Anthropophile Medien nach dem Interface. Andreas, M., Kasprowicz, D. & Rieger, S. (eds.). Lüneburg: meson press, p. 7-31 25 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Using the Domestication Approach for the Analysis of Diffusion and Participation Processes of New Media
Peil, C. & Röser, J., 09.2012, The Social Use of Media: Cultural and Social Scientific Perspectives on Audience Research. Bilandzic, H., Patriarche, G. & Traudt, P. (eds.). Bristol: Intellect, p. 221-240 20 p. 12. (European Communication Research and Education Association).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Variations on Klee’s Cosmographic Method
Hörl, E., 2014, Grain, Vapor, Ray: Textures of the Anthropocene. Klingan, K., Sepahvand, A., Rosol, C. & Scherer, B. M. (eds.). London: The MIT Press, Vol. Ray: Vol. III. p. 180-192 13 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Végétal Cristalline
Bösenberg, E. S., 10.07.2017, (Mit) Pflanzen kartographieren. Loreck, H., A. K. & Lindeborg, S. (eds.). Hamburg: Materialverlag-HFBK Hamburg, p. 148-151 4 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review