Institute of Culture and Aesthetics of Digital Media
Organisational unit: Institute
Organisation profile
The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.
Researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.
Main research areas
The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.
In the different core areas researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.
The ICAM maintains close institutional contact and cooperates with the Leuphana, e.g., the Moving Image Lab of the Innovation Incubator, the Leuphana College, the Leuphana Arts Program and the Leuphana Graduate School. Furthermore, the ICAM is responsible for the Audio and Video Labs of the Computer and Media Center of Leuphana.
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Zur Zukunft der Vergangenheit – falls es eine geben wird
Warnke, M., 2015, Die Kunst des Aufbewahrens . Segelken, B. (ed.). Mettingen: Draiflessen, p. 121-124 4 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Zwischen Fruchtfliege und Global Player: Zur neuroökonomischen Modellierung des Lernverhaltens
Kasprowicz, D., 2015, Neuroimaging und Neuroökonomie: Grundlagen, ethische Fragestellungen, soziale und rechtliche Relevanz. Ach, J. S., Lüttenberg, B. & Nossek, A. (eds.). LIT Verlag, p. 149-166 18 p. (Münsteraner Bioethik-Studien; vol. 14).Research output: Contributions to collected editions/works › Article in conference proceedings › Research › peer-review
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Zwischen Konformität und Widerständigkeit: Populärkultur als Vergesellschaftungsmodus
Thomas, T., 2012, Banale Kämpfe ?: Perspektiven auf Populärkultur und Geschlecht. Villa, P.-I. (ed.). Wiesbaden: VS Verlag für Sozialwissenschaften, p. 211-228 17 p. (Geschlecht und Gesellschaft; no. 51).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Zwischen Transformation und Kommunikation
Großmann, R., Harenberg, M. & Idensen, H., 2000, Deutschunterricht zwischen Kompetenzerwerb und Persönlichkeitsbildung: Germanistentag des Fachverbandes Deutsch im Deutschen Germanistenverband e.V. in Zusammenarbeit mit der Universität Lüneburg, vom 26. bis 29. September 1999 in Lüneburg. Witte, H. (ed.). Baltmannsweiler: Schneider Verlag Hohengehren, p. 231-234 4 p.Research output: Contributions to collected editions/works › Article in conference proceedings › Research
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Zwischen Zeit und Raum, Bewegung und Struktur
Krämer, S., 2018, Axel Malik: Bibliothek der unlesbaren Zeichen. Werner, K. U. (ed.). Berlin: Wolff Verlag, p. 60-63 4 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review