Institute of Culture and Aesthetics of Digital Media
Organisational unit: Institute
Organisation profile
The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.
Researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.
Main research areas
The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.
In the different core areas researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.
The ICAM maintains close institutional contact and cooperates with the Leuphana, e.g., the Moving Image Lab of the Innovation Incubator, the Leuphana College, the Leuphana Arts Program and the Leuphana Graduate School. Furthermore, the ICAM is responsible for the Audio and Video Labs of the Computer and Media Center of Leuphana.
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Simondon et la question de l'information
Hui, Y., 2015, ARTS, ESTHÉTIQUE, VIE CULTURELLE PHILOSOPHIE EUROPE. Barthelemy, J.-H. (ed.). 6 ed. Paris: L'Harmattan, p. 29-47 17 p. (Cahiers Simondon; no. 6).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Simulation wilder Spekulationen. Oder: Wie einmal Paul Baran mit einem falschen Modell das Internet erfand
Warnke, M., 2014, Modelle und Modellierung. Balke, F., Siegert, B. & Vogl, J. (eds.). Paderborn: Wilhelm Fink Verlag, p. 23-32 10 p. (Archiv für Mediengeschichte; vol. 14).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Size does matter
Warnke, M., 2005, Zukünfte des Computers. Pias, C. (ed.). Zürich [u.a.]: Diaphanes Verlag, p. 17-27 11 p. (sequenzia).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Size does matter
Warnke, M., 1999, Virtual Space Explorers: Experimente im Datenraum. Gramelsberger, G. & Klein, M. (eds.). 1 ed. Frankfurt/Main: INM - Institut für neue Medien, p. 38-45 8 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Skin in the Game: Ästhetik der Dis/Korrelation: Über Shane Densons "Post-Cinematic Bodies“
Tollmann, V., 09.2023, In: CARGO Film/Medien/Kultur. 15, 59, p. 71-73 3 p.Research output: Journal contributions › Journal articles › Research › peer-review
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Sluts 'r' us: Intersections of gender, protocol and agency in the digital age
Shah, N., 06.04.2015, In: First Monday. 20, 4, 5463.Research output: Journal contributions › Journal articles › Research › peer-review
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Social inequalities: (re-)production through mediatized individualism
Thomas, T., 2009, Mediatization: Concept, Changes, Consequences. Lundby, K. (ed.). New York [u.a.]: Peter Lang Verlag, p. 263-276 14 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Social Media - New Masses
Baxmann, I. (Editor), Beyes, T. (Editor) & Pias, C. (Editor), 2016, Zürich: Diaphanes Verlag. 348 p.Research output: Books and anthologies › Collected editions and anthologies › Research
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Sonderheft Medienökonomien, Zeitschrift für Medienwissenschaft, Vol 18, Nr. 1
Hoof, F. (Editor), Dommann, M. (Editor) & Hediger, V. (Editor), 04.2018, Bielefeld: transcript Verlag. 210 p. (Zeitschrift für Medienwissenschaft; vol. 18, no. 1)Research output: Books and anthologies › Special Journal issue › Research
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"Sonic Fiction" - Zum Begreifen musikalisch-medialer Gestaltung: Ein Plädoyer zum (Wieder-)Lesen der Textsammlung »Heller als die Sonne« von Kodwo Eshun
Großmann, R., 2013, Die Metapher als 'Medium' des Musikverstehens: Wissenschaftliches Symposium, 17. Juni – 19. Juni 2011, Universität Osnabrück. Enders, B., Oberschmidt, J. & Schmitt, G. (eds.). Osnabrück: EPOS-Verlag, p. 161-172 12 p. (Osnabrücker Beiträge zur Systematischen Musikwissenschaft; vol. 24).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review