Institute of Culture and Aesthetics of Digital Media
Organisational unit: Institute
Organisation profile
The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.
Researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.
Main research areas
The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.
In the different core areas researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.
The ICAM maintains close institutional contact and cooperates with the Leuphana, e.g., the Moving Image Lab of the Innovation Incubator, the Leuphana College, the Leuphana Arts Program and the Leuphana Graduate School. Furthermore, the ICAM is responsible for the Audio and Video Labs of the Computer and Media Center of Leuphana.
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MedienAlltag: Domestizierungsprozesse alter und neuer Medien
Röser, J. (Editor), 2007, 1. Aufl. ed. Wiesbaden: VS Verlag für Sozialwissenschaften. 237 p.Research output: Books and anthologies › Collected editions and anthologies › Research
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Medien Atmosphären: Zur Remediation von Sozialität
Bachmann, G. & Beyes, T., 2013, Remediate: An den Rändern von Film, Netz und Archiv / At the borders of film, internet and archives. Doulis, M. & Ott, P. (eds.). 1 ed. Paderborn: Wilhelm Fink Verlag, p. 131-152 21 p. (Merz Akademie).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Mediendiskurse und Alltagspraktiken: Konzeptualisierungen eines Zusammenhanges
Thomas, T., 2004, Frauen fördern Hochschulen: Tagungsband der Konferenz zum Fachprogramm Chancengleichheit für Frauen in Forschung und Lehreund der Personalentwicklung unter dem Blickwinkel von Gender Mainstreaming vom16./17. September 2004, Bauhaus-UniversitätWeimar. Mai, U. (ed.). Weimar: Verlag der Bauhaus-Universität Weimar, p. 36-47 12 p.Research output: Contributions to collected editions/works › Article in conference proceedings › Research
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Medien - Diversität - Ungleichheit: zur medialen Konstruktion sozialer Differenz
Wischermann, U. (Editor) & Thomas, T. (Editor), 2008, 1. ed. Wiesbaden: VS Verlag für Sozialwissenschaften. 284 p. (Medien - Kultur - Kommunikation)Research output: Books and anthologies › Collected editions and anthologies › Research
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Medien - Diversität - Ungleichheit: Ausgangspunkte
Wischermann, U. & Thomas, T., 2008, Medien - Diversität - Ungleichheit: Zur medialen Konstruktion sozialer Differenz. Wischermann, U. & Thomas, T. (eds.). 1 ed. Wiesbaden: VS Verlag für Sozialwissenschaften, p. 7-20 14 p. ( Medien - Kultur - Kommunikation).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Mediengenealogie: Zurück in die Gegenwart digitaler Kulturen
Apprich, C. & Bachmann, G., 2017, Digitalisierung: Theorien und Konzepte für die empirische Kulturforschung. Koch, G. (ed.). Konstanz, München: UVK Verlagsgesellschaft mbH, p. 405-426 22 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Medienidentitäten: eine Hinführung zu den Diskussionen
Hepp, A., Thomas, T. & Winter, C., 2003, Medienidentitäten: Identität im Kontext von Globalisierung und Medienkultur. Winter, C., Thomas, T. & Hepp, A. (eds.). Köln: Herbert von Halem Verlag, p. 7-26 20 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Medienidentitäten: Identität im Kontext von Globalisierung und Medienkultur
Winter, C. & Thomas, T. (Editor), 2003, Köln: Herbert von Halem Verlag. 400 p.Research output: Books and anthologies › Collected editions and anthologies › Research
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Medienklangräume: medienästhetische Settings der Klanginstallation
Großmann, R., 2010, Klangräume der Kunst. Kiefer, P. (ed.). Heidelberg: Kehrer Verlag Heidelberg, p. 291-304 14 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Medienkonfigurationen als Teil (musikalisch-)ästhetischer Prozesse
Großmann, R., 2012, Ästhetik x Dispositiv: Die Erprobung von Erfahrungsfeldern. Bippus, E., Huber, J. & Nigro, R. (eds.). Zürich: Springer-Verlag Wien, p. 207-216 10 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research