Institute of Culture and Aesthetics of Digital Media

Organisational unit: Institute

Organisation profile

The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.

Researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.

Main research areas

The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.

In the different core areas researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation. 

The ICAM maintains close institutional contact and cooperates with the Leuphana, e.g., the Moving Image Lab of the Innovation Incubator, the Leuphana College, the Leuphana Arts Program and the Leuphana Graduate School. Furthermore, the ICAM is responsible for the Audio and Video Labs of the Computer and Media Center of Leuphana. 

  1. Published

    MedienAlltag: Domestizierungsprozesse alter und neuer Medien

    Röser, J. (Editor), 2007, 1. Aufl. ed. Wiesbaden: VS Verlag für Sozialwissenschaften. 237 p.

    Research output: Books and anthologiesCollected editions and anthologiesResearch

  2. Published

    Medien Atmosphären: Zur Remediation von Sozialität

    Bachmann, G. & Beyes, T., 2013, Remediate: An den Rändern von Film, Netz und Archiv / At the borders of film, internet and archives. Doulis, M. & Ott, P. (eds.). 1 ed. Paderborn: Wilhelm Fink Verlag, p. 131-152 21 p. (Merz Akademie).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  3. Published

    Mediendiskurse und Alltagspraktiken: Konzeptualisierungen eines Zusammenhanges

    Thomas, T., 2004, Frauen fördern Hochschulen: Tagungsband der Konferenz zum Fachprogramm Chancengleichheit für Frauen in Forschung und Lehreund der Personalentwicklung unter dem Blickwinkel von Gender Mainstreaming vom16./17. September 2004, Bauhaus-UniversitätWeimar. Mai, U. (ed.). Weimar: Verlag der Bauhaus-Universität Weimar, p. 36-47 12 p.

    Research output: Contributions to collected editions/worksArticle in conference proceedingsResearch

  4. Published

    Medien - Diversität - Ungleichheit: zur medialen Konstruktion sozialer Differenz

    Wischermann, U. (Editor) & Thomas, T. (Editor), 2008, 1. ed. Wiesbaden: VS Verlag für Sozialwissenschaften. 284 p. (Medien - Kultur - Kommunikation)

    Research output: Books and anthologiesCollected editions and anthologiesResearch

  5. Published

    Medien - Diversität - Ungleichheit: Ausgangspunkte

    Wischermann, U. & Thomas, T., 2008, Medien - Diversität - Ungleichheit: Zur medialen Konstruktion sozialer Differenz. Wischermann, U. & Thomas, T. (eds.). 1 ed. Wiesbaden: VS Verlag für Sozialwissenschaften, p. 7-20 14 p. ( Medien - Kultur - Kommunikation).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  6. Published

    Mediengenealogie: Zurück in die Gegenwart digitaler Kulturen

    Apprich, C. & Bachmann, G., 2017, Digitalisierung: Theorien und Konzepte für die empirische Kulturforschung. Koch, G. (ed.). Konstanz, München: UVK Verlagsgesellschaft mbH, p. 405-426 22 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  7. Published

    Medienidentitäten: eine Hinführung zu den Diskussionen

    Hepp, A., Thomas, T. & Winter, C., 2003, Medienidentitäten: Identität im Kontext von Globalisierung und Medienkultur. Winter, C., Thomas, T. & Hepp, A. (eds.). Köln: Herbert von Halem Verlag, p. 7-26 20 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  8. Published

    Medienidentitäten: Identität im Kontext von Globalisierung und Medienkultur

    Winter, C. & Thomas, T. (Editor), 2003, Köln: Herbert von Halem Verlag. 400 p.

    Research output: Books and anthologiesCollected editions and anthologiesResearch

  9. Published

    Medienklangräume: medienästhetische Settings der Klanginstallation

    Großmann, R., 2010, Klangräume der Kunst. Kiefer, P. (ed.). Heidelberg: Kehrer Verlag Heidelberg, p. 291-304 14 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  10. Published

    Medienkonfigurationen als Teil (musikalisch-)ästhetischer Prozesse

    Großmann, R., 2012, Ästhetik x Dispositiv: Die Erprobung von Erfahrungsfeldern. Bippus, E., Huber, J. & Nigro, R. (eds.). Zürich: Springer-Verlag Wien, p. 207-216 10 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch