Institute of Culture and Aesthetics of Digital Media
Organisational unit: Institute
Organisation profile
The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.
Researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.
Main research areas
The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.
In the different core areas researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.
The ICAM maintains close institutional contact and cooperates with the Leuphana, e.g., the Moving Image Lab of the Innovation Incubator, the Leuphana College, the Leuphana Arts Program and the Leuphana Graduate School. Furthermore, the ICAM is responsible for the Audio and Video Labs of the Computer and Media Center of Leuphana.
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HyperImage - Bildorientierte E-Science-Netzwerke
Warnke, M., Kuper, H.-G. & Helmers, S., 2007, EVA 2007 Berlin: Elektronische Bildverarbeitung & Kunst, Kultur, Historie. Bienert, A., Stanke, G., Hemsley, J. & Cappellini, V. (eds.). GFaI, p. 39-43 5 p.Research output: Contributions to collected editions/works › Article in conference proceedings › Research
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HyperKult: Geschichte, Theorie und Kontext digitaler Medien
Warnke, M. (Editor), Coy, W. (Editor) & Tholen, G. C. (Editor), 1997, Basel: Stroemfeld. 520 p. (Nexus; no. 41)Research output: Books and anthologies › Collected editions and anthologies › Research
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HyperKult II: zur Ortsbestimmung analoger und digitaler Medien
Warnke, M. (Editor), Coy, W. (Editor) & Tholen, G. C. (Editor), 2005, Bielefeld: transcript Verlag. 378 p.Research output: Books and anthologies › Collected editions and anthologies › Research
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Hypertext: Oder die Befreiung des Geistes durch die Maschine
Warnke, M., 2009, Jahrbuch Deutsch als Fremdsprache: Germanistik interdisziplinär. Schiewer, G. L. (ed.). München: IUDICIUM Verlag GmbH, Vol. 35. p. 194-209 16 p. (Jahrbuch Deutsch als Fremdsprache - Intercultural german Studies; vol. 35).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Hypothekentilgung
Wessely, C. & Voller, C., 01.12.2018, In: Berichte zur Wissenschaftsgeschichte. 41, 4, p. 445-448 4 p.Research output: Journal contributions › Journal articles › Research › peer-review
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I Am Not A Hacker
Bialski, P., 02.2017, Hacks, Leaks, and Breaches. Coleman, E. G. & Kelty, C. M. (eds.). CreateSpace Independent Publishing, Vol. 8. p. 102-106 5 p. (Limn; vol. 8).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Ich trage, wo ich gehe, stets eine Uhr bei mir - Oder: Mein Gott, was sind die Wissenschaften aufregend !
Warnke, M., 2012, Per Anhalter durch die Turing-Galaxis. Knaut, A., Kühne, C., Rehak, R., Stefan, U., Kurz, C. & Pohle, J. (eds.). Münster: MV Wissenschaft, p. 101-109 8 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Identitäten im Netz: Performative Strategien in kollaborativer Online-Musikproduktion
Stenzel, M., 2024, Hildesheim: Universitätsverlag Hildesheim. 384 p. (MusikmachDinge. ((audio)) Ästhetische Strategien und Sound-Kulturen; vol. 10)Research output: Books and anthologies › Monographs › Research
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Ideologie, Hegemonie und Diskurs
Thomas, T., 04.2015, Handbuch Cultural Studies und Medienanalyse. Hepp, A., Krotz, F., Lingenberg, S. & Wimmer, J. (eds.). Wiesbaden: VS Verlag für Sozialwissenschaften, Vol. 2. p. 67-77 11 p. (Medien; Kultur; Kommunikation).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Image Search
Warnke, M., 2011, Algorithms of Power: Key Invisibles. Ludes, P. (ed.). 1 ed. Berlin: LIT Verlag, p. 61-68 8 p. (The world language of key visuals; no. 3).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research