Institute of Culture and Aesthetics of Digital Media

Organisational unit: Institute

Organisation profile

The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.

Researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.

Main research areas

The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.

In the different core areas researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation. 

The ICAM maintains close institutional contact and cooperates with the Leuphana, e.g., the Moving Image Lab of the Innovation Incubator, the Leuphana College, the Leuphana Arts Program and the Leuphana Graduate School. Furthermore, the ICAM is responsible for the Audio and Video Labs of the Computer and Media Center of Leuphana. 

  1. Published

    HyperImage - Bildorientierte E-Science-Netzwerke

    Warnke, M., Kuper, H.-G. & Helmers, S., 2007, EVA 2007 Berlin: Elektronische Bildverarbeitung & Kunst, Kultur, Historie. Bienert, A., Stanke, G., Hemsley, J. & Cappellini, V. (eds.). GFaI, p. 39-43 5 p.

    Research output: Contributions to collected editions/worksArticle in conference proceedingsResearch

  2. Published

    HyperKult: Geschichte, Theorie und Kontext digitaler Medien

    Warnke, M. (Editor), Coy, W. (Editor) & Tholen, G. C. (Editor), 1997, Basel: Stroemfeld. 520 p. (Nexus; no. 41)

    Research output: Books and anthologiesCollected editions and anthologiesResearch

  3. Published

    HyperKult II: zur Ortsbestimmung analoger und digitaler Medien

    Warnke, M. (Editor), Coy, W. (Editor) & Tholen, G. C. (Editor), 2005, Bielefeld: transcript Verlag. 378 p.

    Research output: Books and anthologiesCollected editions and anthologiesResearch

  4. Published

    Hypertext: Oder die Befreiung des Geistes durch die Maschine

    Warnke, M., 2009, Jahrbuch Deutsch als Fremdsprache: Germanistik interdisziplinär. Schiewer, G. L. (ed.). München: IUDICIUM Verlag GmbH, Vol. 35. p. 194-209 16 p. (Jahrbuch Deutsch als Fremdsprache - Intercultural german Studies; vol. 35).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  5. Published

    Hypothekentilgung

    Wessely, C. & Voller, C., 01.12.2018, In: Berichte zur Wissenschaftsgeschichte. 41, 4, p. 445-448 4 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  6. Published

    I Am Not A Hacker

    Bialski, P., 02.2017, Hacks, Leaks, and Breaches. Coleman, E. G. & Kelty, C. M. (eds.). CreateSpace Independent Publishing, Vol. 8. p. 102-106 5 p. (Limn; vol. 8).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  7. Published

    Ich trage, wo ich gehe, stets eine Uhr bei mir - Oder: Mein Gott, was sind die Wissenschaften aufregend !

    Warnke, M., 2012, Per Anhalter durch die Turing-Galaxis. Knaut, A., Kühne, C., Rehak, R., Stefan, U., Kurz, C. & Pohle, J. (eds.). Münster: MV Wissenschaft, p. 101-109 8 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  8. Published

    Identitäten im Netz: Performative Strategien in kollaborativer Online-Musikproduktion

    Stenzel, M., 2024, Hildesheim: Universitätsverlag Hildesheim. 384 p. (MusikmachDinge. ((audio)) Ästhetische Strategien und Sound-Kulturen; vol. 10)

    Research output: Books and anthologiesMonographsResearch

  9. Published

    Ideologie, Hegemonie und Diskurs

    Thomas, T., 04.2015, Handbuch Cultural Studies und Medienanalyse. Hepp, A., Krotz, F., Lingenberg, S. & Wimmer, J. (eds.). Wiesbaden: VS Verlag für Sozialwissenschaften, Vol. 2. p. 67-77 11 p. (Medien; Kultur; Kommunikation).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  10. Published

    Image Search

    Warnke, M., 2011, Algorithms of Power: Key Invisibles. Ludes, P. (ed.). 1 ed. Berlin: LIT Verlag, p. 61-68 8 p. (The world language of key visuals; no. 3).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch