»HOW TO MAKE YOUR OWN SAMPLES«: Beat-Bildung, Zeit-Maschinen und Phonographizität zweiter Ordnung

Research output: Contributions to collected editions/worksChapter

Authors

HipHop-Sampling ist eine ästhetische Praxis, in der sich kulturelle Referenzsysteme, Audio-Technologien und ganz unterschiedliche Wissensaspekte immer wieder neu gelayert finden. Anhand der kreativen Verschiebungen, die sich in dieser Praxis in den vergangenen Jahren vollzogen haben – vom staubigen Crate-Digging zu Online-Sample-Plattformen –, lassen sich insofern Verschiebungen nachhören, die als generelle Kennzeichen der Dynamik aktueller digitaler Kultur(en) beschrieben werden können. In eben diesem Sinne höre ich in diesem Aufsatz sowohl Ramsey Lewis LPs, als auch Youtube-Tutorials, lese Aufsätze ebenso wie Twitter-Feeds, um auf diese Weise das Beatmaking als eine genuinen Wissenspraxis zu beschreiben: Beat-Bildung.
Original languageGerman
Title of host publicationHipHop im 21. Jahrhundert : Medialität, Tradierung, Gesellschaftskritik und Bildungsaspekte einer (Jugend-)Kultur
EditorsThomas Wilke, Michael Rappe
Number of pages16
Place of PublicationWiesbaden
PublisherSpringer Verlag
Publication date11.10.2022
Pages331-346
ISBN (print)978-3-658-36515-8
ISBN (electronic)978-3-658-36516-5
DOIs
Publication statusPublished - 11.10.2022

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