Institute of Culture and Aesthetics of Digital Media
Organisational unit: Institute
Organisation profile
The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.
Researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.
Main research areas
The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.
In the different core areas researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.
The ICAM maintains close institutional contact and cooperates with the Leuphana, e.g., the Moving Image Lab of the Innovation Incubator, the Leuphana College, the Leuphana Arts Program and the Leuphana Graduate School. Furthermore, the ICAM is responsible for the Audio and Video Labs of the Computer and Media Center of Leuphana.
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Das endlos bewegte Buch
Pias, C., 2015, Das bewegte Buch: Ein Katalog der gelesenen Bücher; mit 104 Beispielen aus dem Deutschen Literaturarchiv Marbach. D. L. M. (ed.). Marbach: Deutsche Schillergesellschaft e.V., p. 48-67 20 p. (Marbacher Magazin; vol. 150/151/152).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Transfer › peer-review
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Das Ereignis, „wenn man sich im Bett umdreht“ – Zur Zukunft des Subjekts bei Alain Badiou und Robert Musil
Schnödl, G., 2017, Zurück in die Zukunft: Die Bedeutung von Diskursen über „Zukunft“ in der Wissenschaftsgeschichte. Freitag, K. & Groß, D. (eds.). Kassel: Kassel university press, p. 75-90 16 p. ( Studien des Aachener Kompetenzzentrums für Wissenschaftsgeschichte; vol. 18).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Das Interface der Selbstverborgenheit: Szenarien des Intuitiven in Mensch-Roboter Kollaborationen
Kasprowicz, D., 2018, Unterwachen und Schlafen: Anthropophile Medien nach dem Interface. Andreas, M., Kasprowicz, D. & Rieger, S. (eds.). Lüneburg: meson press, p. 159-186 26 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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"Das ist einfach nur unprofessionell": eine Antwort auf Klaus-Jürgen Buchholz
Pinseler, J., 01.01.2001, In: Medien & Kommunikationswissenschaft. 49, 4, p. 551-552 2 p.Research output: Journal contributions › Comments / Debate / Reports › Research
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Das Lego-Ornament der Masse
Gräfe, A., 01.07.2022, Im Sinne der Materialität : Film und Gesellschaft nach Siegfried Kracauer. Hunter, L. & Trautmann, F. (eds.). Berlin: Bertz+Fischer Verlag, p. 91-103 13 p. (IfS - Aus der Reihe; vol. 1).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Transfer
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Das Märchen von der Gewalt durch Medien
Röser, J., 2001, In: COVER. 1, 1, p. 97-98 2 p.Research output: Journal contributions › Journal articles › Research
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Das Medium in Turings Maschine
Warnke, M., 1997, HyperKult: Geschichte, Theorie und Kontext digitaler Medien. Warnke, M., Coy, W. & Tholen, G. C. (eds.). Basel: Stroemfeld, p. 69-82 14 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Das Monster am Ende des Buches
Pias, C., 05.2018, In: Zeitschrift für Kulturwissenschaften. 12, 1, p. 109-114 6 p.Research output: Journal contributions › Journal articles › Transfer › peer-review
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Das Phänomen Trump als Effekt von Microtargeting und Psychometrie
Leistert, O., 29.09.2021, Data Politics: Zum Umgang mit Daten im digitalen Zeitalter. Bachor, M., Hug, T. & Pallaver, G. (eds.). 1 ed. Innsbruck: innsbruck university press, p. 19 - 33 15 p. (Edited Volumes).Research output: Contributions to collected editions/works › Article in conference proceedings › Research › peer-review
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Das Protokoll ermöglicht eine Bruderschaft: Zu Offenheit, dem Sozialen und der Dekolonisierung von Protokollen
Leistert, O., Kyong Chun, W. H. & Shnayien, M., 2023, In: Zeitschrift für Medienwissenschaft. 15, 1, p. 86-94 9 p.Research output: Journal contributions › Journal articles › Research