Institute of Culture and Aesthetics of Digital Media
Organisational unit: Institute
Organisation profile
The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.
Researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.
Main research areas
The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.
In the different core areas researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.
The ICAM maintains close institutional contact and cooperates with the Leuphana, e.g., the Moving Image Lab of the Innovation Incubator, the Leuphana College, the Leuphana Arts Program and the Leuphana Graduate School. Furthermore, the ICAM is responsible for the Audio and Video Labs of the Computer and Media Center of Leuphana.
- 2020
- Published
Die Problematik Granels
Hörl, E., 04.2020, Die totale Produktion: Technik, Kapital und die Logik der Unendlichkeit. Hörl, E. (ed.). Wien: Verlag Turia + Kant, p. 7-37 31 p.Research output: Contributions to collected editions/works › Other › Research
- Published
Die totale Produktion: Technik, Kapital und die Logik der Unendlichkeit
Granel, G., Hörl, E. (Editor) & Strack, L. (Translator), 04.2020, Wien: Verlag Turia + Kant. 279 p.Research output: Books and anthologies › Collected editions and anthologies › Research
- Published
Popgeschichte im Zeichen des Twist
Großmann, R., 04.2020, In: Musik & Ästhetik. 24, 94, p. 98-105 8 p.Research output: Journal contributions › Journal articles › Research › peer-review
- Published
Heinz von Foerster and Early Research in the Field of Pattern Recognition at the Biological Computer Laboratory
Müggenburg, J., 15.04.2020, Computer Aided Systems Theory – EUROCAST 2019 - 17th International Conference, Revised Selected Papers: 17th International Conference, Las Palmas de Gran Canaria, Spain, February 17–22, 2019, Revised Selected Papers, Part I. Moreno-Díaz, R., Pichler, F. & Quesada-Arencibia, A. (eds.). Cham: Springer International Publishing AG, Vol. 1. p. 116–122 7 p. (Lecture Notes in Computer Science (including subseries Lecture Notes in Artificial Intelligence and Lecture Notes in Bioinformatics); vol. 12013 LNCS).Research output: Contributions to collected editions/works › Article in conference proceedings › Research › peer-review
- Published
Angels of Efficiency: A Media History of Consulting
Hoof, F., 28.05.2020, New York: Oxford University Press. 392 p.Research output: Books and anthologies › Monographs › Research
- Published
The Late Masterwork of Gilles Deleuze: Linking Style to Method in What Is Philosophy?
Schönher, M., 01.06.2020, In: Qui Parle: Critical Humanities and Social Sciences. 29, 1, p. 25–63 39 p.Research output: Journal contributions › Journal articles › Research › peer-review
- Published
Emily, Herring, Kevin Matthew, Jones, Konstantin, Kiprijanov, Laura, Sellers. The past, present, and future of integrated history and philosophy of science. London, England: Routledge, 2019.
Borrelli, A., 08.2020, In: Centaurus. 62, 3, p. 579-581 3 p.Research output: Journal contributions › Critical reviews › Research
- Published
Giovan Battista Della Porta's construction of pneumatic phenomena and his use of recipes as heuristic tools
Borrelli, A., 01.08.2020, In: Centaurus. 62, 3, p. 406-424 19 p.Research output: Journal contributions › Journal articles › Research › peer-review
- Published
Sven Dupre (ed.), Perspective as Practice. Renaissance Cultures of Optics. Turnhout, Belgium: Brepols, 2019, 512 p. ISBN 978-2-503-58107-1
Borrelli, A., 10.09.2020, In: NUNCIUS-JOURNAL OF THE HISTORY OF SCIENCE. 35, 2, p. 444-447 4 p.Research output: Journal contributions › Critical reviews › Research
- Published
Homöostat und Cyborg. Zum Verhältnis von Selbstorganisationsforschung und der frühen Biokybernetik
Müggenburg, J. K., 17.09.2020, Affizierungs- und Teilhabeprozesse zwischen Organismen und Maschinen. Ochsner, B., Nikolow, S. & Stock, R. (eds.). Wiesbaden: Springer VS, p. 25-42 18 p. (Technikzukünfte, Wissenschaft und Gesellschaft / Futures of Technology, Science and Society).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research