Institute of Culture and Aesthetics of Digital Media
Organisational unit: Institute
Organisation profile
The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.
Researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.
Main research areas
The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.
In the different core areas researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.
The ICAM maintains close institutional contact and cooperates with the Leuphana, e.g., the Moving Image Lab of the Innovation Incubator, the Leuphana College, the Leuphana Arts Program and the Leuphana Graduate School. Furthermore, the ICAM is responsible for the Audio and Video Labs of the Computer and Media Center of Leuphana.
- 2018
- Published
Zwischen Zeit und Raum, Bewegung und Struktur
Krämer, S., 2018, Axel Malik: Bibliothek der unlesbaren Zeichen. Werner, K. U. (ed.). Berlin: Wolff Verlag, p. 60-63 4 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- Published
Vom Wahn- und Wahrsprechen des technologisch Unbewussten
Apprich, C., 01.01.2018, In: Le Foucaldien. 4, 1, 20 p., 7.Research output: Journal contributions › Journal articles › Research › peer-review
- Published
Wider die Botanik! Biologie und Ästhetik der Zwischenwesen um 1900
Schnödl, G., 01.01.2018, Annals of the History and Philosophy of Biology. Kittelmann, J. (ed.). Göttingen: Universitätsverlag Göttingen, Vol. 22. p. 289-304 15 p. (Annals of the history and philosophy of biology; vol. 22).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- Published
Medialität und Heteronomie. Reflexionen über das Botenmodell als Ansatz einer Medienphilosophie
Krämer, S., 26.02.2018, Handbuch der Medienphilosophie. Schweppenhäuser, G. (ed.). Darmstadt: Wissenschaftliche Buchgesellschaft - WBG, p. 33-44 12 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- Published
Subversive Gamification
Fuchs, M., 27.02.2018, Playful Subversion of Technoculture. Cermak-Sassenrath, D. (ed.). Singapore: Springer, p. 198 - 208 11 p. (Gaming Media and Social Effects).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- Published
The Corrupt State of Artificial Intelligence: Clemens Apprich on Machine Learning and Bias
Apprich, C., 03.2018, In: Texte zur Kunst. 109, p. 136-141 6 p.Research output: Journal contributions › Journal articles › Transfer
- Published
Medienökonomien. Einleitung in den Schwerpunkt
Dommann, M., Hediger, V. & Hoof, F., 01.03.2018, In: Zeitschrift für Medienwissenschaft. 10, 18-1, p. 8-17 10 p.Research output: Journal contributions › Journal articles › Research › peer-review
- Published
Perverse Bienen: Artificial Life und der Apfel der Erkenntnis
Schmickl, T., Müggenburg, J. K. & Warnke, M., 01.03.2018, In: Zeitschrift für Medienwissenschaft. 10, 18-1, p. 98-110 13 p.Research output: Journal contributions › Journal articles › Research › peer-review
- Published
Between Recognition and Abstraction: Early Vocational Training Films
Hoof, F., 22.03.2018, The Image in Early Cinema: Form and Material. Curtis, S., Gunning, T., Gauthier, P. & Yumibe, J. (eds.). Indiana University Press, p. 111-119 9 p. (The Image in Early Cinema).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- Published
Sonderheft Medienökonomien, Zeitschrift für Medienwissenschaft, Vol 18, Nr. 1
Hoof, F. (Editor), Dommann, M. (Editor) & Hediger, V. (Editor), 04.2018, Bielefeld: transcript Verlag. 210 p. (Zeitschrift für Medienwissenschaft; vol. 18, no. 1)Research output: Books and anthologies › Special Journal issue › Research