Institute of Culture and Aesthetics of Digital Media
Organisational unit: Institute
Organisation profile
The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.
Researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.
Main research areas
The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.
In the different core areas researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.
The ICAM maintains close institutional contact and cooperates with the Leuphana, e.g., the Moving Image Lab of the Innovation Incubator, the Leuphana College, the Leuphana Arts Program and the Leuphana Graduate School. Furthermore, the ICAM is responsible for the Audio and Video Labs of the Computer and Media Center of Leuphana.
- 2010
- Published
Die Konstitutionsfunktion des Krieges: Konstitutionstheoretische Zugänge zum Krieg in der deutschen Gegenwartssoziologie
Spreen, D., 2010, Forschungsthema: Militär: militärische Organisationen im Spannungsfeld von Krieg, Gesellschaft und soldatischen Subjekten . Apelt, M. (ed.). Wiesbaden: VS Verlag für Sozialwissenschaften, p. 49 - 86 37 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
- Published
Die Kunst zwischen Verdacht und Anspruch: Michael Scharang vor und nach dem "literarischen Realismus"
Schnödl, G., 2010, In: Temeswarer Beiträge zur Germanistik. 7, p. 335-350 16 p.Research output: Journal contributions › Journal articles › Research
- Published
Die Lebewesen und ihre Medien
Berz, P., 2010, Ambiente: das Leben und seine Räume ; basiert auf dem Symposium "Ambiente: das Leben & Seine Räume", das 2008 im Rahmen des Festivals Paraflows in Wien stattgefunden hat. Brandstetter, T., Harasser, K. & Friesinger, G. (eds.). Wien: Verlag Turia + Kant, p. 23-49 27 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- Published
Die Sicherheit der Weltgesellschaft: Zur politischen Konstitution von Gesellschaft
Spreen, D., 2010, Wege der Sicherheitsgesellschaft: Gesellschaftliche Transformationen der Konstruktion und Regulierung innerer Unsicherheiten. Groenemeyer, A. (ed.). Wiesbaden: VS Verlag für Sozialwissenschaften, p. 192-229 37 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- Published
Die unsichtbare Stadt: Überlegungen zu einer erfinderischen Pädagogik
Beyes, T., 2010, Stadt als Bühne: Szenische Eingriffe in einen Stadtkörper ; ein Praxisbuch angewandter Wissenschaft. Riklin, M. & Ingold, S. (eds.). Rorschach: Schwan-Verlag, p. 241-254 15 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
- Published
Distanzierte Verhältnisse? Zur Musikinstrumentalisierung der Reproduktionsmedien
Großmann, R., 2010, Klang (ohne) Körper: Spuren und Potenziale des Körpers in der elektronischen Musik. Harenberg, M. & Weissberg, D. (eds.). Bielefeld: transcript Verlag, p. 183-200 18 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- Published
"Dis wo ich herkomm" - Ver(un)sicherungen nationaler Identität in Texten aktueller deutschsprachiger Popmusik
Kruse, M.-M., 2010, In: Samples. 9, 26 p.Research output: Journal contributions › Journal articles › Research
- Published
Einleitung: Von der "Klein-Hypothese" zur Beratung der Gesellschaft
Pias, C. & Vehlken, S., 2010, Think Tanks : Die Beratung der Gesellschaft. Brandstetter, T., Pias, C. & Vehlken, S. (eds.). Zürich, Berlin: Diaphanes Verlag, p. 7-15 9 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
- Published
Fishy Business: Mediale Durchmusterung von Schwärmen unter Wasser
Vehlken, S., 2010, Grenzflächen des Meeres. Brandstetter, T., Harasser, K. & Friesinger, G. (eds.). Wien: Verlag Turia + Kant, p. 157-196 40 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
- Published
Hans Joas / Wolfgang Knöbl, Kriegsverdrängung. Ein Problem in der Geschichte der Sozialtheorie. Frankfurt am Main 2008: Suhrkamp
Spreen, D., 2010, In: Soziologische Revue. 33, 3, p. 364-367 4 p.Research output: Journal contributions › Critical reviews › Research