Institute of Culture and Aesthetics of Digital Media
Organisational unit: Institute
Organisation profile
The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.
Researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.
Main research areas
The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.
In the different core areas researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.
The ICAM maintains close institutional contact and cooperates with the Leuphana, e.g., the Moving Image Lab of the Innovation Incubator, the Leuphana College, the Leuphana Arts Program and the Leuphana Graduate School. Furthermore, the ICAM is responsible for the Audio and Video Labs of the Computer and Media Center of Leuphana.
- 2013
Ludic Overload - Ludic Overkill: Gamification in the age of Media Overload
Fuchs, M. (Lecturer)
13.09.2013Activity: Talk or presentation › Guest lectures › Transfer
Fotografische Wirklichkeiten in der Krisenkommunikation
Grittmann, E. (Lecturer)
26.08.2013 → 30.08.2013Activity: Talk or presentation › Guest lectures › Education
Das subversive Bild
Warnke, M. (Speaker)
22.07.2013 → 23.07.2013Activity: Talk or presentation › talk or presentation in privat or public events › Research
Die Bit-Tiefe der Dekaden
Warnke, M. (Speaker)
06.07.2013Activity: Talk or presentation › Conference Presentations › Research
Fotojournalismus in der Weimarer Republik: Berufsfeld und Selbstverständnis
Grittmann, E. (Speaker)
04.07.2013 → 05.07.2013Activity: Talk or presentation › Guest lectures › Education
MIDI-Geschichte(n)
Großmann, R. (Speaker)
04.07.2013 → 06.07.2013Activity: Talk or presentation › Conference Presentations › Research
Dispositive der Futurhythmaschine: Medientheorie(n) aus der Drum-Machin
Pelleter, M. (Lecturer)
02.07.2013Activity: Talk or presentation › Guest lectures › Education
Critical Cosmopolitanism and Media. A theoretical perspective for an understanding of transnational media communication and media culture - 2013
Grittmann, E. (Speaker)
25.06.2013 → 29.06.2013Activity: Participating in or organising an academic or articstic event › Conferences › Research
Rethinking Otherness: Cosmopolitanism and new platforms
Grittmann, E. (Speaker)
25.06.2013 → 29.06.2013Activity: Talk or presentation › Conference Presentations › Research
Kommentar zu dem Vortrag »Die Materialität der Gewalt und die Möglichkeiten der Kultursoziologie« (A. Pettenkofer)
Spreen, D. (Panel participant)
21.06.2013Activity: Talk or presentation › Guest lectures › Research