School of Culture and Society

Organisational unit: Research School

Organisation profile

Leuphana University Lüneburg's School of Culture and Society is driven by the deep conviction that contemporary scientific and societal challenges can only be addressed by transcending traditional academic disciplines. Our college’s five institutes feature more than one hundred faculty from disciplines including art history, literary studies, media studies, philosophy, sociology, geography, and history. Together, they form a highly integrated network in terms of both their research and teaching, continuing a successful tradition of cooperation and collaboration in cultural studies that has defined our programme for almost forty years.

Main research areas

 

Culture and Society at Leuphana

More than 100 academics from the humanities and social sciences work at the School of Culture and Society at Leuphana. They pursue the shared goal of further developing the cultural studies project in the context of changing socio-cultural conditions. The point is not to dissolve individual disciplines in the humanities and social sciences, but rather to establish a specific cultural studies programme that aims at a critique of the present.

Research Areas

The School of Culture and Society focuses on cross-disciplinary research that explores questions that are highly significant to contemporary society. Our two primary research areas (Digital Cultures and Cultures of Critique) and our one research initiative (Cultures of Conflict) form a framework for innovative, advanced research in cultural studies. All of these research areas rely heavily on collaboration, and they include colloquia, conferences, and summer programs as well as ongoing collaborations with numerous externally funded projects.

 

  1. Published

    Zukunft Publikum: Jahrbuch für Kulturmanagement 2012

    Bekmeier-Feuerhahn, S. (Editor), van den Berg, K. (Editor), Höhne, S. (Editor), Keller, R. (Editor), Mandel, B. (Editor), Tröndle, M. (Editor) & Zembylas, T. (Editor), 2012, 1. ed. Bielefeld: transcript Verlag. 424 p. (Jahrbuch für Kulturmanagement; no. 4.2012)

    Research output: Books and anthologiesCollected editions and anthologiesResearch

  2. Published

    World Heritage Tourism and Cultural Dialogue: The World Heritage Site of Ambohimanga (Madagascar) as a Transdifferential Space

    Saretzki, A. & May, C., 01.2013, Tourism in the Global South: Heritages, Identities and Development. Sarmento, J. & Brito-Henriques, E. (eds.). Centro de Estudos Geográficos, Universidade de Lisboa, p. 45-64 20 p.

    Research output: Contributions to collected editions/worksArticle in conference proceedingsResearchpeer-review

  3. Published

    Integrating rural development and biodiversity conservation in Central Romania

    Newig, J., Milcu, A. I., Hartel, T., Mikulcak, F. & Fischer, J., 06.2013, In: Environmental Conservation. 40, 2, p. 129-137 9 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  4. Published
  5. Published

    Spannung, Spiel und Schwarzgerät. Zur Kulturtechnik des Unboxing

    Müggenburg, J., 2012, In: Off topic. 5, 4, p. 30-34 5 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  6. Published

    Medienkonfigurationen als Teil (musikalisch-)ästhetischer Prozesse

    Großmann, R., 2012, Ästhetik x Dispositiv: Die Erprobung von Erfahrungsfeldern. Bippus, E., Huber, J. & Nigro, R. (eds.). Zürich: Springer-Verlag Wien, p. 207-216 10 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  7. Published

    The financialisation of business ethics

    Beverungen, A., Dunne, S. & Hoedemaekers , C., 01.01.2013, In: Business Ethics: A European Review. 22, 1, p. 102-117 16 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  8. Published

    303, MPC, A/D: Popmusik und die Ästhetik digitaler Gestaltung

    Großmann, R., 2013, Performativität und Medialität Populärer Kulturen: Theorien, Ästhetiken, Praktiken. Kleiner, M. & Wilke, T. (eds.). Wiesbaden: Springer, p. 299-319 20 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  9. Published

    »Chop that record up!«: Zum Sampling als performative Medienpraxis

    Pelleter, M., 2013, Performativität und Medialität populärer Kulturen: Theorien – Ästhetiken – Praktiken. Kleiner, M. S. & Wilke, T. (eds.). Wiesbaden: VS Verlag für Sozialwissenschaften, p. 391-414 21 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  10. Published

    Vielfältige Partizipation oder Repräsentation von Vielfalt in der Occupy-Bewegung?

    Knappe, H., 2012, Vielfalt und Zusammenhalt: 36. Kongress der Deutschen Gesellschaft für Soziologie. Pries, L. (ed.). Frankfurt am Main: Deutsche Gesellschaft für Soziologie, p. 325 1 p.

    Research output: Contributions to collected editions/worksPublished abstract in conference proceedingsResearchpeer-review