School of Culture and Society
Organisational unit: Research School
Organisation profile
Leuphana University Lüneburg's School of Culture and Society is driven by the deep conviction that contemporary scientific and societal challenges can only be addressed by transcending traditional academic disciplines. Our college’s five institutes feature more than one hundred faculty from disciplines including art history, literary studies, media studies, philosophy, sociology, geography, and history. Together, they form a highly integrated network in terms of both their research and teaching, continuing a successful tradition of cooperation and collaboration in cultural studies that has defined our programme for almost forty years.
Main research areas
Culture and Society at Leuphana
More than 100 academics from the humanities and social sciences work at the School of Culture and Society at Leuphana. They pursue the shared goal of further developing the cultural studies project in the context of changing socio-cultural conditions. The point is not to dissolve individual disciplines in the humanities and social sciences, but rather to establish a specific cultural studies programme that aims at a critique of the present.
Research Areas
The School of Culture and Society focuses on cross-disciplinary research that explores questions that are highly significant to contemporary society. Our two primary research areas (Digital Cultures and Cultures of Critique) and our one research initiative (Cultures of Conflict) form a framework for innovative, advanced research in cultural studies. All of these research areas rely heavily on collaboration, and they include colloquia, conferences, and summer programs as well as ongoing collaborations with numerous externally funded projects.
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Music City: Musikalische Annäherungen an die kreative Stadt
Barber-Kersovan, A. (Editor), Kirchberg, V. (Editor) & Kuchar, R. (Editor), 28.03.2014, 1. ed. Bielefeld: transcript Verlag. 344 p. (Urban Studies)Research output: Books and anthologies › Collected editions and anthologies › Research
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Music City: Musikalische Annäherungen an die kreative Stadt
Kirchberg, V., Barber-Kersovan, A. & Kuchar, R., 28.03.2014, Music City : Musikalische Annäherungen an die "kreative Stadt". Barber-Kersovan , A., Kirchberg, V. & Kuchar, R. (eds.). 1 ed. Bielefeld: transcript Verlag, p. 9-31 22 p. (Urban Studies).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Music Spaces in Conflict: Local Scenes, Live-Music Industry, and the 'Urban Growth Machine' in Hamburg
Kuchar, R., 2016, Arts and Creativity: Working on Identity and Difference: 9th Midterm Conference of the RN Sociology of the Arts, Book of Abstracts. Guerra, P. & Kagan, S. (eds.). Universidade Porto, p. 107 1 p.Research output: Contributions to collected editions/works › Published abstract in conference proceedings › Research › peer-review
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Music Venues in Transition: States of Autonomy, Dependence and Subcultural Institutionalization
Kuchar, R., 2020, In: Todas as Artes. 3, 2, p. 25-41 17 p.Research output: Journal contributions › Journal articles › Research › peer-review
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Musikalische Identitäten von Jugendlichen in Deutschland in institutionellen transkulturellen Kontexten
Gaupp, L., 2009, Moderne. Kulturwissenschaftliches Jahrbuch: Migration. Mitterbauer, H., Scherke, K. & Millner, A. (eds.). Innsbruck: Österreichischer Studien Verlag, Vol. 4. p. 245-249 5 p. (Kulturwissenschaftliches Jahrbuch; vol. 4.2008).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Musikalische Wiederholung und Wiederaneignung: Collagen, Loops und Samples
Großmann, R., 2015, Musik im Spektrum technologischer Entwicklungen und Neuer Medien: Festschrift für Bernd Enders. Bense et al., A. (ed.). Osnabrück: EPOS-Verlag, p. 207-218 11 p. (Medienästhetik der Musik; vol. 15).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Musikbegriff, erweiterter
Gaupp, L., 2010, Lexikon Musik und Gender. Kreutziger-Herr, A. & Unseld, M. (eds.). Kassel: J.B. Metzler, p. 320 1 p.Research output: Contributions to collected editions/works › Articles for encyclopedia › Research
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Musikclubs in der Livemusikökologie: Situation und kulturpolitische Implikationen in Zeiten der Pandemie
Kuchar, R., 20.06.2023, KULTUR:WANDEL: Impulse für die Next Society. Grädler, F., Blaich, A., Mohr, H. & Seibold, H. (eds.). Bielefeld: transcript Verlag, p. 111-122 12 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Transfer › peer-review
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Musikclubs zwischen Szene, Stadt und Music Industries: Autonomie, Vereinnahmung, Abhängigkeit.
Kuchar, R., 2020, 1 ed. Wiesbaden: VS Verlag für Sozialwissenschaften. 314 p.Research output: Books and anthologies › Monographs › Research
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Musik Computer Tanz: Auf den Spuren des Resonanzparadigmas, 1900/2000
Leeker, M., 2009, Tanz im Musiktheater – Tanz als Musiktheater: Bericht eines internationalen Symposiums über Beziehungen von Tanz und Musik im Theater. Betzwieser, T., Mungen, A., Münzmay, A. & Schroedter, S. (eds.). Würzburg: Königshausen & Neumann, p. 449-464 15 p. (Thurnauer Schriften zum Musiktheater; vol. 22).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research