Centre for Digital Cultures
Organisational unit: Institute
Organisation profile
Contemporary culture is characterized by the ubiquity of digital media technologies and infrastructures, which are constantly configuring our techniques for processing, storing, and transmitting data. As a result, our everyday practices of connecting, relating, reading, writing, perceiving, sharing, competing, and communicating are undergoing significant changes. At the same time, these technologies are closely tied to major societal challenges such as climate change, global conflicts, digital divides and social unjustness. In this dynamic context, the Centre for Digital Cultures (CDC) directly addresses the emergence of new and complex qualities of vernacular socio-technical life. This involves the development of advanced theory and innovative study programmes. We are concerned with the question of how we can understand and shape digital cultures today.
Main research areas
The digital shift re-shapes the cultural sectors, and, indeed, everyday life, politics, law, and economics. the Centre for Digital Cultures (CDC), affiliated to Leuphana University of Lüneburg, examines this shift through a range of interdisciplinary methodologies, including media, cultural and social studies, through knowledge creation and transfer, as well as by developing experimental and interventionist media practices. Established in 2012, as one of the first research centres in Europe to research the emergence of digital cultures, the CDC continues to produce cutting-edge research on socio-technical regimes of inclusion and exclusion. Since its inception, the CDC has built an innovative network and research environment, where academic institutions, practitioners, and civil society stakeholders engage with new concepts, formats, and applications within digital cultures.
Current Research Areas
- Climate Futures
- (B)Orders, Identities and Belonging in the Digital Age
- Cities, Infrastructures, Logistics, Platforms
- 2008
- Published
Camouflagen des Computers: McLuhan und die Neo-Avantgarden der 1960er Jahre
Leeker, M., 2008, McLuhan neu Lesen: Kritische Analysen zu Medien und Kultur im 21. Jahrhundert. De Kerckhove, D., Leeker, M. & Schmidt, K. (eds.). Bielefeld: transcript Verlag, p. 345-375 31 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
- Published
Einleitung - McLuhan neu lesen: Zur Aktualität des kanadischen Medientheoretikers
Leeker, M. & Schmidt, K., 2008, McLuhan neu Lesen: Kritische Analysen zu Medien und Kultur im 21. Jahrhundert. De Kerckhove, D., Leeker, M. & Schmidt, K. (eds.). Bielefeld: transcript Verlag, p. 19-50 32 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
- Published
"If you like something, you want it to develop.": Zum Einsatz der Videokamera in den Filmen Lars von Triers
Kirchner, A., 2008, Abschied vom Zelluloid?: Beiträge zur Geschichte und Poetik des Videobildes. Kirchner, A., Prümm, K. & Richling, M. (eds.). Marburg: Schüren Verlag, p. 111-134 24 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- Published
McLuhan neu lesen: Kritische Analysen zu Medien und Kultur im 21. Jahrhundert
de Kerckhove, D. (Editor), Leeker, M. (Editor) & Schmidt, K. (Editor), 2008, Bielefeld: transcript Verlag. 508 p.Research output: Books and anthologies › Monographs › Research
- Published
Paradoxe Kritik
Wuggenig, U., 2008, In: transversal / EIPCP multilingual webjournal. 8, 6 p.Research output: Journal contributions › Journal articles › Research
- Published
Störungen und Erkenntnistrübungen in Maschinentheatern: Kulturelle Leistungen bildgebender Oberflächen (quadro) im 17. Jahrhundert und seit den 1960er Jahren
Leeker, M., 2008, Spuren der Avantgarde: Theatrum machinarum. Frühe Neuzeit und Moderne im Kulturvergleich. Schramm, H., Lazardzig, J. & Schwarte, L. (eds.). Berlin: Walter de Gruyter GmbH, p. 271-297 27 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
- Published
The Clock of the Long-Now: Die Uhr, die Langeweile und der Beobachter
Sprenger, F., 2008, Paradoxien der Langeweile. Heller, F. (ed.). Marburg: Schüren Verlag, p. 104–116 13 p. (AugenBlick : Konstanzer Hefte zur Medienwissenschaft; no. 41).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
- Published
Weibliche Medien um 1900: Über okkulte Herkünfte der Medienwissenschaft
Leeker, M., 2008, Gendermedia: Zum Denken einer neuen Disziplin. Wagner, H. (ed.). Weimar: Verlag und Datenbank für Geisteswissenschaften - VDG Weimar, p. 117 - 140 24 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
- 2007
- Published
1+1=1: Bewegte Elemente im Werk Andrej Tarkowskijs
Sprenger, F., 2007, Philosophie des Films. Leitner, B. & Engell, L. (eds.). Weimar: Verlag der Bauhaus-Universität Weimar, p. 128-141 14 p. (Philosophische Diskurse; vol. 8).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
- Published
Arttvism: Quando l'arte diventa consapevole ; intervista di Tatiana Bazzichelli
Bazzichelli, T. (Contributor), 2007, Artivismo Tecnologico: Scritti e interviste su arte, politica, teatro e tecnologie. Verde, G. (ed.). Pisa: BFS, p. 56-58 3 p. (Biblioteca universale Utopie; vol. 7).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research