Centre for Digital Cultures
Organisational unit: Institute
Organisation profile
Contemporary culture is characterized by the ubiquity of digital media technologies and infrastructures, which are constantly configuring our techniques for processing, storing, and transmitting data. As a result, our everyday practices of connecting, relating, reading, writing, perceiving, sharing, competing, and communicating are undergoing significant changes. At the same time, these technologies are closely tied to major societal challenges such as climate change, global conflicts, digital divides and social unjustness. In this dynamic context, the Centre for Digital Cultures (CDC) directly addresses the emergence of new and complex qualities of vernacular socio-technical life. This involves the development of advanced theory and innovative study programmes. We are concerned with the question of how we can understand and shape digital cultures today.
Main research areas
The digital shift re-shapes the cultural sectors, and, indeed, everyday life, politics, law, and economics. the Centre for Digital Cultures (CDC), affiliated to Leuphana University of Lüneburg, examines this shift through a range of interdisciplinary methodologies, including media, cultural and social studies, through knowledge creation and transfer, as well as by developing experimental and interventionist media practices. Established in 2012, as one of the first research centres in Europe to research the emergence of digital cultures, the CDC continues to produce cutting-edge research on socio-technical regimes of inclusion and exclusion. Since its inception, the CDC has built an innovative network and research environment, where academic institutions, practitioners, and civil society stakeholders engage with new concepts, formats, and applications within digital cultures.
Current Research Areas
- Climate Futures
- (B)Orders, Identities and Belonging in the Digital Age
- Cities, Infrastructures, Logistics, Platforms
- 2009
- Published
Daten tanzen: Zum Projekt Choreography and Cognition von Wayne McGregor
Leeker, M., 2009, In: Ästhetik & Kommunikation. 40, 146, p. 31-38 8 p.Research output: Journal contributions › Journal articles › Research
- Published
DOGMAlen nach Zahlen: Kristina M. Schulte-Eversum versucht mit Zahlen zu belegen, wie Dogma 95-Filme durch den Bruch filmischer Konventionen die Grenzen zwischen Dokumentation und Fiktion überwinden und eine eigene Hybridform herausbilden
Kirchner, A., 2009, In: literaturkritik.de. 9Research output: Journal contributions › Critical reviews › Research
- Published
DRM... TRIPS... WIPO... Ein kleines Glossar zum UrheberInnenrecht
Apprich, C., 2009, In: Kulturrisse : Zeitschrift für radikaldemokratische Kulturpolitik. 4, p. 8-9 2 p.Research output: Journal contributions › Journal articles › Transfer
- Published
"It´s All in the Game": Computerspiele zwischen Spiel und Erzählung
Beil, B. (Editor), Simons, S. (Editor), Sorg, J. (Editor) & Venus, J. (Editor), 2009, Marburg: Schüren Verlag. 169 p. (Navigationen – Zeitschrift für Medien- und Kulturwissenschaften; vol. 9, no. 1)Research output: Books and anthologies › Special Journal issue › Research
- Published
It's the community, stupid! Urbane Regierungstechniken der Selbstverwaltung
Apprich, C., 2009, Phantom Kulturstadt. Becker, K. & Wassermair, M. (eds.). Wien: Löcker Verlag, p. 244-250 (Texte zur Zukunft der Kulturpolitik; no. 2).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
- Published
Macht und Machtlosigkeit: Ein Interview mit Saskia Sassen
Apprich, C., 2009, In: Kulturrisse : Zeitschrift für radikaldemokratische Kulturpolitik. 2, p. 4-6 3 p.Research output: Journal contributions › Journal articles › Transfer
- Published
Musik Computer Tanz: Auf den Spuren des Resonanzparadigmas, 1900/2000
Leeker, M., 2009, Tanz im Musiktheater – Tanz als Musiktheater: Bericht eines internationalen Symposiums über Beziehungen von Tanz und Musik im Theater. Betzwieser, T., Mungen, A., Münzmay, A. & Schroedter, S. (eds.). Würzburg: Königshausen & Neumann, p. 449-464 15 p. (Thurnauer Schriften zum Musiktheater; vol. 22).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
- Published
Pragmatism versus Artificial Art: Computer Stories
Leeker, M., 2009, Americanisms: Discourses of Exception, Exclusion, Exchange ; [conference on "Americanisms" at the University of Bayreuth between January 30 and February 1, 2008]. Steppat, M. (ed.). Heidelberg: Winter Universitätsverlag, p. 67-84 18 p. (American Studies; vol. 173).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
- Published
Von der Leidenschaft, Bilder zu zeigen, die man so noch nicht gesehen hat: Die 11. Marburger Kameragespräche mit dem Träger des Marburger Kamerapreises 2009 Wolfgang Thaler
Kirchner, A., 2009, In: MEDIENwissenschaft. Rezensionen. Reviews.. 2, p. 109-114 6 p.Research output: Journal contributions › Journal articles › Research › peer-review
- 2008
- Published
Kunsthochschulen, Universitäten und der Bologna-Prozess
Wuggenig, U., 08.04.2008, Hamburg : Verein zur Förderung von Kunst und Kritik e.V. .Research output: other publications › Articles in scientific forums or blogs › Research