Centre for Digital Cultures
Organisational unit: Institute
Organisation profile
Contemporary culture is characterized by the ubiquity of digital media technologies and infrastructures, which are constantly configuring our techniques for processing, storing, and transmitting data. As a result, our everyday practices of connecting, relating, reading, writing, perceiving, sharing, competing, and communicating are undergoing significant changes. At the same time, these technologies are closely tied to major societal challenges such as climate change, global conflicts, digital divides and social unjustness. In this dynamic context, the Centre for Digital Cultures (CDC) directly addresses the emergence of new and complex qualities of vernacular socio-technical life. This involves the development of advanced theory and innovative study programmes. We are concerned with the question of how we can understand and shape digital cultures today.
Main research areas
The digital shift re-shapes the cultural sectors, and, indeed, everyday life, politics, law, and economics. the Centre for Digital Cultures (CDC), affiliated to Leuphana University of Lüneburg, examines this shift through a range of interdisciplinary methodologies, including media, cultural and social studies, through knowledge creation and transfer, as well as by developing experimental and interventionist media practices. Established in 2012, as one of the first research centres in Europe to research the emergence of digital cultures, the CDC continues to produce cutting-edge research on socio-technical regimes of inclusion and exclusion. Since its inception, the CDC has built an innovative network and research environment, where academic institutions, practitioners, and civil society stakeholders engage with new concepts, formats, and applications within digital cultures.
Current Research Areas
- Climate Futures
- (B)Orders, Identities and Belonging in the Digital Age
- Cities, Infrastructures, Logistics, Platforms
- 2012
- Published
Vom Nutzen enger Kanäle – Diskursverknappung als Methode
Warnke, M., 2012, Öffentliche Wissenschaft und Neue Medien: Die Rolle der Web 2.0-Kultur in der Wissenschaftsvermittlung. Robertson-von Trotha, C. Y. & Muñoz Morcillo, J. (eds.). Karlsruhe: KIT Scientific Publishing, p. 91-99 9 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
- Published
Wahrnehmungsmaschinen: Über das Werk von Seiko Mikami
Broeckmann, A., 2012, The Big Picture: Weltbilder für die Zukunft ; Ars Electronica 2012, Festival für Kunst, Technologie und Gesellschaft, 30. August - 3. September 2012. Leopoldseder, H. (ed.). Ostfildern: Hatje Cantz Verlag, p. 63-63 1 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Transfer › peer-review
- Published
Zur Einleitung: Die Macht der Gefühle
Beyes, T. & Metelmann, J., 2012, Die Macht der Gefühle: Emotionen in Management, Organisation und Kultur. Metelmann, J. & Beyes, T. (eds.). Berlin: Berlin University Press, p. 7-22 16 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- 2011
- Published
Interfaces Ludiques
Fuchs, M., 01.12.2011, Jusqu'ici, tout va bien: Rencontres des arts numériques, électroniques et médiatiques. Bébié Valérian, G. (ed.). Le Vigan, France: Oudeis, p. 18 - 23 5 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- Published
Tracing Concepts: In, Out and Through Computing
Romic, N. & Gardner, E., 15.07.2011, In: Volume. 28, p. 1-24 24 p.Research output: Journal contributions › Journal articles › Research
- Published
Automatismen im Tanz: Vom Agenten-Züchten
Leeker, M., 2011, Unsichtbare Hände: Automatismen in Medien-, Technik- und Diskursgeschichte. Bublitz, H., Kaldrack, I., Röhle, T. & Winkler, H. (eds.). 1 ed. Paderborn: Wilhelm Fink Verlag, p. 111-140 30 p. (Schriftenreihe des Graduiertenkollegs "Automatismen").Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
- Published
Die übertragene Revolution
Apprich, C., 2011, In: Kulturrisse : Zeitschrift für radikaldemokratische Kulturpolitik. 4/2011, p. 7 1 p.Research output: Journal contributions › Journal articles › Transfer
- Published
Intermediale Performances: Vom Umgang mit Medienkonvergenz 1966/2001
Leeker, M., 2011, Blickregime und Dispositive audiovisueller Medien. Elia-Borer, N., Sieber, S. & Tholen, G. C. (eds.). Bielefeld: transcript Verlag, p. 87-110 24 p. (MedienAnalysen; no. 13).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- Published
Mit Pixel und Korn: DV-Ästhetik und DOGMA-Film
Kirchner, A., 2011, Film im Zeitalter "Neuer Medien": Fernsehen und Video. Segeberg, H. (ed.). 1 ed. München: Wilhelm Fink Verlag, Vol. 1. p. 339-366 28 p. (Mediengeschichte des Films; vol. 7).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- Published
Places of Memory, Topologies of Remembrance: On Still/Silence - Text for solo exhibition by Erika Matsunami & Antonis
Yoshida, M., 2011, Still = Silent. Matsunami, E. (ed.). Berlin: Revolver Publishing, p. 41-43 3 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Transfer